Abstract

This work presents a study of the characteristics of the Theatre of the Absurd in Latin America and in particular Ecuador, through the study of the work of the Ecuadorian author Cristian Cortez. We review the origins of the genre from the original works of its founders -such as Samuel Beckett and Eugene Ionesco in Europe- and base our analysis in the classification made by Martin Esslin in his book Theatre of the Absurd. This study pays particular attention to the conditions in which this genre developed in Latin America, the cultural, political, social and economic aspects, and the main similarities with its origins in Europe. The analysis is based on five short plays by Cristian Cortez. The contrast among these plays is analyzed from the motivations of the author to the means that he uses to fulfill his objective. Among his plays, the most outstanding elements are mainly related with women and their struggles to live their lives and fulfill their desires in Latin American society. As we will show, the plays analyzed have many of the elements that define the theatre of the absurd and make the author a perfect example of this theatrical movement in Latin America.

Advisor

Enrique Torner

First Committee Member

Kimberly Contag

Second Committee Member

Adriana Gordillo

Date of Degree

2014

Language

spanish

Document Type

Thesis

Degree

Master of Science (MS)

Department

World Languages and Cultures

College

Arts and Humanities

Creative Commons License

Creative Commons Attribution-Noncommercial 4.0 License
This work is licensed under a Creative Commons Attribution-Noncommercial 4.0 License

Share

COinS
 
 

To view the content in your browser, please download Adobe Reader or, alternately,
you may Download the file to your hard drive.

NOTE: The latest versions of Adobe Reader do not support viewing PDF files within Firefox on Mac OS and if you are using a modern (Intel) Mac, there is no official plugin for viewing PDF files within the browser window.