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For 1st information I want to pass a lot of this session is being recorded.

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And the recording, and the slides only available on the conference website after this session is over.

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Also, after the session, you are going to be directed to take a brief survey so please fill that out if possible. It's very helpful for. Oh, I have to have that kind of feedback as far as audio.

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Attendee should be a listen only mode to adjust your audio, go to the toolbar and select a speaker in the microphone settings and test the speaker microphone that you wish to use for the session.

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There was also the live captioning feature you can name alive caffeine by clicking on the blue continue button on the right hand panel for Webex teams short on site messages not displayed selected Tweet dots at the bottom right?

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Corner of the Webex screen.

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There are also settings for capturing, you can modify the size of the character by clicking on the letters or just more specific aspects of the capturing by clicking on the gear.

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As far as questions and comments go please submit all questions or comments that you would have to Jay by chat and please make sure to choose in the drop down menu to everyone. The moderator will ask the questions That'll be me.

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I'll ask the questions to the speaker and Webex also issues chats to host.

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So this is a K white.

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I'm going to give a brief bio Jay, and then turn this presentation over to him.

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Jay whites is the senior consulting database specialist and policy,

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and he has been in since 1982,

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he was previously assistant cataloging library of the Capitol University becks,

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the Ohio liaison to move.

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polack park advisory committee the standards committee.

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And if what you said, so, the bibliography standing committee represents the catalog you standing committee on ccda as the secretary of the permanent committee.

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He is the author of catalogue or judgment, both editions of music coding and tagging and Q and a columns and the move newsletter and the olack newsletter.

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He has a BA, in English from University of Pennsylvania, and nevertheless for record University and that may end education from Ohio State University. Jay was the recipient of the move.

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This thing was service or 2004 and 2005 to 2019 years. The recipient of the music library associations, lifetime achievement award, and the highest order citation.

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So, without further ado, I'm going to pass this over to Jay.

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Hello.

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Yeah, I don't have the little ball. Yes, I have. Okay. All right. I'm going to take my video off and send it over to you.

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Okay.

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Thank you, Rami. You awesome.

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Hello, everyone, uh.

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I don't seem to have who, Charlene are you going to switch to the to my.

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Workshop the.

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I'm sorry.

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If you go to the top in present.

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That is.

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There's a patient.

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Played on the top of the screen.

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To fix it, I will change that.

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Let me know if you have.

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Sorry.

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I can there we go. Okay.

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As you can see, I don't know what I'm doing, so expect to have some glitches and various things going wrong. And I apologize in advance.

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This is the basic video cataloging workshop.

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And, um, with any lock, it will go better than it has. So far.

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1st of all.

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Um, if you catalog films videos and or all electronic resources, and you are not already.

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A member of our whack please consider, joining in these these particular times, of course, all small nonprofit organizations are, having problems staying in existence.

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So please join a lack of you are not already a member.

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If as many of us, do you also catalog music sound recordings scores, any kind of music also consider joining the musical CLC years.

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This group, which is a lax sibling organization. There's no formal relationship between the 2, but they are, they work together a lot and they are both excellent.

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They're both excellent. Are people having trouble with the with my.

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Audio.

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Well, um, they both excellent sources of, of all sorts of information.

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So please think about joining both.

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The mucus the user group and all lack.

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Oh,

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lax cataloging policy committee is among the most important elements of olack it Cassie represents the concerns of a catalogs and matters relating to the formation

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interpretation and implementation of national and international cataloging standards and related matters.

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That's the underlying purpose of Pepsi, but on a day to day basis, it also provides.

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Practical guidance on cataloging through it's many useful often invaluable documents capsule and its various subgroups are constantly hard at work.

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Revising or creating best practice guidelines.

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And other useful tools for this brave, new world of rba.

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These tools additionally assist those who don't adopt already to understand what what you're seeing and not seeing in our records.

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Throughout this presentation reference will be made to and quotations borrowed from many of the olack best practices documents, including the 4 that I have listed here.

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The best practices for cataloging DVD, video and blue right discs using. And Mark 21, the best practices for cataloging, streaming media using and Mark 21.

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The video language, coding, best practices and the best practices for catalog and video games using and Mark 21.

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For the DVD video and blue Ray desks the, the current version is from August of 2018 version. 1.1.

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The streaming media current version is version 1.1, which was released on April. 1st no jokes.

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Uh, in 2018.

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The current version of the video language coding.

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Best practices, uh, dates from September of 2012, so it's a little bit out of date, but we'll be we'll be talking more about that during this, uh.

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This workshop and tomorrow's workshop as well and the best practices for the catalog and video games using RPA and Mark 21 the current version 1.1 was released in April of 2018.

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A more complete list of current olack and other publications and training materials.

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Including additional best practices documents is available on the, on the website.

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At the at the.

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At the that is at the bottom of the of this slide.

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The,

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in addition to the olack best best practices documents that I've talked about in the previous slide,

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the music library Association,

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cataloging and metadata committee or CMC,

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which was formally the graph and control committee of the BCC.

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The music,

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implementation task force created an excellent best practices document for the music community,

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which has been fully integrated into the,

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into the current version of the tool kit and will,

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of course,

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also be part of the,

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the new tool kit when it is fully available.

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It has the tool kit has currently has links from each relevant our day instruction.

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To the.

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Uh, corresponding, um.

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To the corresponding best practice the best practice.

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Especially useful is the, uh, um, the supplements with, uh, the the title, which is displayed on the left in the slide.

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Supplement 1 is a detailed a page.

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Table that offers guidelines for describing and encoding attributes of audio recording carriers along with 6 pages of examples. A new version, in fact, was just released.

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Since I finished putting this together it's version 1.81.

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Um, and it's from, I believe it stated this week. I haven't even had a chance to look at it yet, but it's a brand new version with some corrections supplement. 2 has examples for recording parallel data using and mark.

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Focusing on title and statement of responsibility data.

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And stuff 1 in 3 includes 21 complete Mark record examples for various instances of printed and recorded resources.

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The Emily best practices document is also available in the current toolkit under the resources tab as the music library Association, best practices.

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Now, you have to know that the.

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Although because the best practices are integrated into the current are the tool kit.

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They've been the,

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the text of those best practices have actually been frozen for the duration of the rba 3 R project,

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which means that many of the examples in the in the,

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the best practices that are that are linked are not really up to date.

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Contrary to what you'll find in the supplements, which are up to date.

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So,

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for examples you will want to look at the,

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at the,

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at the best practices supplement,

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which is available on the,

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the cataloging,

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the metadata committee content,

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standard subcommittee,

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web site on the,

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which is the bottom of the of this screen.

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And by all means, if you catalog sound recording scores and or other museum materials, it's not a bad idea to keep the supplements at your side. Some of us are still addicted to to paper.

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So that's a good way to have it always available.

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So, let's begin with a little bit of history. The this workshop and tomorrow's workshop will mostly be focusing on video disks of various clients.

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And so we start out with a history of.

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The video desks, DVD.

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Originally stood for the digital.

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Digital video desk or digital versatile disc.

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Some wags mocking its slow development path and said that DVD stood for delayed very delayed.

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Others doubting its commercial viability at the, at the early in the early years said that DVD stood for dead very dead.

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The DVD is a tangible medium for video recordings.

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It is group lists. It is red by laser by, by a red laser or a D laser.

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It is 4 and 3 quarter inches or 12 centimeters in diameter and it looks exactly like, compact discs, audio, compact discs, cdroms, and all all of the other modern versions.

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Are most of the other modern versions of of digital disks DVDs have a huge capacity are highly compressed.

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And are often 2 sided now.

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The DVD evolved from several earlier video disc technologies beginning in the late 19 fifties, although for various reasons, none of those earlier formats became commercially available. And so, after video cassettes.

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Had already sparked the video revolution in the mid 19 seventies. Those of us who are old enough to remember beta, which was the beta video cassette, which was, um.

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Introduced in 1975 and DHS video cassettes.

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Which were introduced in 1977 1 of the, the major earlier video disc, uh, technologies was the C. D disk capacitance electronic desk.

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It had grooves, it was read by a stylus.

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And it was 12 inches in diameter.

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Now that that's very much like a,

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a vinyl this,

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because you remember vinyl discs and lt they were,

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they were 1st made cover commercially available in March of 1981,

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and they say after just a few years by 1984.

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The laser optical desk that's the laser optical disc.

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Logo on the on the right if you can if you squint a little bit, you can see that. It's an L and a day together.

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The laser optical disc was group lists and read by laser. It was also 12 inches in diameter. There were 2 varieties of.

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Laser optical discs. 1, the constant angular velocity was a standard play disc.

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The other 1 was C LV, constant linear velocity extended play disk.

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The, uh, the laser optical discs flourished in, uh, from about 1978 until about 90 and 99 and 2 to 2000.

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Now, what we have come to know, and love as the D. V. D. video was introduced commercially in March, 1977 in the United States, and a few months earlier in late.

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1996 in Japan, so.

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No D. V. D video from the United States can have a publication date earlier.

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The 1997, if it's from Japan, it could have a publication date.

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Of 1996, but nothing earlier.

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That if you, if you walk away from this or.

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Well, I guess you can still walk away from this, this workshop, remembering nothing else. Please remember the days.

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Cannot have a publication date earlier than 1997. it's if it's a US publication.

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Or 1996, if it's a Japanese publication, most commercial DVD videos tend to be films and television programs. Films are television programs.

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Because of DVDs, large capacity, they often have additional materials such as documentaries restored scenes.

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Various language options.

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In addition to whatever the main offering happens to be.

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There are also various kinds of Ricardo DVD video formats some of which are right once.

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Or, um, write many times.

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They're often used for preservation purposes for recording of the local events and so on.

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The blue right? Desk.

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Um, has a a slightly different history, a little bit more modern than the DVD disk. The name is a combination of blue violet laser.

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An, optical Ray, the, the blue Ray desk is an advanced high density version of DVD technology that uses blue violet laser for smaller pits.

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And tighter tracks than the DVD, like the DVD.

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The blue, right? This is a tangible medium for the air recordings.

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It is curveless. It is laser red.

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Unlike the DVD, which is rad by a red R. D laser.

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The Blu, Ray disc, as suggested by its name, used in a blue violet blazer.

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It's 4 and 3 quarter inches or 12 centimeters in diameter and it looks exactly like all the other CDs and C. D ROMs and D. V. d's.

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It is a high definition. The blue Ray, this is a high definition.

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Video medium with 5 times the capacity.

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Of DB, DVDs.

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This technology was developed by Sony Philips.

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In February of 2002.

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It had been in competition with Toshiba H. D DVD.

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Meaning both high definition and high density,

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which was developed about a year later in March of 2003,

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both blue Ray and H,

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the DVD technologies grew out of earlier DVD technology and did not become commercially available until 2006.

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But H, D. T.

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DVD had less support among the major film studios, it had a lower capacity and data transfer rate it had less support among manufacturers and as a result of all of those factors the H.

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D. V. D. that which is the logo that you see on the right? The H. D. V. D. lost staff to Blu Ray when H. D. DVD was discontinued in February 2008 and.

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Um, uh, there the industry was trying to avoid the problem of having multiple, uh, uh.

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Competing very similar technologies as they did in incompatible technologies as they did in the 19 seventies with beta and DHS,

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uh,

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video cassettes.

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Of course, we now have competing Blu, Ray desks and DVDs. So now that's the way it works.

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The 1st, Blu, Ray disc titles and produce commercially.

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On were introduced commercially on June, 20.

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2006, which means.

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That no, Blu, Ray disc can have a publication date.

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Earlier than 2006, that is the other thing I would like you to remember.

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If you remember nothing else from this workshop, no blue right? This can have a publication date earlier than 2006.

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Use the same type of date and date guidelines as for DVD videos, which we will cover in just a few minutes with the extra consideration of Blu Ray disc publication can never be before 2006.

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also just as with DVDs there are various kinds of cortical Blu. Ray disc formats available, which may also be right once or write many times.

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So, let's begin looking at the cataloging.

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Um, uh, regarding sources of information. So, uh, uh.

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Of course,

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DVDs and blue Ray desks and other kinds of video recordings differ considerably from something like books books have a title page usually that

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has kind of I mean,

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it varies a lot.

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Of course, but there's a standard way in which the title page and the verse of the title page.

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Has been presented throughout much of the history of, of printing, or at least the modern history of printing.

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Now of course videos don't have title pages, but and the olack best practices point us toward.

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Preferred sources of information.

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So, we're, we're at 2.2.2 preferred sources of preferred source of information.

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2.2.2.3, which regards manifestations consisting of moving images. The main instruction there is use the title frame or frames or title screen or screens.

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As the preferred source of information.

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Now, there is a list.

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In the all like best practices for 2.2.2.3.

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To choose the best preferred source from the, the list that that the best practices suggest in this order.

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A label that is permanently printed on.

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Or fixed to the manifestation is usually a label on the surface of the video disk or the, the surface itself. This choice does not include labels, found on any accompanying material or container.

213
00:26:34.499 --> 00:26:44.548
The 2nd, the 2nd, preferred source of information after the label is the container or company material.

214
00:26:44.548 --> 00:26:49.318
Issued with the manifestation when making a comprehensive description.

215
00:26:49.318 --> 00:26:55.259
And the 3rd is an internal source forming part of a tangible.

216
00:26:55.259 --> 00:26:58.919
Digital resource, such as a disk menu.

217
00:26:58.919 --> 00:27:04.949
If none of these sources has a title, look for another source within the manifestation.

218
00:27:04.949 --> 00:27:10.348
Giving preference to a source in which the information is formally.

219
00:27:10.348 --> 00:27:25.104
Presented now, in some cases, the information needed to identify the manifestation doesn't appear in any source on the manifestation itself.

220
00:27:25.858 --> 00:27:34.709
Information has then taken from 1 of the following sources, in order of preference, according to the practices 2.2.4.

221
00:27:34.709 --> 00:27:46.229
Accompanying material not treated as part of the matter manifestation itself, other published descriptions of the manifestation.

222
00:27:46.229 --> 00:27:59.098
A container that is not issued with the manifestation itself, such as a box, or a case made by the owner and any other available source, such as a reference source.

223
00:28:01.709 --> 00:28:05.729
Now, let's move on to some mark, 21 basics.

224
00:28:05.729 --> 00:28:08.788
Regarding a coding.

225
00:28:08.788 --> 00:28:13.828
Leader, I'm 6 type of record.

226
00:28:13.828 --> 00:28:17.368
Which is also.

227
00:28:17.368 --> 00:28:25.679
And, uh, it's also the 00600T position in the visual materials. Uh, 0, 0, 6.

228
00:28:25.679 --> 00:28:36.298
The is type all video recordings are projected medium, which is type g.

229
00:28:36.298 --> 00:28:39.538
The type of visual material.

230
00:28:39.538 --> 00:28:43.259
Which is the visual materials? 0, 0T or 8?

231
00:28:43.259 --> 00:28:49.048
Position, 33 and 0T or 6 positions 16.

232
00:28:49.048 --> 00:28:59.128
The, I'll say pneumonic T mat or type of type of visual material is is always the for video recording.

233
00:28:59.128 --> 00:29:07.709
And all of all video recordings will have these same 2 elements coded. The same.

234
00:29:10.229 --> 00:29:14.098
Everybody's favorite field, or used to be everybody's favorite field.

235
00:29:14.098 --> 00:29:27.509
The 0, 0, 7 records, certain physical characteristics encoded form was originally designed for machine manipulation and was implemented in its current form.

236
00:29:27.509 --> 00:29:42.209
In 1981, the codes listed here are not comprehensive. They're just select the values that you're most likely to find most likely to use for video disks.

237
00:29:42.209 --> 00:29:54.719
The 1st element deserves there are 7 0, 0T category of material is the for video recording the specific material designation 0 7. 0 1.

238
00:29:54.719 --> 00:29:58.229
Is D, for video desk.

239
00:29:58.229 --> 00:30:05.459
So, the 00703 position.

240
00:30:05.459 --> 00:30:09.028
Which is a color B for black and white.

241
00:30:09.028 --> 00:30:16.769
See, for multicolored and M, for mixed you would use the mixed code M.

242
00:30:16.769 --> 00:30:23.183
When, for example, there are black and white sequences, and otherwise collar film or vice versa.

243
00:30:24.084 --> 00:30:32.213
The probably the example that comes to mind for many of us is the wizard of Oz,

244
00:30:32.213 --> 00:30:34.253
which has at the beginning,

245
00:30:34.253 --> 00:30:35.153
and at the end,

246
00:30:35.183 --> 00:30:44.663
the black and white or sepia sequences with the dream sequence in the middle,

247
00:30:44.663 --> 00:30:48.054
the longest part of the film and color.

248
00:30:48.054 --> 00:30:58.374
So that would be that would be coded mixed as far as color is concerned, but that's just 1 example cheers or 7 positions or 4.

249
00:30:58.828 --> 00:31:09.838
Is video recording format g is used for the, the Pre DVD and Pre blue Ray.

250
00:31:09.838 --> 00:31:14.459
Uh, analog laser disks, but for D. V. d's.

251
00:31:14.459 --> 00:31:21.269
You will use the V for day and ask for Blu Ray disc.

252
00:31:21.269 --> 00:31:32.338
In the video recording 0, 0, 7 field the 0, 4 position.

253
00:31:32.338 --> 00:31:37.348
Is coded as for, for blue, right? I just said that blue red desk and V for DVD.

254
00:31:37.348 --> 00:31:47.999
Um, for sub field at the 00705 position, video disks are.

255
00:31:47.999 --> 00:31:55.318
Pretty much always quoted it a, meaning the sound is part of the medium it's on the medium.

256
00:31:55.318 --> 00:32:04.288
That that medium for sound, which is coded in the 0 0, 7 0T or 6 position is video disk. I.

257
00:32:04.288 --> 00:32:14.489
For dimensions there is actually no set a code for the dimensions of a, a video.

258
00:32:14.489 --> 00:32:21.509
Of these video discs, so the code for 0 0, 7, 7.

259
00:32:21.509 --> 00:32:25.199
Position subfield H, is Z for other.

260
00:32:25.199 --> 00:32:36.358
The configuration playback channels, which is something I, and or 0T or 7 position 8.

261
00:32:36.653 --> 00:32:51.233
Uh, depends on the particular disk that you have in hand mixed K mano for clod stereo a** or unknown.

262
00:32:53.723 --> 00:33:05.124
Video disc coded K that is mixed when they contain different soundtracks with different characteristics, for instance, summer and started summer in modern summer and surround that.

263
00:33:05.124 --> 00:33:10.223
That's occasionally the case when there are multiple.

264
00:33:11.219 --> 00:33:15.838
Language versions, uh, dubbed or, um.

265
00:33:15.838 --> 00:33:26.969
Think, uh, mostly diversions, things like that uh, that are that were recorded in different configurations. So that's, that's when you would use the code K.

266
00:33:27.473 --> 00:33:41.693
Base the coding of the 0, 0, 7 position 8 on a clear indication on the resource itself. If the playback configuration isn't stated explicitly, and can't be determined.

267
00:33:42.028 --> 00:33:45.868
Use code you for unknown.

268
00:33:45.868 --> 00:34:00.058
Except for the obvious difference in coding 0T or 7 position, 4, DVDs and blue Ray desks are coded pretty much the same in, uh, the video recording 0T or 7 field.

269
00:34:04.739 --> 00:34:14.338
By now, most of us are likely familiar with the graphic field 264 production publication.

270
00:34:14.338 --> 00:34:22.619
Distribution manufacturer and copyright notice, which was defined in Mark 21 in 2011.

271
00:34:22.619 --> 00:34:30.599
It's structured similarly to the long familiar field to 60 publication distribution, et cetera, or imprint.

272
00:34:31.043 --> 00:34:32.784
With the place of publication,

273
00:34:32.784 --> 00:34:34.494
et cetera and subfield a,

274
00:34:35.273 --> 00:34:36.534
the name of the publisher,

275
00:34:36.563 --> 00:34:38.543
et cetera and Southfield B,

276
00:34:39.293 --> 00:34:48.623
and the date of publication and so on and subfield see both fields to 60 and 264 at the Southfield 3 for material specified for information,

277
00:34:48.623 --> 00:34:53.693
differentiating multiple statements of the described materials.

278
00:34:55.829 --> 00:35:02.489
To which the field applies both also have a similarly constructed 1st indicator.

279
00:35:02.489 --> 00:35:08.039
Defining the sequence of statements regarding the earliest intervening.

280
00:35:08.039 --> 00:35:12.148
And lay this publisher or distributor, or whatever.

281
00:35:12.148 --> 00:35:24.688
Um, when that is appropriate, because the 1st indicator applies largely to continuing and integrating resources. We won't concern ourselves with it right now.

282
00:35:24.688 --> 00:35:33.748
But where where feel to 60 included additional fields? E. F and G.

283
00:35:33.748 --> 00:35:38.429
For the place name and date of manufacture respectively.

284
00:35:38.429 --> 00:35:42.329
Field 264 instead.

285
00:35:42.329 --> 00:35:47.429
To find a 2nd indicator that allows us to explicitly identify the field.

286
00:35:47.429 --> 00:35:50.579
As referring to public to production.

287
00:35:50.579 --> 00:35:55.708
Publication distribution, manufacturer or copyright, notice state.

288
00:35:55.708 --> 00:36:05.579
The 2nd indicator is the, the function of the entity that is found in the, uh, in the field.

289
00:36:05.579 --> 00:36:09.838
And the 264 sub, he'll be.

290
00:36:11.608 --> 00:36:26.309
2nd indicators 0T production is contained. It says that the field contains a statement relating to the inscription fabrication, construction, et cetera of a resource and unpublished form.

291
00:36:26.309 --> 00:36:30.148
So, any locally produced.

292
00:36:30.148 --> 00:36:43.318
Um, uh, video recordings would be Co, would most likely most likely be coded 2nd indicator 0T in the 264 because it is not published.

293
00:36:43.318 --> 00:36:57.628
The most commonly used, 2nd indicator would be number. What would be the number 1 for publication the field contains a statement or relating to the publication release or issuing of a resource.

294
00:36:57.628 --> 00:37:09.869
Now, you 2 for district distribution, the field contains a statement relating to the distribution of a resource, the value 3 manufacturer.

295
00:37:09.869 --> 00:37:12.929
The field contains a statement relating to the printing.

296
00:37:12.929 --> 00:37:18.088
Duplicating casting, et cetera of a resource and a published form.

297
00:37:18.088 --> 00:37:23.759
And 2nd, indicator for is used for the copyright.

298
00:37:23.759 --> 00:37:34.048
Notice state, the field contains a date associated with a notice of protection under copyright or similar regime copyright dates include dates.

299
00:37:34.048 --> 00:37:41.039
That is the dates associated with claims of protection for recordings.

300
00:37:43.889 --> 00:37:49.018
A few comments need to be made about the field to 66th indicator.

301
00:38:24.389 --> 00:38:30.210
Production means something really specific, but that's not what it means here.

302
00:38:30.210 --> 00:38:35.489
So don't be confused or misled by the but the unfortunate use of the term production.

303
00:38:35.489 --> 00:38:45.505
To define the 266th indicator, it's not meant in the sense of production that we most readily associated with film and video or even with sound recordings. 2nd indicator.

304
00:38:45.505 --> 00:38:50.695
0T is used only in the case of unpublished resources.

305
00:38:54.150 --> 00:38:59.610
The 2nd, indicator for the copyright notice state.

306
00:38:59.610 --> 00:39:12.809
Um, if if you're you, uh, if you are using a 2nd indicator for the, the 264 field will have only.

307
00:39:12.809 --> 00:39:15.809
That's the subfield say only.

308
00:39:15.809 --> 00:39:21.030
The, uh, the copyright or photograph copyright date.

309
00:39:21.030 --> 00:39:28.380
In in the 264 field to 64, sub field. C. so if you're using the 2nd indicator for.

310
00:39:28.380 --> 00:39:34.230
You do not enter a, or B and the 264 field.

311
00:39:38.010 --> 00:39:42.900
Now, in June of 2012.

312
00:39:42.900 --> 00:39:47.130
The program for cooperative cataloging.

313
00:39:47.130 --> 00:39:52.590
Published the document DCC guidelines for the 264 field.

314
00:39:52.590 --> 00:39:56.639
The, the link to which is here on this screen.

315
00:39:56.639 --> 00:40:11.340
Unlike many such documents, it's an intimidating 3 pages also has recommended that users follow these guidelines when creating records. So it's, it's a good document to take a look at.

316
00:40:17.125 --> 00:40:25.255
As long as we're in fields to 16 264, let's talk a little bit about dates. You will remember that. We talked about the histories of both DVDs.

317
00:40:27.179 --> 00:40:36.000
And blue, right discs and established that no, us DVD video can have a publication date earlier than 90 97.

318
00:40:36.000 --> 00:40:40.860
And Japanese DVDs, 1996.

319
00:40:40.860 --> 00:40:45.869
And that, no, Blu, Ray disc can have a publication date earlier.

320
00:40:45.869 --> 00:40:48.960
Than 2006.

321
00:40:48.960 --> 00:40:52.889
That being said, and with those guidelines in mind.

322
00:40:52.889 --> 00:40:59.400
Dates are often the most among the most difficult pieces of information to, to determine.

323
00:40:59.400 --> 00:41:04.110
For cataloging any type of material, but especially visual materials.

324
00:41:04.110 --> 00:41:08.940
The resource itself often has different sources for dates.

325
00:41:08.940 --> 00:41:19.349
The video image, opening credits, closing credits, the container accompany material. Um.

326
00:41:21.420 --> 00:41:29.099
In addition to the different sources for dates, you can have all sorts of.

327
00:41:29.099 --> 00:41:39.510
What I've called of graphic events, uh, that can be associated with the creation of a video recording.

328
00:41:39.510 --> 00:41:42.690
The data for the original production.

329
00:41:42.690 --> 00:41:50.159
Its releases a motion picture remember when we used to go to theaters to see motion pictures.

330
00:41:50.159 --> 00:42:00.300
It's release as an earlier video format, such as, uh, V. H. S. or a beta cassette.

331
00:42:00.300 --> 00:42:08.969
It's releases a video disk and the copy and the copyright dates of design or accompanying material.

332
00:42:09.474 --> 00:42:15.324
We often find that the video publishers redesign the container packaging,

333
00:42:15.474 --> 00:42:22.945
which results in a new in what looks like a new copyright date on the packaging these dates are often,

334
00:42:22.945 --> 00:42:28.284
but not necessarily marked as packaged design or something like that,

335
00:42:28.554 --> 00:42:34.344
or artwork or or some similar phrase phraseology generally.

336
00:42:34.679 --> 00:42:38.010
These design and artwork.

337
00:42:38.010 --> 00:42:50.969
Dates that refer to the packaging, don't have the graphics significance and should usually be ignored, except in the absence of another plausible date of publication.

338
00:42:50.969 --> 00:43:00.719
You can think of it as the equivalent of a redesigned cover for a paperback book when the inside of the of that paperback has not changed.

339
00:43:00.719 --> 00:43:04.349
Now, it's.

340
00:43:04.349 --> 00:43:17.875
Rather tiny here, but the DVD, this is a back on the right? There's, it's a, uh, the back of a DVD container on the bottom left can much too small.

341
00:43:18.025 --> 00:43:25.914
It reads packaging design, copyright, 2004, rag doll limited. All other dates are 2003, which made better reflect the data publication.

342
00:43:37.110 --> 00:43:40.829
Dates from the preferred source, which you will remember.

343
00:43:40.829 --> 00:43:55.224
Includes the title frames and the are usually the most important dates, but other factors have to be considered again. Remember no US DVD video can have a publication date earlier than 90 97.

344
00:43:56.335 --> 00:44:00.594
And no Japanese DVD video or all bigger than 90 and 96 and no,

345
00:44:00.594 --> 00:44:00.775
Blu,

346
00:44:00.775 --> 00:44:09.744
Ray disc can have a publication date earlier than 2006 dates for videos earlier than those obviously cannot be considered publication dates,

347
00:44:09.744 --> 00:44:09.864
including,

348
00:44:09.864 --> 00:44:14.244
but not limited to copyright dates of older films.

349
00:44:14.244 --> 00:44:16.105
That appear in credits.

350
00:44:17.969 --> 00:44:23.760
A later date from a unifying elements, such as a container.

351
00:44:23.760 --> 00:44:33.119
Or company material may be more important such a later date. May be used to infer the date of publication for video.

352
00:44:33.625 --> 00:44:40.764
In the complete absence of any other usable date a package design date may be used to infer a data publication.

353
00:44:41.784 --> 00:44:51.144
And of course, you will account for other important dates in notes and we'll get to some of those later on. In this particular case.

354
00:44:51.175 --> 00:44:57.804
We see a a classic film produced by Samuel golden that has.

355
00:44:58.199 --> 00:45:03.300
Copyright date and Roman numerals, which is.

356
00:45:03.300 --> 00:45:06.960
What is that?

357
00:45:06.960 --> 00:45:11.639
191931.

358
00:45:11.639 --> 00:45:21.630
By a copyright 1931 so if this is on a video recording on a D. V. D. or a Blu Ray disc, obviously that's an important date.

359
00:45:21.630 --> 00:45:26.429
But it's not the date of of its publication as a video recording.

360
00:45:26.429 --> 00:45:30.599
Because video didn't exist in 1931.

361
00:45:35.844 --> 00:45:49.405
Now, during the history, the little history lesson, we mentioned the large capacity of D. V. D and blue Ray videos for material in addition to say, just the original theatrical film.

362
00:45:50.159 --> 00:45:54.900
The presence or absence of such extra materials.

363
00:45:54.900 --> 00:46:00.780
Helps determine how we code the type of date slash publication status.

364
00:46:00.780 --> 00:46:09.539
0 0T or 8. 0. 6. D. T. S. T. and the. And the date 1.

365
00:46:09.539 --> 00:46:12.750
And day 2, which zeros are 8.

366
00:46:12.750 --> 00:46:17.550
Uh, 0, 7 through 14 fixed fields.

367
00:46:17.550 --> 00:46:27.360
This has been the practice since the 1st, availability of DVDs carried on by the, by the olack best practices documents.

368
00:46:27.360 --> 00:46:37.920
Consider items that are relatively on adorn releases of the original motion picture, or whatever happens to be to be date type.

369
00:46:38.394 --> 00:46:44.815
Type of date code P with day 1 as the publication date of the video and the data,

370
00:46:44.815 --> 00:46:47.244
the original release in day 2,

371
00:46:48.655 --> 00:46:51.804
this became less common and the DVD and Blu,

372
00:46:51.804 --> 00:46:58.735
Ray disc error because there there are so often lots and lots of supplementary materials included.

373
00:46:58.735 --> 00:46:59.425
On a disk.

374
00:47:00.179 --> 00:47:06.719
Consider items with substantial new or extra material.

375
00:47:06.719 --> 00:47:11.219
As type of date code s, that is entirely new works.

376
00:47:11.219 --> 00:47:14.730
Date 1 would be the publication date of the video.

377
00:47:14.730 --> 00:47:16.945
And day 2 would remain blank,

378
00:47:18.594 --> 00:47:22.315
such and such new materials,

379
00:47:22.315 --> 00:47:22.914
extra material,

380
00:47:23.215 --> 00:47:27.235
such extra materials might include things like documentary materials,

381
00:47:27.355 --> 00:47:28.855
making of documentaries,

382
00:47:28.855 --> 00:47:29.425
interviews,

383
00:47:29.425 --> 00:47:32.545
biographies and so on trailers,

384
00:47:32.574 --> 00:47:33.804
outtakes,

385
00:47:34.914 --> 00:47:35.454
deleted,

386
00:47:35.454 --> 00:47:36.085
scenes,

387
00:47:36.085 --> 00:47:36.505
audio,

388
00:47:36.505 --> 00:47:37.224
commentary,

389
00:47:37.224 --> 00:47:37.824
tracks,

390
00:47:38.034 --> 00:47:38.605
quizzes,

391
00:47:38.605 --> 00:47:39.114
games,

392
00:47:39.114 --> 00:47:39.744
trivia,

393
00:47:40.105 --> 00:47:45.474
multiple versions or cuts included in the resource such as the director's cut.

394
00:47:45.869 --> 00:47:52.920
Um, alternate endings, restored scenes, widescreen and pan and scan versions. We'll get to that.

395
00:47:52.920 --> 00:48:07.920
Later on, so you use judgment about what? And how much new material qualifies as substantial and of course, and you will always want to include a date about the original release.

396
00:48:07.920 --> 00:48:12.989
Regardless of the coating of the, the.

397
00:48:12.989 --> 00:48:17.010
State date excuse me the dates and the type of dates.

398
00:48:17.010 --> 00:48:22.079
So, when an example would be a 500 note, originally released.

399
00:48:22.079 --> 00:48:27.840
As a motion picture in 1999 as a, as at the bottom of this slide.

400
00:48:34.860 --> 00:48:45.599
Generally in this in this workshop, which is at the latest generation of of, uh.

401
00:48:45.599 --> 00:48:53.760
Many workshops I've presented in the past, but generally I've made the transition from omitting.

402
00:48:53.760 --> 00:49:04.469
To, uh, references to instead, uh, refer to, um, and because the.

403
00:49:04.469 --> 00:49:11.309
Beta our da is not official yet and is nor is it complete? Um.

404
00:49:11.664 --> 00:49:17.574
I have referred to the, the instruction numbers in the current.

405
00:49:18.594 --> 00:49:27.744
Obviously the next time I present this workshop, we'll probably have to, uh, to evolve into the.

406
00:49:28.440 --> 00:49:40.945
The sort of random numbering system, or the identification system that the, what is now the beta toolkit? Well, we'll have, but we'll deal with that in the future.

407
00:49:42.144 --> 00:49:51.474
Generally, I've omitted the ACR, 2 references and comparisons from that have been in earlier versions of this of this workshop.

408
00:49:51.835 --> 00:50:02.545
But in this case, I've made an exception because it's important I think, what used to be expressed in ACR. Acr, 2 cataloging.

409
00:50:03.175 --> 00:50:17.304
By the 1 dimensional general material designation or GMD in this case filled age of the 245 video recording is expressed in rba cataloging by the

410
00:50:17.965 --> 00:50:18.684
3 dimensional 3,

411
00:50:18.684 --> 00:50:20.094
3 X fields,

412
00:50:20.094 --> 00:50:21.534
which allow more specificity.

413
00:50:21.534 --> 00:50:28.764
Although a GMD cannot be included on an record the 3, 3 X fields.

414
00:50:29.909 --> 00:50:33.719
Are to be included in any demographic record.

415
00:50:33.954 --> 00:50:34.405
Um,

416
00:50:34.764 --> 00:50:42.804
regardless of whether it's cataloged according to rba so if you're if you are still cataloging by according to ACR,

417
00:50:42.804 --> 00:50:43.284
to,

418
00:50:43.494 --> 00:50:45.744
or any earlier instructions,

419
00:50:46.525 --> 00:50:47.094
the 306 3,

420
00:50:47.094 --> 00:50:47.184
3,

421
00:50:47.605 --> 00:50:48.505
7 and 3,

422
00:50:48.505 --> 00:50:48.894
3,

423
00:50:48.894 --> 00:50:54.175
8 fields can be should be included in those geographic records.

424
00:50:56.670 --> 00:51:06.960
Multi dimensional.

425
00:51:06.960 --> 00:51:12.295
Content media and carrier terms and codes that in rba,

426
00:51:12.295 --> 00:51:25.045
replace the 1 dimensional general material designation or GMD may be the most familiar of the newer graphic fields that have that have come into being because of.

427
00:51:26.130 --> 00:51:30.179
O, CLC implemented these in 2010.

428
00:51:30.179 --> 00:51:33.960
The 3 fields, 306 for content site.

429
00:51:33.960 --> 00:51:42.389
3, 3, 7 for media type and 3, 3, 8 for carrier type are identically structured with sub field. A, for the appropriate term.

430
00:51:42.389 --> 00:51:49.949
So, he'll be for the corresponding code and so he'll 2 for the source of the term and or the code.

431
00:51:50.275 --> 00:51:51.715
Because both the terms,

432
00:51:51.744 --> 00:51:59.724
and the codes are supposed to be from controlled lists they can theoretically be programmed to display or not display as,

433
00:51:59.724 --> 00:52:00.445
for example,

434
00:52:00.445 --> 00:52:05.034
text in any language or as some sort of icon or whatever,

435
00:52:05.034 --> 00:52:09.655
your local system but whatever you've decided to do with your local system.

436
00:52:09.989 --> 00:52:14.429
Different combinations of 3 307 and 8.

437
00:52:14.429 --> 00:52:18.150
Sometimes in conjunction with other build graphic elements.

438
00:52:18.150 --> 00:52:23.699
Couldn't be defined as a particular sort of icon or a specific term.

439
00:52:23.699 --> 00:52:28.500
Although the 3, 3 X fields, look innocent and unremarkable.

440
00:52:28.500 --> 00:52:35.639
They actually represent a small revolution in the world of cataloguing as far as I'm aware.

441
00:52:35.639 --> 00:52:47.550
Nowhere at least in modern, in the modern history of cataloging have we consistently identified a book as other than volume and pages and dimensions.

442
00:52:47.550 --> 00:52:51.719
Now, the 3 terms text.

443
00:52:51.719 --> 00:52:56.369
And volume together, sort of mean, book.

444
00:52:56.369 --> 00:53:09.030
An unremediated, volume of text these words themselves may not be enlightening to the library users, but associate the associate those 3 terms with say a, a.

445
00:53:09.030 --> 00:53:16.380
A book like icon and you've got something we have never quite had before in catalog.

446
00:53:16.380 --> 00:53:20.550
So.

447
00:53:20.550 --> 00:53:23.639
Content type media type carrier type.

448
00:53:25.554 --> 00:53:40.434
Content type corresponds to 6.9.1.1 a category categorization, reflecting the fundamental form of communication in which the content is expressed and the human sense through, which is intent. It is intended to be perceived.

449
00:53:42.900 --> 00:53:54.719
Content type also reflects the number of spatial dimensions and the presence or absence of movement in which the content is expressed in the form of an image.

450
00:53:54.719 --> 00:53:58.260
Or images is intended to be perceived.

451
00:53:58.260 --> 00:54:04.380
Media type.

452
00:54:04.380 --> 00:54:08.699
Which should really be medium type as I.

453
00:54:08.699 --> 00:54:12.480
As always bothers me.

454
00:54:12.480 --> 00:54:21.030
The 3, 3, 7 field media type is a categorization, reflecting the general type of intermediation device.

455
00:54:21.030 --> 00:54:28.469
Required to play to run and so on the content of the manifestation.

456
00:54:28.469 --> 00:54:35.099
Carrier type which corresponds to 3.3 categorization.

457
00:54:35.099 --> 00:54:38.190
Reflecting the format of the storage medium.

458
00:54:38.190 --> 00:54:44.969
And housing of a carrier, in combination with the type of intermediation device required to view.

459
00:54:44.969 --> 00:54:49.650
Play run, et cetera, the content of a manifestation.

460
00:54:56.335 --> 00:55:06.715
The best practices document and CLC both recommend, including both the terms in 3, 3 X a, and the codes.

461
00:55:07.019 --> 00:55:13.050
In 3, 3, the best practices document further recommends.

462
00:55:13.050 --> 00:55:17.039
And code both the term, and the codes in the same mark field.

463
00:55:17.039 --> 00:55:24.179
With the source code, content, media or rba carrier as appropriate.

464
00:55:24.179 --> 00:55:37.980
As you see, here are the examples fulfill 3, 3, 6, take the main excuse me take the term and self L. A. and the code for self he'll be from the term and code list for content types.

465
00:55:38.635 --> 00:55:49.164
Which is the codes, which is the, the code list for the appeal to value rba content for field through through 7, take the term and self hills.

466
00:55:49.195 --> 00:55:55.554
A, and the code in South he'll be from the term and code list for are the media types.

467
00:55:55.949 --> 00:56:09.025
Uh, which is sub field to media, and for 3, 3, 8, take the term and sub field a, and the code and sub field B, from the term and code list for rba carrier types.

468
00:56:10.585 --> 00:56:12.744
Sub field 2 rba carrier.

469
00:56:13.050 --> 00:56:21.090
In cases, we're, we're multiple content.

470
00:56:21.090 --> 00:56:24.809
Media or carrier types apply to a resource.

471
00:56:25.284 --> 00:56:28.735
And any additional 3, 3 X fields, that may be appropriate.

472
00:56:29.605 --> 00:56:40.644
The old life best practices document says, do not record a content type media type or carrier type for most DVD or blue raid, blue raid booklets.

473
00:56:40.980 --> 00:56:49.860
Unless they're substantial in nature, as an example, if the video disc contains a musical performance, a 2nd.

474
00:56:49.860 --> 00:56:58.619
3, 3, 6 field would be appropriate for the RCA content type of perform music as you see in the in the.

475
00:56:58.619 --> 00:57:02.579
The example, on the screen.

476
00:57:02.579 --> 00:57:17.519
If that musical performance happens to be a musical or Opera, and that this is accompanied by a burrito that could qualify a substantial accompanying material and would deserve its own set of 3, 3 X fields.

477
00:57:17.519 --> 00:57:26.969
3, 3, 6 for the text for the, the printed bread through through 7 for the printed.

478
00:57:26.969 --> 00:57:32.429
And 3, 3, 8 for the printed as volume.

479
00:57:32.429 --> 00:57:44.460
In a case, such as this, the addition of an appropriate Southfield 3 to each of the 3, 3 X fields is an option indicating, say DVD or.

480
00:57:44.460 --> 00:57:53.010
Examples in both mark, 21, and in the graphic Florence and standards suggest the subfield 3.

481
00:57:53.010 --> 00:57:56.820
For the 3, 3 X fields replaced at the end of each field.

482
00:57:56.820 --> 00:58:11.130
But if you display the fields to users, without manipulation, your local system, you may place the field, the field 3 at the beginning of each field.

483
00:58:19.885 --> 00:58:33.894
So, we are an hour into this, and we are about roughly halfway through the slides. So I would like to allow us all to take that a 5 minute break.

484
00:58:34.170 --> 00:58:42.300
Uh, and, um, we will be back it is 130 PM Eastern time, according to my.

485
00:58:42.300 --> 00:58:48.389
My machine here, so let's come back at at 135 and I'll see you then.

486
00:58:48.389 --> 00:58:48.780
Thanks.

487
01:04:15.445 --> 01:04:23.514
I am not speaking, but I am speaking now and I hope we're all back or at least most of us are back.

488
01:04:23.820 --> 01:04:34.199
So, we'll continue most, although not quite all of the rest of this basic video catalogue and workshop.

489
01:04:34.199 --> 01:04:40.019
Focuses on various aspects of the carrier description.

490
01:04:40.019 --> 01:04:45.059
In years past, especially under ACR, 2 and before the.

491
01:04:45.059 --> 01:04:50.789
Most aspects of the carrier description for video recordings.

492
01:04:50.789 --> 01:04:53.849
Were found in Mark fields 300.

493
01:04:53.849 --> 01:04:57.599
Physical description and field 538.

494
01:04:57.599 --> 01:05:05.820
System details note feel 300 to find a for element. Excuse me for extent.

495
01:05:05.820 --> 01:05:10.409
So, There'll be other physical details.

496
01:05:10.409 --> 01:05:15.420
So field C for dimensions and Southfield E for accompanying material.

497
01:05:15.420 --> 01:05:21.570
As you see in the example at the top of this, the slide.

498
01:05:21.570 --> 01:05:25.949
Sub field excuse me field 300.

499
01:05:25.949 --> 01:05:39.449
Is highly structured in comparison to field 538, which jumbled together all manner of technical details mostly in a single sub field and without a prescribed order.

500
01:05:39.449 --> 01:05:49.980
Or suggested publication in the world of our da, and particularly looking forward to a link to data future that wasn't going to suffice.

501
01:05:50.815 --> 01:05:57.085
You can see an example, a typical example of a 538 field at the bottom of the present slide.

502
01:05:57.655 --> 01:06:10.164
Now, both of these fields are still valid and are commonly used in Mark many local systems depend upon 1 or probably both of these fields for carrier descriptions.

503
01:06:11.670 --> 01:06:18.750
And we can send you to include them in February graphic records, but many of the individual characteristics.

504
01:06:18.750 --> 01:06:29.909
Are now also recorded in specific Mark fields and sub fields that have been defined expressly to accommodate corresponding instructions.

505
01:06:29.909 --> 01:06:33.570
1st, let's still quickly with the Field's 300.

506
01:06:33.570 --> 01:06:42.090
And 538, and then move on to the some of the newer Mark fields that afford better access to these attributes.

507
01:06:47.820 --> 01:06:51.300
300 physical description field.

508
01:06:51.300 --> 01:06:54.690
So, fill a, for extent.

509
01:06:54.690 --> 01:06:59.789
The number and type of unit and or subunit of a manifestation.

510
01:06:59.789 --> 01:07:02.940
According to 3.4.1.1.

511
01:07:02.940 --> 01:07:06.840
The number here, and it's in type of care carrier.

512
01:07:06.840 --> 01:07:17.159
In the case of both DVDs and blue, right desks, the carrier mix. The extent would be the number of video disks.

513
01:07:18.925 --> 01:07:31.105
The all our best practices suggests choosing the generic term video disk for both DVDs and blue right. Desks and not to apply the 3.4.1.3 alternative.

514
01:07:33.659 --> 01:07:39.420
Using a term in common usage, such as DVD or blue right? Disc.

515
01:07:39.420 --> 01:07:48.360
So, it'll be for other physical characteristics is still used to record sound content and caller.

516
01:07:48.360 --> 01:07:51.809
According to the olack best practices, but.

517
01:07:51.809 --> 01:08:01.440
Also record the appropriate terms in the 3, 4 x fields that will cover soon and of course, in the 0T or 7.

518
01:08:01.440 --> 01:08:04.500
That we have covered that we covered earlier.

519
01:08:04.500 --> 01:08:07.590
Sound content.

520
01:08:07.590 --> 01:08:12.389
Uh, R. D. A. 7.18 silent.

521
01:08:12.389 --> 01:08:15.480
Sound which were abbreviated.

522
01:08:15.480 --> 01:08:21.689
In AC are 2, but are spelled out in our da.

523
01:08:22.435 --> 01:08:23.694
Indicates the presence,

524
01:08:23.694 --> 01:08:28.255
or absence of sound in an expression according to rba 7.18.1.1,

525
01:08:28.255 --> 01:08:38.305
we'll talk about video versions of sound films they have added sounds such as music or sound effects and just a few minutes recording color content 7.17.3 alternative.

526
01:08:45.449 --> 01:08:57.779
The Elsie PCCC policy statement for 7.17.1.3 and the best practices, both suggest using substitute terms.

527
01:08:57.779 --> 01:09:09.779
Such as black and white and color spelled out rather than monochrome and Polly Chrome, which are the main instruction in rba 7.17.3.

528
01:09:09.779 --> 01:09:20.640
Rather than the alternative, we'll talk more about collar content if it's a little bit later in the contents in the context of field. 340 sub Phil. J.

529
01:09:23.550 --> 01:09:36.145
So feel free shuffled C for dimensions, which corresponds to 3.5 the the library policy statement for 3.5.1.3.

530
01:09:38.729 --> 01:09:42.390
And 3.5.1.4.4.

531
01:09:42.390 --> 01:09:49.289
And the lack best practices, say to record the disk diameter in inches.

532
01:09:49.289 --> 01:09:52.380
Using the abbreviation I N, for inches.

533
01:09:52.380 --> 01:09:57.925
Still used, uh, according to the appendix B point 7.

534
01:09:57.954 --> 01:10:12.744
now, I know that our Canadian colleagues will use centimeters without a, without a, a period at the end, because it's not an abbreviation and those variations are allowed.

535
01:10:13.050 --> 01:10:17.609
Of course, the dimensions of all.

536
01:10:17.609 --> 01:10:28.260
Well, the dimensions of most DVDs and blue right? Discs are 3 and excuse me 4 and 3 quarter inches or 12 centimeters.

537
01:10:28.260 --> 01:10:34.590
For those of you following all along at home in centimeters.

538
01:10:34.590 --> 01:10:41.430
Southfield E, for accompanying material corresponds roughly to 27.1.

539
01:10:41.430 --> 01:10:55.770
There there are various ways to record the presence of accompanying material, depending upon its nature and your catalogs judgment of its significance. Generally if you judge the material to be graphically, significant, significant.

540
01:10:55.770 --> 01:10:58.890
Describe it briefly in a 500 node.

541
01:10:58.890 --> 01:11:08.850
If you just to have the graphic significance account for it until 300 sub E, possibly with additional details in a note.

542
01:11:09.175 --> 01:11:17.604
There's additional guidance on this in the olack best practices document and we just saw an example before the break of the,

543
01:11:18.414 --> 01:11:18.715
the,

544
01:11:19.555 --> 01:11:21.354
the accompanying report out to a,

545
01:11:21.925 --> 01:11:22.704
uh,

546
01:11:23.154 --> 01:11:25.765
video recording of a up an opera.

547
01:11:32.970 --> 01:11:38.310
So, moving on to the 538 system details note.

548
01:11:38.310 --> 01:11:48.569
In the olden days, the visual materials community took advantage of the provision in to 7.7 B.

549
01:11:48.569 --> 01:11:59.520
That allowed us to quote, give a particular note 1st, when it has been determined that, that that note is a primary importance unquote, but neither are.

550
01:11:59.520 --> 01:12:12.390
Neither ACR, 2, nor their associated library of Congress role interpretations offered much guidance on how to word order or punctuate.

551
01:12:12.390 --> 01:12:25.229
The 538 node the order of elements in ACR, 2. 7.7 B10 was a lot. It was not logical nor was it user friendly.

552
01:12:27.385 --> 01:12:38.395
3.20.1.3 recording equipment or system requirement does suggest a rough order for for these elements, which the olack best practices recommends following.

553
01:12:38.395 --> 01:12:47.935
Although the list isn't particularly useful for video recordings. It includes things like the make and model of equipment or hardware. The operating system.

554
01:12:47.935 --> 01:13:00.055
The amount of memory programming, language, other necessary software, any plug ins or peripherals required to play view, or run the manifestation and so on. So, it's, it's obviously.

555
01:13:02.880 --> 01:13:08.189
Generally oriented toward computer files of various kinds.

556
01:13:08.189 --> 01:13:09.180
cdroms,

557
01:13:09.175 --> 01:13:09.835
for instance,

558
01:13:09.984 --> 01:13:13.255
rather than rather than DVD,

559
01:13:13.555 --> 01:13:14.064
film,

560
01:13:14.064 --> 01:13:18.685
DVDs or or blue Ray disks now,

561
01:13:19.225 --> 01:13:24.744
feel 538 can still be useful for public display especially if your local system doesn't deal.

562
01:13:24.744 --> 01:13:29.635
Well, or at all with some of the more recently defined 3, 4 x fields.

563
01:13:30.750 --> 01:13:34.470
In some cases, depending upon the complexity of data.

564
01:13:34.470 --> 01:13:45.420
It might be appropriate to put this up to put some details in separate 500 field. 5 XX fields. Excuse me rather than cram them all into a 538.

565
01:13:45.420 --> 01:13:55.050
The old life, best practices document explicitly says that aspect ratio should be its own 500 note, but we'll talk more about that later.

566
01:13:55.050 --> 01:13:58.710
Because there are new developments.

567
01:13:59.215 --> 01:14:12.744
In most common cases, however, a single 538 field will suffice for most of the other important elements. There remains no real standard for the order of elements in field 538. but here are my suggestions.

568
01:14:16.555 --> 01:14:21.114
You can see that in the schematic 538 and 500 at the top of this screen.

569
01:14:21.114 --> 01:14:32.425
My suggestion is encoding format such as DVD video or Blu Ray disc followed by broadcast standard.

570
01:14:34.649 --> 01:14:38.069
Followed by regional encoding.

571
01:14:38.574 --> 01:14:53.545
Followed by configuration of playback channels and any special playback characteristics, you can come up with your own order. If this 1 doesn't satisfy you. Or you think it, some other order is more useful for your users.

572
01:14:54.564 --> 01:14:59.845
My suggestion for punctuation is semi colon space between elements.

573
01:15:00.180 --> 01:15:07.050
But regarding the order wording and punctuation use commonsense and strive for clarity.

574
01:15:07.050 --> 01:15:14.369
And sickness quotations from the resource can sometimes be useful and don't agonize. Okay.

575
01:15:18.630 --> 01:15:23.039
So, as an example, here's a 538.

576
01:15:23.039 --> 01:15:30.779
Uh, D. V. D. video and T. C. which is the, the.

577
01:15:30.779 --> 01:15:35.640
The broadcast standard, um, it is all region.

578
01:15:35.640 --> 01:15:41.670
Dolby Digital 5.1 surround sound or sterile surround sound.

579
01:15:41.670 --> 01:15:51.060
And a separate 500 field for the aspect ratio, which, in this case happens to be wide screen.

580
01:15:51.060 --> 01:15:59.340
Uh, which is represented in the, uh, the ratio 16 to 9.

581
01:15:59.340 --> 01:16:12.180
The information in the container box that you see at the bottom, and sometimes elsewhere on a resource can be translated fairly clearly and concisely.

582
01:16:12.180 --> 01:16:25.560
Into the 538 and 500 fields below the box, as you can see DVD video and PSC, um, all all region and so on. But in addition to any.

583
01:16:25.560 --> 01:16:30.420
300, so he'll be 538 and 500 presentation.

584
01:16:30.420 --> 01:16:40.829
Of this vital information, let's look in detail at some of the video and entity attributes that now have their own homes in a mark record.

585
01:16:40.829 --> 01:16:51.539
This of the data elements has the potential to make searching indexing, identifying and fastening much more accurate and efficient.

586
01:16:51.539 --> 01:16:57.329
As we look forward to a linked data post mark future.

587
01:16:59.850 --> 01:17:14.130
Because the fields such as 3050538 really have never allowed for a full differentiation of individual data elements through.

588
01:17:14.130 --> 01:17:28.614
New sub fields, new fields and sub fields have been implemented for many of the elements. We've just looked at the legacy field. 340 for physical medium has currently 20 sub fields. 9 of which.

589
01:17:29.489 --> 01:17:33.630
Have been defined in Mark since 2011.

590
01:17:33.630 --> 01:17:39.390
3, 3 of those sub fields have relevance to video recordings.

591
01:17:39.390 --> 01:17:44.670
340 is the physical medium.

592
01:17:44.670 --> 01:17:58.229
Field it includes self, he'll be for dimensions measurements of the material configuration and in the case of D. V. d's and blue Ray discs through poor and 3 quarter inches.

593
01:17:58.229 --> 01:18:07.800
Sub hill D the information recording technique, which corresponds to rba? 3.9.1.3.

594
01:18:07.800 --> 01:18:11.369
Most desks.

595
01:18:11.369 --> 01:18:18.180
The, uh, the information recording technique will be burning is is the standardized term.

596
01:18:18.180 --> 01:18:23.069
And for most commercially produced video desks.

597
01:18:23.069 --> 01:18:26.369
The term will be stamping.

598
01:18:26.369 --> 01:18:33.930
So, burning for locally produced and stamping for commercially produced.

599
01:18:33.930 --> 01:18:38.939
And for color content.

600
01:18:38.939 --> 01:18:46.500
Black and white color sepia corresponding to 7.17.

601
01:18:46.500 --> 01:18:53.909
Several of the remaining 3 or 4 x fields that are also useful for video recordings have likewise been defined.

602
01:18:53.909 --> 01:18:59.579
Since 2011 344 for sound characteristics.

603
01:18:59.579 --> 01:19:08.970
Has suffered a for the type of recording, which in the case of all DVDs and blue, right this will be digital.

604
01:19:08.970 --> 01:19:18.930
The recording medium and the corresponding to 3, 6, 3 points 16.3 which an, all DVD and blue red disks.

605
01:19:19.194 --> 01:19:31.585
Will be optical, the configuration of playback channels. So, Phil g corresponding to 3.16.8 mano stereo surround and so on.

606
01:19:35.305 --> 01:19:36.654
And subfield H,

607
01:19:37.734 --> 01:19:39.625
special playback characteristics,

608
01:19:39.744 --> 01:19:47.635
which corresponds to 3.16.9 plus special playback characteristics are and equalization system noise,

609
01:19:47.935 --> 01:19:52.345
reduction system and so on used in making an audio recording,

610
01:19:52.345 --> 01:19:55.164
including audio tracks of motion pictures.

611
01:19:57.000 --> 01:20:03.720
The most common of which would be L. P. C. which is 1 year.

612
01:20:03.720 --> 01:20:09.270
Pulse code, which is part of both the DVD.

613
01:20:09.270 --> 01:20:17.489
And blue race standards related to audio and video storage. Now, unless you're unless you're a video disk.

614
01:20:17.489 --> 01:20:21.359
Explicitly says, or.

615
01:20:21.359 --> 01:20:34.975
Layer pulse code, somewhere prominently on the, uh, on the manifestation you probably won't have to code that or, uh, include that in 304, sub pill age.

616
01:20:34.975 --> 01:20:37.885
But but that's what that means. If you happen to encounter it.

617
01:20:39.210 --> 01:20:46.380
Til 342nd, video characteristics self he'll be.

618
01:20:46.380 --> 01:20:53.635
Um, uh, is the broadcast standard uh, H. D. T. V. and T. C. P. A. L.

619
01:20:53.935 --> 01:21:03.984
and C cam which correspond to 3.18.3 and we'll talk about these and other of these particular elements um, and just a few minutes.

620
01:21:05.340 --> 01:21:11.460
And finally the 347, the digital file characteristics.

621
01:21:11.460 --> 01:21:16.890
File type which corresponds to rba 3.19.2.

622
01:21:16.890 --> 01:21:22.470
Video file the 147 and coating format.

623
01:21:22.470 --> 01:21:29.609
Which is a schema standard, et cetera, used to encode the digital content of a resource.

624
01:21:29.609 --> 01:21:34.560
Dvd video, Blu, Ray, or they are the standardized.

625
01:21:34.560 --> 01:21:41.369
Terminology and sub field E in the 347 field regional encoding.

626
01:21:41.875 --> 01:21:42.354
Uh,

627
01:21:43.225 --> 01:21:46.284
which are also a controlled vocabulary,

628
01:21:46.645 --> 01:21:51.385
a small R region followed by its number,

629
01:21:51.564 --> 01:21:52.704
or in the case of,

630
01:21:52.734 --> 01:21:53.064
of,

631
01:21:53.484 --> 01:21:54.744
of all regions,

632
01:21:55.015 --> 01:21:57.444
all regions small a small R.

633
01:21:57.750 --> 01:22:03.270
Although some of these fields and sub fields were implemented.

634
01:22:03.270 --> 01:22:17.489
As a result of need for greater detail in coding, you were encouraged, sees these fields also in any non records as well just as you, you use the 3 X fields.

635
01:22:21.090 --> 01:22:27.630
In upcoming slides, we'll look in more detail at each of the 11, 3, 4 x field.

636
01:22:27.630 --> 01:22:31.289
Entity attributes listed in the previous slide.

637
01:22:31.289 --> 01:22:43.079
The forfield under consideration, have certain things in common. The most important of which, in our context are the sub fields, too for source.

638
01:22:43.079 --> 01:22:47.670
And sub field, 3 materials specified.

639
01:22:47.670 --> 01:22:50.789
Southfield 3 is used when needed.

640
01:22:50.789 --> 01:22:58.380
To specify the part of the described materials to which the field applies as it does throughout Mark 21.

641
01:22:58.380 --> 01:23:02.850
Subfield 2 identifies the source of a term.

642
01:23:02.850 --> 01:23:05.970
When it is from a controlled list.

643
01:23:06.744 --> 01:23:21.505
Many of the 3, 4, sub fields have specific control vocabularies, which are usually found in the registry. The, uh, the link to, which is at the very center of this slide. W. W.

644
01:23:21.505 --> 01:23:23.935
W dot registry dot info.

645
01:23:25.404 --> 01:23:29.305
We'll mention many of these vocabularies in the upcoming slides.

646
01:23:30.385 --> 01:23:42.324
Some 3, 4 x elements don't lend themselves to control vocabularies often, because they have something to do with such highly variable attributes as dimensions or speed.

647
01:23:43.585 --> 01:23:58.045
Some of the 3 or 4 x elements, maybe future candidates for controlled vocabulary, but don't currently have 1 in those cases. A vocabulary may or may not be under development in 1 of the specials communities.

648
01:23:58.380 --> 01:24:02.189
Or may simply have been overlooked.

649
01:24:02.189 --> 01:24:06.270
Current practice is to use a separate field.

650
01:24:06.270 --> 01:24:21.265
For each unique term, repeating the respective 3, 4 x field for each individual, sub field 2 code that is for each element from a different vocabulary. No subfield to is included.

651
01:24:21.539 --> 01:24:27.810
When the element does not have an associated controlled vocabulary.

652
01:24:32.274 --> 01:24:32.664
The mark,

653
01:24:32.664 --> 01:24:33.145
21 field,

654
01:24:33.145 --> 01:24:33.685
340,

655
01:24:33.925 --> 01:24:36.895
physical medium is 1 of the older 3,

656
01:24:36.895 --> 01:24:37.885
4 x fields,

657
01:24:37.885 --> 01:24:41.725
but it's gotten more attention only in the rba,

658
01:24:41.725 --> 01:24:48.835
or at least among those of us who don't catalog especially rare materials.

659
01:24:50.460 --> 01:24:56.640
It contains physical description information for an item.

660
01:24:56.640 --> 01:25:02.550
That requires technical equipment for its use and or more granular description.

661
01:25:02.550 --> 01:25:11.220
Information of an item, this material properties to facilitate access of discovery or the support collection management.

662
01:25:11.515 --> 01:25:21.954
According to mark 21, although other self fields may occasionally be used for video recordings only so fields be D and g would be commonly used.

663
01:25:21.954 --> 01:25:29.845
So let's begin with a little closer look at at 340 sub to be for dimensions. Here's the instruction hierarchy.

664
01:25:32.010 --> 01:25:36.119
For dimensions of a desk describing carriers.

665
01:25:36.119 --> 01:25:46.229
Dimensions basic instructions on recording dimensions, dimensions of a carrier and disks and this is all in 3.5.

666
01:25:46.229 --> 01:25:52.560
For physical medium, so he'll be.

667
01:25:52.560 --> 01:26:07.140
The D*** stuff, he'll be actually made dimensions. The diameter of both DVDs and blue. Ray desks is 4 and 3 quarter inches as we talked about earlier for the 300 subfield say.

668
01:26:07.140 --> 01:26:16.619
The LLC PCCC policy statements that correspond to 3.5.1.3 and so on.

669
01:26:16.885 --> 01:26:30.055
And the best practices say to record disk dimensions in inches, and for our Canadian colleagues, you are certainly welcome to record the dimensions in centimeters.

670
01:26:31.074 --> 01:26:36.414
The abbreviation ion for inches is still used according to appendix b7.7 in.

671
01:26:39.744 --> 01:26:53.305
The use of field 340 self he'll be is optional, given that the dimensions are routinely recorded in field 300, sub fields. C because the size is not a control list of terms. There is no.

672
01:26:54.270 --> 01:27:02.430
Is not from a control list of terms? Excuse me? There's no sub field to include it in 340 representing dimensions.

673
01:27:07.560 --> 01:27:14.279
We talked, uh, just a, a little bit about record, uh, recording production method.

674
01:27:14.279 --> 01:27:25.109
Um, burning, which is used for most of the DVDs and blue right disks, such as and stamping.

675
01:27:25.109 --> 01:27:28.529
Used for most commercially produced desks.

676
01:27:28.529 --> 01:27:36.479
And so it's the use of 340 sub there'll be is also optional, especially for commercial disks.

677
01:27:36.479 --> 01:27:45.569
Those both of those terms burning and stamping come from the control list. rba production method.

678
01:27:45.569 --> 01:27:52.260
So you would include the sub field, too, with the code P. M.

679
01:27:52.260 --> 01:28:06.600
The the link to the, the rba registry R. D. A. production method control list is at the bottom of the page the bottom of the screen. Excuse me?

680
01:28:11.670 --> 01:28:20.939
Video recording, um, color content. The basic the instructions are in 7.17.

681
01:28:20.939 --> 01:28:29.670
And those correspond to the 340 physical medium, sub field g for color content.

682
01:28:30.720 --> 01:28:40.979
Because these terms color, black and white, and sepia are suggested by the alternative policy statement.

683
01:28:41.274 --> 01:28:52.614
For 7.17.1.3, which says, Elsie practice for the alternative. If recording color content generally use a substitute term, for instance, color.

684
01:28:56.100 --> 01:28:59.939
Or record a phrase, such as some color, or chief of color.

685
01:29:00.204 --> 01:29:12.744
As details of color content, this is confirmed by the olack best practices for the same instruction and are not from a controlled list of terms. Therefore, there is no sub field.

686
01:29:13.435 --> 01:29:22.284
There is no sub field to used when for subfield to correspond to subfield g when you're using these alternative terms.

687
01:29:22.619 --> 01:29:33.989
There is a control list for audio caller content with the code. Again the, the link is at the bottom of this slide.

688
01:29:33.989 --> 01:29:43.529
That control list it, which is already a proper I suppose you could say includes the terms monochrome.

689
01:29:43.529 --> 01:29:50.789
And Polly Chrome, which are not exactly user friendly at least in the United States.

690
01:29:50.789 --> 01:29:56.399
If you choose to use the alternative, which most of us in the US.

691
01:29:56.399 --> 01:30:06.510
We'll probably use the alternative of black and white collar and, um, don't use the control list and don't use subfield too.

692
01:30:06.510 --> 01:30:18.659
Cpa by the way is defined as follows in case. You're not familiar with the term a sepia tone, which is a conversion of a black and white image and silver to.

693
01:30:18.659 --> 01:30:21.930
A brown is gray, dark all of brown.

694
01:30:21.930 --> 01:30:33.685
By metallic compounds, sepia was the most common telling used and was used in black and white prints of films for special sequences to enhance the dramatic or pictorial effect.

695
01:30:34.074 --> 01:30:39.534
The still of Darcy and toto is and Cynthia, as we mentioned earlier.

696
01:30:39.960 --> 01:30:53.909
So, now we move on to mark field 344.

697
01:30:53.909 --> 01:31:06.539
Sound characteristics, which contains technical specifications relating to the encoding of sound in a resource. Although the field is primarily intended for audio recordings.

698
01:31:06.539 --> 01:31:12.270
Certain of the elements also applied to the audio aspects of video recordings as well.

699
01:31:12.270 --> 01:31:23.909
For DVD and blue Ray video discs, only sub fields, a type of recording the recording medium g, configuration of playback channels and H.

700
01:31:23.909 --> 01:31:27.000
Special playback characteristics are to be used.

701
01:31:27.000 --> 01:31:33.090
Field 304 a, for type of recording.

702
01:31:33.090 --> 01:31:42.210
Uh, the, the corresponds to 3.16.2 in.

703
01:31:45.180 --> 01:31:55.259
For all video desks for all that starts. Excuse me for all blue Ray disks and all DVDs.

704
01:31:55.259 --> 01:32:03.719
The controlled term will all for us 304 a will always be digital.

705
01:32:03.719 --> 01:32:05.154
And the Southfield too,

706
01:32:05.184 --> 01:32:07.673
because digital is from the control list,

707
01:32:08.934 --> 01:32:10.673
the L2 will always be R,

708
01:32:11.694 --> 01:32:15.203
which is for the type of recording again the,

709
01:32:15.203 --> 01:32:20.394
the rba registry link is at the bottom of the of the screen.

710
01:32:25.679 --> 01:32:30.328
The other all the other possibility for.

711
01:32:30.328 --> 01:32:34.019
For type of recording would be analog.

712
01:32:34.019 --> 01:32:47.788
Uh, which is also from the same controlled list DVDs and blue Ray desks are never analog so you would never use it for for a Blu, Ray disc or blue or a TV.

713
01:32:54.988 --> 01:33:00.179
Field 344, sub filled B for recording medium.

714
01:33:00.179 --> 01:33:07.259
Um, corresponds to 3.16.3.

715
01:33:07.259 --> 01:33:17.908
The recording medium is the type of medium used to record sound on an audio care carrier, for instance, magnetic or optical.

716
01:33:17.908 --> 01:33:22.469
Dvds and blue Ray desks are always optical.

717
01:33:22.469 --> 01:33:27.509
And that is to control term from the article recording medium vocabulary.

718
01:33:27.509 --> 01:33:34.078
Again, the, the, uh, the registry link is at the bottom of the.

719
01:33:34.078 --> 01:33:37.349
Uh, the screen.

720
01:33:37.349 --> 01:33:42.118
So all blue, right? Desks and all.

721
01:33:42.118 --> 01:33:49.769
Dvds will have a 344 B optical.

722
01:33:49.769 --> 01:33:56.908
And feel to our for the audio recording medium vocabulary.

723
01:34:01.708 --> 01:34:14.338
Field 304 subfield g for configuration of playback channels. Um, uh, it corresponds to rba 3.16.8.

724
01:34:14.338 --> 01:34:22.679
The most common ones, the, the most common terms that you will find our motto stereo and surround.

725
01:34:22.679 --> 01:34:30.719
Mano and stereo and surround are all from the configuration of playback channels.

726
01:34:30.719 --> 01:34:37.948
Um, control vocabulary, which is 2 is coded CPC.

727
01:34:37.948 --> 01:34:41.519
And once again, the.

728
01:34:41.519 --> 01:34:49.588
The controlled vocabulary from the audio registry is at the bottom of the screen.

729
01:34:49.588 --> 01:34:56.128
Just to note that both here in the 304 South L. G.

730
01:34:56.128 --> 01:35:02.609
And anywhere else that you would be mentioning the configuration of playback channels.

731
01:35:02.609 --> 01:35:05.819
Stereo and.

732
01:35:05.819 --> 01:35:12.958
Under ACR, 2 had been considered abbreviations. They are not and so followed by periods.

733
01:35:12.958 --> 01:35:21.088
And they are not considered to be a periods so leave off those periods.

734
01:35:27.418 --> 01:35:31.889
Field 304 subfield H.

735
01:35:31.889 --> 01:35:40.769
Is for special playback characteristics, which corresponds to rba? 3.16.9.

736
01:35:40.769 --> 01:35:49.679
Now, a special playback characteristic is an equalization system, a noise reduction system, et cetera.

737
01:35:49.679 --> 01:35:57.264
Used in making an audio recording, the only term in the special playback characteristic vocabulary. Again.

738
01:35:57.654 --> 01:36:08.394
That is the link to the registry controlled list of terms is at the bottom of the screen. The only term.

739
01:36:08.819 --> 01:36:20.484
That in that vocabulary for that is likely to be used in DVDs or blue rate discs is L. P. C. M. which is a special playback characteristic of sound.

740
01:36:20.484 --> 01:36:29.844
That is a digital sampling of analog sound based on the pulse code. Maturation method. You are not very likely to find that on an actual.

741
01:36:30.269 --> 01:36:36.538
Blue right desk or the day. So it's not likely you'll you will have, um.

742
01:36:36.538 --> 01:36:40.559
To use that.

743
01:36:40.559 --> 01:36:52.738
However, essentially all the, and all the other control terms in that a special playback characteristic vocabulary are limited to describing.

744
01:36:52.738 --> 01:37:06.599
Analog sound characteristics sound characteristics, including, uh, various Dolby terms each of which relates explicitly to analog magnetic tape recording.

745
01:37:06.599 --> 01:37:18.298
And so will not generally apply to to video recordings and especially not to DVDs or to blue right? Desks.

746
01:37:20.243 --> 01:37:30.384
Any Dolby reference on a DVD or Blu Ray disc is almost certain to mean, some variety of Dolby Digital, for which there are no current control terms on that.

747
01:37:31.043 --> 01:37:40.644
Our registry list those, and any other uncontrolled terms referring to special playback playback characteristics.

748
01:37:40.913 --> 01:37:53.514
May still be put in and field 344 sub failed age, but you would not include a sub field to in the field. So, for example, Dolby Atmos or D. T. S. H.

749
01:37:53.514 --> 01:38:00.894
the master audio 5.1 are are uncontrolled terms that are appropriate for the 344 selfish age.

750
01:38:03.059 --> 01:38:06.509
And would not have a sub field too, in the field.

751
01:38:17.399 --> 01:38:25.349
There are other options for recording sound characteristics beyond what we've just talked about.

752
01:38:25.349 --> 01:38:40.344
In the field 344, in addition to all all the coding issues for field 344, you will, of course, want to present any important sound characteristics. So that human beings who happen not to be catalogs can understand them. This will especially be the case.

753
01:38:40.344 --> 01:38:42.594
If your local system can't yet do anything useful.

754
01:38:44.189 --> 01:38:56.453
With those 3, 4 x fields, depending upon the situation, there are several different ways in which it may be appropriate to note particular sound characteristics.

755
01:38:57.474 --> 01:39:01.463
Perhaps the most common would be to include sound characteristics and field 3.

756
01:39:01.944 --> 01:39:03.323
excuse me field 538,

757
01:39:03.323 --> 01:39:10.793
as we covered earlier in cases or sound characteristics are associated with particular language soundtracks,

758
01:39:10.793 --> 01:39:18.503
it might make sense to specify those details and a 546 language note and we have examples.

759
01:39:20.219 --> 01:39:26.488
Of both of those in this in this screen.

760
01:39:27.599 --> 01:39:42.118
It may occasionally be clear to include sound characteristics in a separate 500 node. Especially if the situation as complicated as in the, the final 2 examples of 500 notes.

761
01:39:42.118 --> 01:39:45.599
In on this screen.

762
01:39:59.338 --> 01:40:03.118
The video characteristics field, which is field.

763
01:40:03.118 --> 01:40:15.628
346 it corresponds to 3.18 a technical specification relating to the encoding of video images in a manifestation.

764
01:40:15.628 --> 01:40:18.748
3.18.2.

765
01:40:18.748 --> 01:40:29.158
Video format, and the corresponding field 346 subfield a apply by definition only to analog video and never.

766
01:40:29.158 --> 01:40:32.189
To DVDs or blue right? Desks.

767
01:40:32.189 --> 01:40:39.988
So, for blue, red desks and DVDs, we would never use video characteristics, sub field 346. so I'll fill a.

768
01:40:39.988 --> 01:40:53.429
We'll deal with the encoding format for digital video in a few minutes under 547 subfield. They don't even ask why this is you will get me off on a tangent and I'll get angry.

769
01:40:56.694 --> 01:41:08.184
In contrast, 3.18.3 per broadcast standard a system used to format a manifestation of a video for television broadcast and it's corresponding to 346 subfield. B.

770
01:41:10.349 --> 01:41:21.538
Are not limited to analog video in our in our increasingly global catalog in the world. It's a good idea to always include the broadcast standard.

771
01:41:21.538 --> 01:41:32.219
When the resource identifies it that corresponds to 3.18.3 broadcast standard 346. so he'll be.

772
01:41:32.219 --> 01:41:40.948
A system used to format a manifestation of a video for television broadcast. The most common values are.

773
01:41:40.948 --> 01:41:45.418
H. D. T. V. P. A. L. and.

774
01:41:45.418 --> 01:41:52.378
The all 3, excuse me all 4 of which are from the broadcasts standard.

775
01:41:52.378 --> 01:41:58.469
Uh, control vocabulary, the link to, which is at the bottom of the screen.

776
01:42:04.373 --> 01:42:07.134
Acr to broadcast standard was referred to,

777
01:42:07.373 --> 01:42:11.724
as the color recording system or color broadcast system,

778
01:42:12.594 --> 01:42:26.963
by whatever name it has to do with the technology of displaying video color the number of horizontal lines displayed and the way the lines are transmitted and and were the 3 major

779
01:42:27.024 --> 01:42:27.953
widespread.

780
01:42:28.673 --> 01:42:39.654
Systems in the analog broadcast era, and are now referred to collectively as standard definition TV systems or ZTE TV, as opposed to H. D TV.

781
01:42:40.134 --> 01:42:50.423
There were various other minor and not very widespread broadcasting standards in various other parts of the world.

782
01:42:51.684 --> 01:42:52.823
And tsc,

783
01:42:52.823 --> 01:42:57.503
which stood for national television system committee was used,

784
01:42:57.503 --> 01:42:58.943
mostly in the United States,

785
01:42:58.943 --> 01:42:59.394
Canada,

786
01:42:59.394 --> 01:42:59.873
Mexico,

787
01:42:59.873 --> 01:43:00.384
Japan,

788
01:43:00.474 --> 01:43:04.493
and a few other places it had 525 horizontal lines and jokingly,

789
01:43:04.493 --> 01:43:09.173
it is referred to as never the same.

790
01:43:11.368 --> 01:43:14.788
Never twice the same color.

791
01:43:14.788 --> 01:43:15.293
P. A.

792
01:43:15.293 --> 01:43:21.774
L which is phase alternating a line was developed in Germany and used in most of Western Europe,

793
01:43:21.774 --> 01:43:25.463
except for France as well as,

794
01:43:25.493 --> 01:43:26.514
in China,

795
01:43:26.514 --> 01:43:26.993
India,

796
01:43:26.993 --> 01:43:27.623
Australia,

797
01:43:27.623 --> 01:43:28.194
New Zealand,

798
01:43:28.314 --> 01:43:29.154
parts of Africa,

799
01:43:29.184 --> 01:43:30.503
Asia and South America.

800
01:43:31.554 --> 01:43:33.833
It had 625 horizontal lines and it's joke.

801
01:43:36.868 --> 01:43:40.019
Uh, abbreviations are people are lavender.

802
01:43:40.019 --> 01:43:50.819
Picture always lousy and perfection at last. So you've got the whole range of of criticism of the system.

803
01:43:50.819 --> 01:43:58.349
ckmb, uh, which was developed in France and use there in Russia.

804
01:43:58.349 --> 01:44:02.998
Eastern Europe, Francophone, Africa and the Middle East had.

805
01:44:02.998 --> 01:44:12.838
To 125 horizontal lines and because my French is terrible, I won't even try to, uh, pronounce what stands for.

806
01:44:12.838 --> 01:44:19.769
Um, except that, I will say that the joke is system entirely contrary.

807
01:44:19.769 --> 01:44:28.738
To American method, and I think marker shard of McGill University for those joke designations.

808
01:44:28.738 --> 01:44:40.679
Tv high definition television was the digital broadcast standard that replaced in the United States on June 12.

809
01:44:40.679 --> 01:44:52.469
2009, it supports various image sizes and has a a line standard of 70720 lines or greater.

810
01:44:52.469 --> 01:44:56.458
H. D. T. V. is a broad different designation.

811
01:44:56.458 --> 01:45:03.689
For a range of digital broadcast standards, covering covering multiple frame sizes, scanning systems.

812
01:45:03.689 --> 01:45:08.368
And frame rates and its joke.

813
01:45:08.368 --> 01:45:12.328
Uh, designation and you'll excuse my language.

814
01:45:12.328 --> 01:45:15.569
D***, that's vivid.

815
01:45:21.719 --> 01:45:32.338
R. D. A. 3.19 digital file characteristics defines a technical specification relating to the digital encoding of text.

816
01:45:32.338 --> 01:45:44.099
Image audio, video and other types of data and in manifestation field. 347, digital file characteristics is the corresponding Mark field.

817
01:45:44.099 --> 01:45:50.698
3 sub fields, 147 apply to dbts and blue Ray disks, sub field a file type.

818
01:45:50.698 --> 01:45:59.189
So, if he'll be for encoding format and sub field E, for regional encoding, we won't go into the well intentioned mess.

819
01:45:59.189 --> 01:46:14.154
That our da creates by dividing it dividing analog formats and digital formats, both that division and that mess got carried over into Mark and we're dealing here with the single file type.

820
01:46:14.458 --> 01:46:17.878
Of video file in 347.

821
01:46:17.878 --> 01:46:23.309
Southfield, a, the file type is a general type of.

822
01:46:23.309 --> 01:46:27.328
Data content encoded in a computer file.

823
01:46:27.328 --> 01:46:34.679
The only, uh, the only valid term for a DVD or a.

824
01:46:34.679 --> 01:46:41.819
Blu, Ray desk would be video file the term from the rba file type controlled.

825
01:46:41.819 --> 01:46:48.628
Vocabulary the link to which is at the bottom of this format of this.

826
01:46:48.628 --> 01:46:56.788
This slide and it is from file type. So that will be in some field.

827
01:46:56.788 --> 01:47:07.439
347 sub, he'll be.

828
01:47:07.439 --> 01:47:12.509
Encoding format corresponds to 3.19.3.

829
01:47:12.509 --> 01:47:20.668
Including format as a schema standard, et cetera used to encode the digital content of a manifestation.

830
01:47:20.668 --> 01:47:26.429
There's no longer a controlled list of terms.

831
01:47:26.429 --> 01:47:35.519
Associated with 3.19.3 or correspondingly with field 347 and day so.

832
01:47:35.519 --> 01:47:39.988
So, Phil 2 is not included in 347.

833
01:47:39.988 --> 01:47:44.399
Herself, he'll be.

834
01:47:44.399 --> 01:47:48.418
The terms, however, our DVD video.

835
01:47:48.418 --> 01:47:52.378
And blue, blue, Ray as the.

836
01:47:52.378 --> 01:48:00.389
Uh, noted in, on this slide, those are the terms you will use, but you can also use more detailed.

837
01:48:00.389 --> 01:48:04.979
Uh, uh, terms.

838
01:48:04.979 --> 01:48:12.809
From the from your manifestation, if that's appropriate as in the 4 K Ultra blue Ray.

839
01:48:12.809 --> 01:48:18.509
Again, none of those would have a sub field too, because they are not from a controlled list.

840
01:48:18.509 --> 01:48:31.019
Regional encoding, which corresponds to 3.19.6.

841
01:48:34.134 --> 01:48:46.104
Is a designation for 1 or more regions of the world for which a video disc video game carrier has been encoded, indicating that playback is restricted to a device configured to decode it.

842
01:48:46.439 --> 01:48:51.328
The regional encodings of DVDs are numeric.

843
01:48:51.984 --> 01:49:05.453
Those of blue, right desks are usually alphabetic, but are occasionally designated as numeric. And those for video games are alphabetic and need to be differentiated from the blue Ray regions.

844
01:49:09.628 --> 01:49:15.208
The controlled terms, including all the regions.

845
01:49:15.208 --> 01:49:22.828
For DVDs, blue, red desks and video games come from the regional and coding.

846
01:49:22.828 --> 01:49:27.059
Uh, control vocabulary. R. D. A. R. E.

847
01:49:27.059 --> 01:49:33.899
The designation for the, the for, which is at the bottom of the screen.

848
01:49:33.899 --> 01:49:42.658
And you'll see, you can see on the example here that, um, the 2 is, uh, a W2, which the, uh.

849
01:49:42.658 --> 01:49:48.719
Arrow points is an example of region. 2.

850
01:49:48.719 --> 01:49:54.029
As it is shown on a, on the container.

851
01:49:57.863 --> 01:50:09.264
Many D. V. d's and D. V. D players included an indication that they will play only in a certain region or regions on DVDs. It's usually represented by a region number or numbers.

852
01:50:09.628 --> 01:50:24.354
Superimposed on a world globe often and closed in a square or rounded square the symbols shown here are among the more common versions but there are certainly other variations, including the term all a L. L.

853
01:50:24.503 --> 01:50:30.173
superimposed on the globe for DVDs region. 0T region free.

854
01:50:30.509 --> 01:50:36.149
And all regions designations are all coded as all regions.

855
01:50:36.149 --> 01:50:46.019
That's the control vocabulary from the rba regional encoding controlled vocabulary. Subfield to R. E.

856
01:50:46.019 --> 01:50:51.118
Each of the bulk designations is a legitimate code.

857
01:50:51.118 --> 01:50:58.408
In the regional encoding control vocabulary, the term region is not capitalized.

858
01:51:06.264 --> 01:51:08.243
Likewise many Blu,

859
01:51:08.243 --> 01:51:08.724
Ray disc,

860
01:51:08.724 --> 01:51:13.104
some players included an indication that they will play only in certain regions,

861
01:51:13.134 --> 01:51:20.003
or certain regions on blue right is this is usually represented by the regional letters,

862
01:51:20.033 --> 01:51:21.564
or occasionally numbers.

863
01:51:21.838 --> 01:51:26.099
Superimposed on a world globe enclosed and Hexagon.

864
01:51:26.099 --> 01:51:34.498
As shown here for blue right discs also use the all regions code and field. 347. E.

865
01:51:34.498 --> 01:51:42.029
For region free and all reason region designations each of the bold designations on the slide.

866
01:51:42.029 --> 01:51:52.168
Is a legitimate code in the rba regional and code and control vocabulary the term where you can is not capitalized but the alphabetic code is capitalized.

867
01:51:52.168 --> 01:51:56.128
The regional encoding.

868
01:51:56.128 --> 01:52:05.939
For C must be qualified with our. Excuse me with blue Ray? Uh, in parentheses as shown here.

869
01:52:05.939 --> 01:52:09.149
To distinguish it from the different regions. C.

870
01:52:09.149 --> 01:52:19.979
For video games, which is qualified with the parents medical video game. So that's the way the control vocabulary deals with with those similarly named.

871
01:52:19.979 --> 01:52:20.639
Um,

872
01:52:20.814 --> 01:52:30.713
regions that covers all of the currently defined 3,

873
01:52:31.043 --> 01:52:31.583
4,

874
01:52:31.613 --> 01:52:32.484
X entity,

875
01:52:32.484 --> 01:52:35.694
attribute fields that apply to DVDs and Blu,

876
01:52:35.694 --> 01:52:36.444
Ray disks.

877
01:52:36.748 --> 01:52:43.679
But there are more on the way Mark proposal number 2020.

878
01:52:43.679 --> 01:52:53.548
0, 5, renaming field 345 and defining new sub fields for aspect ratio in the mark, 21 biblical graphic format.

879
01:52:53.548 --> 01:53:03.149
Which was discussed and accepted at the virtual annual Mark advisor committee meetings in late June, early, July 2020.

880
01:53:03.149 --> 01:53:14.158
Is likely to be part of the pending mark public graphic update number 31, which we expect to be released by the library of Congress before the end of 2020.

881
01:53:14.158 --> 01:53:14.488
So,

882
01:53:14.514 --> 01:53:16.073
you can watch the space,

883
01:53:16.944 --> 01:53:18.894
we await the final details,

884
01:53:18.894 --> 01:53:19.283
of course,

885
01:53:19.283 --> 01:53:25.764
but field 345 is going to be renamed moving image characteristics from its current name,

886
01:53:25.764 --> 01:53:27.623
a per of projection,

887
01:53:27.654 --> 01:53:30.113
characteristics of moving image.

888
01:53:31.319 --> 01:53:37.139
The scope of the field currently limited to use with projected motion picture film.

889
01:53:37.139 --> 01:53:45.929
We'll expand to allow use for all moving image, including all moving images, including video.

890
01:53:45.929 --> 01:53:48.988
And 2, new sub fields will be defined.

891
01:53:48.988 --> 01:53:53.158
To accommodate aspect ratio value the numeric.

892
01:53:53.158 --> 01:54:02.759
Ratio of width to height and aspect ratio designator a description of the ratio such as wide screen or full screen.

893
01:54:23.429 --> 01:54:36.479
Full screen is defined as an aspect ratio designation for a moving image resource of less than 1.5.1. excuse me 1 to 5.1.

894
01:54:36.479 --> 01:54:39.538
No, let me try that 1 more time.

895
01:54:39.538 --> 01:54:43.769
1.5 to 1.

896
01:54:43.769 --> 01:54:54.298
3rd Time's the charm mixed aspect ratio and aspect ratio designation for moving imagery source. That includes multiple aspect ratios.

897
01:54:54.298 --> 01:54:56.453
Within the same resource resource,

898
01:54:56.904 --> 01:54:59.543
that often happens when you have the main,

899
01:55:00.774 --> 01:55:10.884
the main film on a video recording in 1 aspect ratio and and some of the added materials are in different aspect ratios.

900
01:55:11.189 --> 01:55:21.208
And wide screen, which is an aspect ratio designation for moving image, resource of 1.5 to 1 or greater.

901
01:55:21.208 --> 01:55:30.958
Aspect ratio is a numerical ratio of the width to the height of a moving image.

902
01:55:30.958 --> 01:55:41.488
When expressed as, uh, execs to 1 access colon 1, the smaller that the number to the left of the colon is.

903
01:55:41.488 --> 01:55:44.963
The more square of the image as with most older,

904
01:55:45.083 --> 01:55:46.493
traditional televisions,

905
01:55:47.243 --> 01:55:50.333
the larger that the number is to the left of the colon,

906
01:55:50.333 --> 01:55:55.974
as the wider damages as was as with most motion picture screens and modern,

907
01:55:55.974 --> 01:55:57.024
widespread tabs,

908
01:55:57.203 --> 01:56:02.993
wide screen televisions aspect ratio can also be expressed as.

909
01:56:03.359 --> 01:56:13.559
And it's reduced form where 4 to 3 is equal to 1.33 to 1 and 16.9.

910
01:56:13.559 --> 01:56:16.708
Is equal to 1.78 to 1.

911
01:56:16.944 --> 01:56:29.724
As they say, you can do the math over the history of motion pictures. At least 18 different aspect ratios have been used a few of them for only 1 or a small number of individual films.

912
01:56:30.384 --> 01:56:36.594
Roughly a half dozen aspect ratios have evolved into sort of standards.

913
01:56:36.899 --> 01:56:44.939
In various geographical areas, in various film video and or broadcast media and, or for various purposes.

914
01:56:45.713 --> 01:56:48.984
1 reason that catalogs care all of that aspect ratio,

915
01:56:49.283 --> 01:56:53.304
is that the difference between the size of an original film and image,

916
01:56:53.694 --> 01:57:03.833
and the size of the screen on which a video recording is shown often results in different versions of the same video resource what we have commonly called letter,

917
01:57:03.833 --> 01:57:09.413
boxed widescreen and standard or full screen versions.

918
01:57:11.069 --> 01:57:14.759
Letter boxing is a technique used.

919
01:57:14.759 --> 01:57:27.474
In video publishing to set the wide rectangle on a motion picture image into the much more square space of a traditional TV screen, this usually means reducing the size of a video image.

920
01:57:27.623 --> 01:57:37.613
So that the entire horizontal span fits into this, the video screen, leaving blank, horizontal bands above and below the image.

921
01:57:38.154 --> 01:57:39.054
It's ugly,

922
01:57:39.203 --> 01:57:54.172
but it retains the integrity of the image there's also less common technique called pillar boxing or reverse letter boxing where there are black bands on the sides of the image it is used when an image

923
01:57:54.172 --> 01:58:06.144
not intended for wide screen is shown on a wide screen some early sound films were even more narrow than 4 to 3 because they had to accommodate the sound on films track.

924
01:58:06.448 --> 01:58:16.769
Furthermore, there is also window boxing where both letter boxing and pillar. Boxing is used shadow. Boxing is a different story altogether.

925
01:58:16.769 --> 01:58:22.198
So the aspect ratio of 1.5 to 1 and larger.

926
01:58:22.198 --> 01:58:25.649
Is a widescreen.

927
01:58:25.649 --> 01:58:33.868
Or letter boxed the most common 1 service are 1.78 to 1 or 16 to 9.

928
01:58:36.564 --> 01:58:41.484
Full screen versions are aspect ratios smaller than 1.5 to 1.

929
01:58:41.484 --> 01:58:54.984
the most common 1 is 1.33 to 1 sometimes expressed as 4 to 3, which is the most common full screen size and is the, the common size of of old fashioned televisions.

930
01:58:58.529 --> 01:59:02.219
Full screen versions are also called pan and scan.

931
01:59:02.219 --> 01:59:12.569
Standard or full size at least they were in the past these are commonly noted on videos as the terms formatted to set your TV screen.

932
01:59:15.923 --> 01:59:23.003
Until the new field, 345 sub fields for aspect ratios are defined and validated.

933
01:59:23.033 --> 01:59:24.113
And Mark 21,

934
01:59:24.113 --> 01:59:28.854
please continue to record aspect ratio most often in fields Pi,

935
01:59:28.854 --> 01:59:29.003
100,

936
01:59:29.003 --> 01:59:30.894
either as a quoted note,

937
01:59:30.894 --> 01:59:36.323
or as a formal aspect ratio statement as appropriate in cases where the aspect ratio,

938
01:59:36.323 --> 01:59:39.684
or its designation is presented as an addition statement,

939
01:59:39.684 --> 01:59:48.684
including terms such as additional version use your judgment recorded as an addition statement and field 250 in addition to field 500.

940
01:59:48.684 --> 01:59:54.623
don't use the field 538 to record aspect ratios for a formal aspect ratio statement and field 500.

941
01:59:59.519 --> 02:00:10.349
That is not quoted the 1st, choice is the ratio with the denominator of 1. if it appears that way in the resource. If the aspect ratio appears on the resource.

942
02:00:10.349 --> 02:00:22.259
Within aspect ratio designation that does include both with the designation and prescribed toward forms full screen.

943
02:00:22.524 --> 02:00:23.573
And widescreen,

944
02:00:24.024 --> 02:00:26.904
or as mixed aspect ratio as appropriate,

945
02:00:27.323 --> 02:00:30.503
if you're quoting from the resource record the designations,

946
02:00:30.503 --> 02:00:34.283
as they appear at a more for wide screen,

947
02:00:34.283 --> 02:00:34.764
by the way,

948
02:00:34.764 --> 02:00:42.173
refers to digital manipulation of the image to compress or stretch it to set a particular display format.

949
02:00:42.509 --> 02:00:45.748
Such notes as enhanced for wide screen. T v's.

950
02:00:45.748 --> 02:00:49.918
Also usually indicate manipulation.

951
02:00:49.918 --> 02:00:57.389
We are really out of time.

952
02:00:57.389 --> 02:01:02.038
But, uh, I have only, uh.

953
02:01:02.038 --> 02:01:07.259
3 slides all 2 slides left for sound content so I will just plow through if that's.

954
02:01:07.259 --> 02:01:10.319
If that is okay with people, um.

955
02:01:16.554 --> 02:01:25.703
Mark discussion paper, number 2020, Dash, DP, 14 defining a new sub field for sound content in the field. 344.

956
02:01:27.059 --> 02:01:28.764
Of the mark 21 builder graphic format,

957
02:01:28.764 --> 02:01:31.404
which was discussed at the virtual LA,

958
02:01:32.064 --> 02:01:35.453
annual Mark advisor committee meetings in late June,

959
02:01:35.484 --> 02:01:42.203
early July 2020 is likely to return as a proposal at the virtual meeting at La midwinter in early 2021.

960
02:01:42.234 --> 02:01:42.953
again.

961
02:01:43.194 --> 02:01:57.264
We don't yet know the final details, but the paper suggested that the scope of villa graphics field 344 sound characteristics will be expanded slightly and a new sub field per sound content will be defined according to rba 7.18.

962
02:02:03.658 --> 02:02:14.519
But we'll, we'll have to see what the the final details are once it's passed and defined in Mark 21.

963
02:02:15.804 --> 02:02:16.944
At 1st glance,

964
02:02:17.814 --> 02:02:28.373
you would think that the distinction between the presence of sound and silence or the absence of sound would be a fairly easy distinction for most catalogues to make,

965
02:02:29.663 --> 02:02:37.884
but time and again variations on the same questions have arisen if it or video recording of a film that was originally released as silent,

966
02:02:38.423 --> 02:02:45.654
includes a soundtrack of music and or sound effects is that video recorded video recording considered to be sound.

967
02:02:45.988 --> 02:02:49.259
The best practices document says.

968
02:02:49.259 --> 02:03:00.418
If any music or sound has been added to a silent film, the record, the sound content as sound add a note to explain or clarify the details.

969
02:03:00.418 --> 02:03:03.448
Of the sound content, if necessary.

970
02:03:05.543 --> 02:03:15.684
For a video recording of a film originally released a silent that now includes a soundtrack of music and or side effects specify that as sound and field 300.

971
02:03:15.684 --> 02:03:24.293
so he'll be just as you have always started include any pertinent details about the sound content in a 500 note, or.

972
02:03:25.618 --> 02:03:27.054
In a 546 as appropriate.

973
02:03:27.083 --> 02:03:27.293
So,

974
02:03:27.293 --> 02:03:29.333
in this particular example,

975
02:03:29.333 --> 02:03:31.373
it is a,

976
02:03:31.373 --> 02:03:31.913
it's the,

977
02:03:31.974 --> 02:03:39.654
the visual is the famous steps sequence from Sergei eyes and Stein's battleship attempt,

978
02:03:39.654 --> 02:03:45.384
which was originally produced as a silent motion picture in 19,

979
02:03:45.384 --> 02:03:45.713
2005,

980
02:03:46.134 --> 02:03:47.333
but has been released many,

981
02:03:47.904 --> 02:03:58.194
many times with various musical scores over the over the almost century that it's that since it was originally produced.

982
02:03:58.524 --> 02:04:08.604
So, this particular manifestation is a, a black and white film originally silent. But in this case, the manifestation has a musical soundtrack.

983
02:04:11.099 --> 02:04:11.668
Um,

984
02:04:12.054 --> 02:04:12.323
uh,

985
02:04:12.323 --> 02:04:12.894
with a,

986
02:04:12.953 --> 02:04:14.243
with a musical score,

987
02:04:14.274 --> 02:04:16.043
as is noted on the container,

988
02:04:16.163 --> 02:04:19.314
so this is how how this is an example of how you would,

989
02:04:19.344 --> 02:04:19.583
Ah,

990
02:04:19.613 --> 02:04:22.493
indicate a formally silent film with,

991
02:04:22.913 --> 02:04:23.363
um,

992
02:04:24.264 --> 02:04:30.894
that has had the manifestation of what you have in hand has a has sound in it.

993
02:04:31.319 --> 02:04:34.588
And that.

994
02:04:34.588 --> 02:04:38.668
And.

995
02:04:38.668 --> 02:04:45.899
The, uh, the workshop for now, thank you for bearing with me for the extra.

996
02:04:45.899 --> 02:04:50.099
6 minutes, um, I don't know that we have.

997
02:04:50.099 --> 02:04:53.819
Let's see, there are.

998
02:04:53.819 --> 02:04:58.378
This is robots.

999
02:04:59.064 --> 02:05:10.673
We have 1 question for you. Yes, it's really your choice as to whether you want to answer them now or if we have any further questions, we may be able to put them on the website.

1000
02:05:10.673 --> 02:05:12.173
If we don't have time to answer them,

1001
02:05:12.173 --> 02:05:14.663
but the 1 question that I do have for,

1002
02:05:14.663 --> 02:05:19.854
you came from Jacob says if you have multiple playback characteristics,

1003
02:05:19.854 --> 02:05:21.293
do you list them in separate 344,

1004
02:05:21.293 --> 02:05:26.694
some field ages or maybe they all be in the same 1 or both and the.

1005
02:05:30.149 --> 02:05:44.003
olack best practices suggest that each individual term in any of the 3, 4 x fields, each individual term be in its own 3 for X field.

1006
02:05:44.274 --> 02:05:44.844
So,

1007
02:05:44.873 --> 02:05:45.713
regardless of,

1008
02:05:45.743 --> 02:05:46.224
of,

1009
02:05:46.253 --> 02:05:46.703
uh,

1010
02:05:47.064 --> 02:05:47.453
uh,

1011
02:05:47.604 --> 02:05:49.434
even if it's from the same vocabulary,

1012
02:05:49.583 --> 02:05:51.323
or from no vocabulary at all,

1013
02:05:51.444 --> 02:05:58.823
and that's looking forward toward the toward the link data future,

1014
02:05:58.823 --> 02:06:00.684
where it will be easier to.

1015
02:06:01.349 --> 02:06:06.809
Differentiate a different terms in in different fields.

1016
02:06:06.809 --> 02:06:09.988
So, I hope that answers the question.

1017
02:06:11.158 --> 02:06:17.639
Well, if anyone does have any other questions, please send them invite and chat.

1018
02:06:17.639 --> 02:06:21.149
We can wait a minute or 2, but.

1019
02:06:21.149 --> 02:06:27.988
Well, we need to wrap up by 245.

1020
02:06:27.988 --> 02:06:35.128
Now, we should, we should probably, I mean, if there are no other questions, we'll, um.

1021
02:06:36.503 --> 02:06:49.823
We can wrap it up, I think right I'm not getting the option. Yeah. Okay. Well, thanks all thanks to all of you for your attention and I hope many of you, if not most of you will join us again tomorrow. Same time.

1022
02:06:49.823 --> 02:06:58.373
Same sending me for the so called advanced. I'll really just part 2 of the video recording.

1023
02:06:59.729 --> 02:07:11.099
Cataloging yes, again, thanks. Thanks everyone for attending and please if you can fill out the survey that she'll get after this presentation.

1024
02:07:11.099 --> 02:07:16.439
Okay, thank you. Thank you.