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Documents From 2017

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Creating the Role of Georgie Bukatinsky in "The Full Monty", Erin Horst

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Technical Direction of Frankenstein 1930, Isaac Sawle

Documents From 2016

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A Dramaturgical Analysis of The Miracle Worker, Abby Butzer

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Directing Time Stands Still, Michael Bradley Sheeks

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The Sound Design of Antigone, Luke Jacob Walchuk

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Creating the Role of Frederick Barrett in Titanic: The Musical, Adam Val Yankowy

Documents From 2015

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Sound Design for Our Town, Anna Warda Alex

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Directing A Piece of My Heart, Matthew L. Caron

Documents From 2014

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The Scene Design For Kiss of the Spider Woman, Noah Jon Michael Files

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Recreating Paris in Les Miserables, Joel Schiebout

Documents From 2013

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How To Improve Theatre Arts Education In Chinese Higher Educational Institutes, Ji Ding

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The Lighting Design for A Chorus Line, Jordan William Green

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Creating the Role of Nicia in The Mandrake, Robert T. Krueger

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Technical Direction for Abe Burrows' Cactus Flower, Lawrence A. Lopez

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An Actor on the Line: Becoming Judy Turner in A Chorus Line, Morgan Mallory

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Play Selection Process of Minnesota Catholic High Schools, Amanda Pyfferoen

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A Director's Approach to I Love You Because, Adam Karal Sahli

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A Costume Designer's Approach to Agatha Christie's And Then There Were None, Angela Kristie Sahli

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Technical Direction of Chicago, Joseph Jerome Skala

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Scene Design of A Chorus Line, Naoko Ishizuka Skala

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The Process of Directing Edward Albee's The Goat, or Who is Sylvia, Shelley Whitehead