WEBVTT 1 00:00:01.020 --> 00:00:04.378 And the recording has started, so David take it away. 2 00:00:04.378 --> 00:00:12.118 Hello everyone and welcome to the all that. Good for the advanced workshop. I'm sorry recordings, which will be presented by Mary Houston. 3 00:00:12.118 --> 00:00:24.989 This is David frehaska and I will be your moderator for this session, but those of you who follow all that on social media attendees are welcome to post on Twitter. Anything about the conference by using the hashtag all that all at 40. 4 00:00:24.989 --> 00:00:31.559 Before we begin the workshop, I'd like to share some housekeeping details on how the session, and will run. 5 00:00:31.559 --> 00:00:34.920 Please now, it's at the recession session is being recorded. 6 00:00:34.920 --> 00:00:49.229 All content associated with this session, such as the recording resources, and slides will become available after the conference is over David. I'm going to stop you for a 2nd. Can you go ahead and click on this? Slide to them? 7 00:00:49.229 --> 00:00:53.130 Page down. 8 00:00:53.130 --> 00:01:02.310 There you go. I just I thought I lost that capability. Yeah, no, no, you're presenter. You say you're perfectly fine. Okay. 9 00:01:02.310 --> 00:01:14.879 Please make sure to fill out the workshop survey after the Webex session is closed. We need to click on the blue continue button in order to view the survey would greatly appreciate your feedback. 10 00:01:14.879 --> 00:01:26.969 Attendees, I'm muted upon entry to the event. If you're having trouble hearing the session, please adjust your settings by going to the audio and video menu, and then testing your speakers. 11 00:01:29.129 --> 00:01:39.415 But those attendees, you would like to see the live captioning for this session. 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Here's Mary. 24 00:03:46.740 --> 00:03:59.069 And you should be all set, Mary, you will need to unmute yourself. Oh, again, there you go. 25 00:04:02.340 --> 00:04:08.219 You have audio, Mary, you just needed yourself again, so click on it. There. We go. 26 00:04:08.219 --> 00:04:13.169 Then get all of the kinks worked out, right away. 27 00:04:13.169 --> 00:04:17.430 So, welcome again and. 28 00:04:17.430 --> 00:04:23.160 Okay. 29 00:04:23.160 --> 00:04:32.189 Click on this slide Mary and press page down there. Okay. 30 00:04:32.189 --> 00:04:39.329 So, the objective for this afternoon are similar if you were in the basic. 31 00:04:39.329 --> 00:04:46.949 Workshop to identify and catalog various audio format using rba and March 21. 32 00:04:46.949 --> 00:04:50.428 Along with selected external resources. 33 00:04:50.428 --> 00:05:04.798 There's a document that will be posted through the, that is posted to the session web page that includes resources. And for some of the things I will mention in the slides. 34 00:05:04.798 --> 00:05:10.949 That way, we don't all have to kind of wade through all those little tiny that slide. 35 00:05:10.949 --> 00:05:14.879 So, hopefully that will be a. 36 00:05:14.879 --> 00:05:28.889 Another thing I'll mention is we probably won't get to the full record examples and I will host an annotated version of that on the web page as well after the conference. 37 00:05:28.889 --> 00:05:34.889 So, today's agenda as you can see is quite cool. 38 00:05:34.889 --> 00:05:46.559 I don't intend to repeat a lot of things from the basic workshop as an attendee. A conference attending will have access to that. 39 00:05:46.559 --> 00:05:49.619 So, you can go back and review that at your leisure. 40 00:05:49.619 --> 00:05:55.528 I will just repeat that just a few basic concepts. 41 00:05:55.528 --> 00:06:00.538 But then we'll move on to non music, audio recording. 42 00:06:00.538 --> 00:06:03.598 Focusing I've spoken word and sounds. 43 00:06:03.598 --> 00:06:09.149 And then we'll get to the really fun stuff all of those funky formats of. 44 00:06:09.149 --> 00:06:15.899 Separating these into digital and analog and then finally we'll talk about media devices. 45 00:06:20.879 --> 00:06:30.598 And just a few caveat, I will be using the original tool kit for his presentation since that's the authorized version. At this point. In time. 46 00:06:30.598 --> 00:06:34.408 I'll focus on elements and characteristics. 47 00:06:34.408 --> 00:06:42.629 Specific to the format, we won't be covering any instructions that are common to any other types of cataloging. 48 00:06:42.629 --> 00:06:50.608 Or elements that are common to audio recordings that we probably have covered in the basics presentation. 49 00:06:50.608 --> 00:07:00.028 So, of course, we have to start out with this. Don't agonize just catalog. 50 00:07:00.028 --> 00:07:09.569 So, the 1st section, we'll just review. Like I said, some of the basic concepts that applies to audio recording. 51 00:07:09.569 --> 00:07:13.978 1st off, of course, is that question that needs to be answered right away? 52 00:07:13.978 --> 00:07:22.918 Do I need a new record? The answer is yes, if 1 of these conditions apply that there's a different format size or speed. 53 00:07:22.918 --> 00:07:27.209 A different date of publication a difference and the publisher number. 54 00:07:27.209 --> 00:07:32.639 If it's stereo or model, and the type of entry. 55 00:07:36.204 --> 00:07:47.363 So some of those decisions that you need to make before you actually start to catalog, 1st, we need to determine the type of description. Is it going to be comprehensive or analytical? 56 00:07:47.699 --> 00:07:59.819 So, in this case, you can see that you have a large box of CDs, for example, do I want to describe that as 1 unit of the box before you or however many there are. 57 00:07:59.819 --> 00:08:05.579 Or do I want to treat each 1 of those individually? That would be an analytical record. 58 00:08:05.579 --> 00:08:14.338 Already offers the 3rd option of a hierarchical description, but if you're following the policy statement, the practice is not to use that. 59 00:08:14.338 --> 00:08:26.879 Next we need to determine the mode of issuance. This is either there are more of these available, but these are the 2 that primarily apply to audio recordings. 60 00:08:26.879 --> 00:08:30.178 Do you have a single disk, or you have a multi? Just that. 61 00:08:30.178 --> 00:08:34.259 There's really a 1 to 1 correspondence with. 62 00:08:34.259 --> 00:08:38.038 Recording this in Mark, this goes in the leader. 63 00:08:38.038 --> 00:08:44.609 7, and there's 1 value and that covers both single and multi. 64 00:08:44.609 --> 00:08:54.808 Next tool, choose a source of information that will serve as the basis for identifying. 65 00:08:54.808 --> 00:09:00.538 That resource in hand, making sure that it's appropriate and the type of description, the mode of issue and. 66 00:09:00.538 --> 00:09:05.489 And does identify the resource as a whole. 67 00:09:05.489 --> 00:09:10.109 And keep it keep in mind there may be multiple sources of information. 68 00:09:10.109 --> 00:09:17.879 And then finally, we need to select out of all of those sources of information to select 1 preferred source of information. 69 00:09:21.359 --> 00:09:27.448 Audio recordings fall into that group of other manifestations. The other. 70 00:09:27.448 --> 00:09:34.139 The 2 other categories include texts based things and the images. 71 00:09:34.139 --> 00:09:41.458 But for auto recording, the preferred source is the manifestation itself, which is the. 72 00:09:41.458 --> 00:09:44.698 Or that or cartridge. 73 00:09:44.698 --> 00:09:51.599 Label and remember a label is something that's permanently printed on or fix to the resource. 74 00:09:51.599 --> 00:09:57.269 Substitute sources may have to be consulted and. 75 00:09:57.269 --> 00:10:03.958 And this is the preferred order that's given to us. So for comprehensive descriptions, which is. 76 00:10:03.958 --> 00:10:11.879 Most of the cataloging we do is generally, you know, a single or recording. We describe the whole thing. You don't. 77 00:10:11.879 --> 00:10:18.629 We don't do this anymore. We don't know catalog. 1 sided 1 desk and then catalog the other side. 78 00:10:18.629 --> 00:10:23.759 I consider. 79 00:10:23.759 --> 00:10:29.879 The container as a substitute source, and that includes the insert that visible through the jewel case. 80 00:10:29.879 --> 00:10:33.808 Or any accompanying material. 81 00:10:35.668 --> 00:10:42.599 In some cases, there will only be a list of individual titles on the desk and not a title that covers the resource and the whole. 82 00:10:42.599 --> 00:10:47.818 Look for another source with a formally presented collect of titles. 83 00:10:47.818 --> 00:10:51.688 Collective in the sense that it covers the entire in source. 84 00:10:51.688 --> 00:10:56.609 Might look at the compare the spine or the search. 85 00:10:56.609 --> 00:11:05.009 If there's no identifying information on the resource, look to external resources. 86 00:11:05.009 --> 00:11:11.428 In this preferred order material that accompanies the resource, but is not considered part of the resource. 87 00:11:11.428 --> 00:11:18.058 Other published descriptions like labels, web page or catalog. 88 00:11:18.058 --> 00:11:26.129 A container not issued with the resource and finally any other source such as a reference source, or even catalog knowledge. 89 00:11:26.129 --> 00:11:33.658 We'll take a quick time out here to look at it. Sometimes overlook source of information. 90 00:11:33.658 --> 00:11:37.649 And hopefully it hasn't been discarded on its journey to your desk. 91 00:11:37.649 --> 00:11:44.009 The strip is a strip of paper unfolded over the left side of the container. 92 00:11:44.009 --> 00:11:52.619 Japanese resources, but not not exclusively more information can be found as. 93 00:11:52.619 --> 00:11:55.979 Website. 94 00:11:55.979 --> 00:12:10.019 Finally, a table of dates of commercial availability, just as important information to know, because you can't have a publication date. 95 00:12:10.019 --> 00:12:15.208 That's before something was commercially available. 96 00:12:15.208 --> 00:12:24.989 Is the next section we will talk about a spoken word recording? 97 00:12:24.989 --> 00:12:34.918 Spoken word recordings can be many things. It can be audio books meetings with, or over incidental music. 98 00:12:34.918 --> 00:12:39.509 Exercise or fitness, recordings, language instruction and so on. 99 00:12:39.509 --> 00:12:44.068 The slides that follow will concentrate on differences. 100 00:12:44.068 --> 00:12:49.139 Um, of non musical, sound recording from musical sound recordings. 101 00:12:49.139 --> 00:13:02.668 This list includes the coding as specific to audio here we will have a type of eye for non musical. 102 00:13:02.668 --> 00:13:13.168 And then we already talked about the leader O7 or level will be M, for whether you have a single or a multi part. 103 00:13:13.168 --> 00:13:23.489 Reserve language reflects the spoken text in that accompanying material. 104 00:13:23.489 --> 00:13:32.009 And then literary text, there is a list of values in the mark documentation and also the format, and the standard. 105 00:13:32.009 --> 00:13:35.999 Or you can identify what type of literary. 106 00:13:35.999 --> 00:13:39.989 The format you have. 107 00:13:45.418 --> 00:13:53.489 1 thing that's important to include for audio recordings, because it falls into that other category. 108 00:13:53.489 --> 00:13:57.599 We always have to record where our title comes from. 109 00:13:57.599 --> 00:14:04.739 Even if even if it seems like, it shouldn't have to be recorded, it is very helpful. 110 00:14:04.739 --> 00:14:18.149 So you can see in the best practices, best practices, it is recommends always supplying the source of title. Just reinforcing that. 111 00:14:18.149 --> 00:14:21.869 To do that as the notes, or in the 246. 112 00:14:21.869 --> 00:14:25.288 Something ally, so. 113 00:14:25.288 --> 00:14:36.359 In the example box, I've used the notes, I think most people do it this way of 500 know that the title from narration. So, for this resource. 114 00:14:36.359 --> 00:14:41.908 There was no title on any other source, except for listening to the content for the. 115 00:14:41.908 --> 00:14:45.719 Title was formally presented. 116 00:14:45.719 --> 00:14:54.719 The statement of responsibility, this should also be taken from the same source of your title proper. 117 00:14:54.719 --> 00:14:58.769 So, if there is a statement of responsibility. 118 00:14:58.769 --> 00:15:02.038 In that same source must use that. 119 00:15:02.038 --> 00:15:07.139 If there isn't a statements there, then you can move on to other other places. 120 00:15:07.139 --> 00:15:12.239 And remember that applies to the 1st statement of responsibility. That's core. 121 00:15:12.239 --> 00:15:16.288 This is. 122 00:15:16.288 --> 00:15:20.578 This elements, the other information relating to a statement of responsibility. 123 00:15:20.578 --> 00:15:27.239 Includes the former rba 7.2003 and 24. 124 00:15:27.239 --> 00:15:34.019 Uh, this is a note that is provided for anything that you don't to record in the 245. so you'll see. 125 00:15:34.019 --> 00:15:42.899 So, in most cases is going to be performers or individual performance of a group if that's important for you to record. 126 00:15:42.899 --> 00:15:50.849 So the best practices, tell us to use the mark 511 and 5 or 8 fields for those. 127 00:15:50.849 --> 00:15:56.489 And list performers, if they're. 128 00:15:56.489 --> 00:16:04.558 Certain people, you know, read a poem or something, and you want to tie that more closely together. You can put that. 129 00:16:04.558 --> 00:16:07.589 Performer information is a content. 130 00:16:11.158 --> 00:16:15.778 Position statement is more important in. 131 00:16:15.778 --> 00:16:19.318 Non music recording, because you'll want to. 132 00:16:19.318 --> 00:16:22.708 Especially for spoken word, you'll want to let your. 133 00:16:22.708 --> 00:16:30.298 Users know, whether it's a bridged or unabridged if there's a certain audience that. 134 00:16:30.298 --> 00:16:34.769 That is that it's geared for. 135 00:16:34.769 --> 00:16:38.849 This also comes from the same source as title proper. 136 00:16:38.849 --> 00:16:47.908 And how do I identify an additional statement the words like addition release issue. 137 00:16:47.908 --> 00:16:55.109 It's mainly a statement that indicate some kind of different than the content language or audience. 138 00:16:55.109 --> 00:17:00.328 So the example abridged, unabridged. 139 00:17:00.328 --> 00:17:04.138 Team addition hopefully there is some. 140 00:17:04.138 --> 00:17:09.179 If you need an additional statement that there will be something on the resource that you can record. 141 00:17:09.179 --> 00:17:16.769 Otherwise you can always add your own and just make sure that it's the brackets because it's not coming from the resource. 142 00:17:22.949 --> 00:17:30.148 Copy raise dates can no longer of course, substitute for date publication and there's not a core element. 143 00:17:30.148 --> 00:17:37.469 But it is sometimes useful to record, especially if you're facing an inferred date of publication from that. 144 00:17:37.469 --> 00:17:42.538 Copyright date, so for audio recording. 145 00:17:42.538 --> 00:17:48.749 We're more interested in the photograph days, which covers the copyrights of the sound. 146 00:17:48.749 --> 00:17:58.709 The best practices tell us to proceed the dates with the symbol or the spelled out word. 147 00:17:58.709 --> 00:18:04.048 Record the latest date covering the resource as a whole. 148 00:18:04.048 --> 00:18:09.538 And if it's recording both photographs and copyright dates. 149 00:18:09.538 --> 00:18:19.259 Use a thing, all 266th indicator for field with separate occurrences of sub field fee and these are separated with a comma. 150 00:18:23.038 --> 00:18:27.868 Moving on to content, media and carrier types. 151 00:18:27.868 --> 00:18:33.058 Content ties to the core elements and can come from any store. 152 00:18:33.058 --> 00:18:39.538 Always record the primary content type of the resource and optionally any secondary. 153 00:18:39.538 --> 00:18:52.439 So, if you have a audio book that has some kind of music in it, either, you know, between chapters or or plays underneath a particular character. 154 00:18:52.439 --> 00:18:57.989 Or whatever you can add a content type for that. If you feel that. 155 00:18:57.989 --> 00:19:08.338 Important terms come from the list of 6.9.1.3 and 4 audio books that would be spoken word. 156 00:19:08.338 --> 00:19:12.449 And, absolutely you can add a code and you'll be. 157 00:19:12.449 --> 00:19:21.298 And then add something to, for your source code, we'll talk a little bit more about source code in a couple slides. 158 00:19:21.298 --> 00:19:27.298 He did type is very similar is the core elements for alpheus GCC. 159 00:19:27.298 --> 00:19:32.038 Um, and again, primary contents of the resource with an option. 160 00:19:32.038 --> 00:19:39.689 Or secondary or company material terms, come from 3.2.1.3. 161 00:19:39.689 --> 00:19:44.788 And that term audio, and absolutely. Again, you can add a code. 162 00:19:44.788 --> 00:19:48.179 And then add as the source code. 163 00:19:48.179 --> 00:19:52.469 Carrier type is a core elements. 164 00:19:52.469 --> 00:19:59.848 And again, things are primary content optionally, secondary or accompanying material. 165 00:19:59.848 --> 00:20:07.919 Or term assuming is a CD or some kind of disk with the audio. 166 00:20:07.919 --> 00:20:12.959 And again, optional code, and then add. 167 00:20:12.959 --> 00:20:16.108 The source code that. 168 00:20:16.108 --> 00:20:24.209 Emily joint test group made a set of recommendations about 3, 3, X and 3, 4 x fields. 169 00:20:24.209 --> 00:20:33.269 Basically, this was to clarify practice and to help us retain our current practice with 3, 3 X fields. 170 00:20:33.269 --> 00:20:42.689 So, for those 3, 3 X fields, we're not using terms necessarily from the vocabulary and we're going to a different vocabulary. 171 00:20:42.689 --> 00:20:48.449 To grab terms and codes, because the already vocabulary does not cover the codes. 172 00:20:48.449 --> 00:20:54.898 This allows us to retain the use of the sub field to source code rba. 173 00:20:54.898 --> 00:20:58.499 Contents are the media or you a carrier. 174 00:20:58.499 --> 00:21:05.638 The full recommendations are given in the document that resides at the website. 175 00:21:09.239 --> 00:21:18.328 Field bio type and coding formats are core digital files characteristics. 176 00:21:18.328 --> 00:21:25.378 The file type audio is recorded in 3 and 47, still field a. 177 00:21:25.378 --> 00:21:37.798 With the source code associated source code and to be coding formats is a little trickier because there was vocabulary in our day. And now there that has been removed. 178 00:21:37.798 --> 00:21:42.328 So these are considered to be non already a term. 179 00:21:42.328 --> 00:21:51.689 So, we can't use the field to source code for these terms, unless we find them and are using a different vocabulary. 180 00:21:51.689 --> 00:21:59.308 As the example, so let's go to. 181 00:21:59.308 --> 00:22:03.269 The 347 stuff, you'll see. 182 00:22:05.969 --> 00:22:12.719 Summary note is core for for fiction attendance or children, so. 183 00:22:12.719 --> 00:22:23.159 You may, or may not want to include a summary. I always find it useful for an audio book to to have a little cool about what the book is is about. 184 00:22:23.159 --> 00:22:33.838 You can consult Alexa, publication summary notes for catalog records for guidance and how to formulate a notes. 185 00:22:33.838 --> 00:22:45.778 You can also quote and externally written summary, but be sure to you quotation marks and included attribution source for you. 186 00:22:45.778 --> 00:22:48.808 Took the summary from. 187 00:22:48.808 --> 00:22:57.689 Audience is the core element for Elsie or resources intended for children. 188 00:22:57.689 --> 00:23:06.269 This can be used for either intended audience or just designed for use by person with disabilities. 189 00:23:06.269 --> 00:23:12.479 Best practices, tell us if applying this element that we should code both the field. 190 00:23:12.479 --> 00:23:17.038 And make a note in the 521 field. 191 00:23:17.038 --> 00:23:24.148 That being useful, and generally a bit more useful than having to look at a code. 192 00:23:24.148 --> 00:23:27.479 In Texas. 193 00:23:27.479 --> 00:23:39.659 Relationship designators are divided into 2 appendices in. I and J. 194 00:23:39.659 --> 00:23:43.499 Relationship designators. 195 00:23:43.499 --> 00:23:49.679 Have to do with agents creators and contributors are an independent eye and. 196 00:23:49.679 --> 00:23:55.679 So resources our appendix J this is runs pretty much the same as. 197 00:23:55.679 --> 00:24:04.439 Has for any other resource data creator is responsible for the work. So for, uh. 198 00:24:04.439 --> 00:24:16.648 Audio book, author generally, contributors would include people who contribute to the expression of the work. So, and this is. 199 00:24:16.648 --> 00:24:23.669 Community discussion is it the narrator? Is it a voice actor? 200 00:24:23.963 --> 00:24:38.124 I think the definition of voice actor in the area glossary just a bit better, but the practice overwhelmingly in connection. If you look at connection record is narrator. 201 00:24:38.423 --> 00:24:39.983 So your mileage may vary. 202 00:24:41.068 --> 00:24:52.108 For resources, you might want to describe a relationship between the resource and hand to another resource. So grateful and arrangement. A sequel. 203 00:24:52.108 --> 00:24:59.759 These are in recorded in some field. I, and this precedes your access point. 204 00:24:59.759 --> 00:25:08.699 This slide shows, just the snapshot of the. 205 00:25:08.699 --> 00:25:15.538 Relationship designators I've used the mix of narrator and voice actor just to illustrate. 206 00:25:15.538 --> 00:25:22.949 If you have more than 1 that applies, like, in the 2nd example, you apply them in order of. 207 00:25:22.949 --> 00:25:29.278 Works expression, manifestation item. So the author comes before a narrator. 208 00:25:29.278 --> 00:25:38.519 In the final example, you'll notice that there is no relationship designator. 209 00:25:38.519 --> 00:25:44.729 And I see, I have another punctuation type all there either just getting too old. 210 00:25:44.729 --> 00:25:53.459 So, we would not have a relationship designator in this last example, because it breaks up the name and this. 211 00:25:53.459 --> 00:25:58.199 Title and this is recommended. 212 00:25:58.199 --> 00:26:02.999 And the PC guide to applying. 213 00:26:02.999 --> 00:26:07.169 Relationship designate the record. 214 00:26:09.719 --> 00:26:15.239 Contents are core element for LCD for compilation. 215 00:26:15.239 --> 00:26:21.659 And they include duration statement of responsibility for the performers. 216 00:26:21.659 --> 00:26:25.709 Um, there is guidance in the policy statement. 217 00:26:25.709 --> 00:26:28.858 Formulating, you know. 218 00:26:32.909 --> 00:26:44.489 So sure, we'll look at an example of a spoken word recording. I'll just say in general, I've not included every single field for these examples. Mainly just to. 219 00:26:44.489 --> 00:26:54.298 Not have a slide deck, be very, very long, long enough, all ready and some of these guys that were taken from. 220 00:26:54.298 --> 00:26:59.818 From connection may have been adjusted to fit or. 221 00:26:59.818 --> 00:27:03.628 The point, I'm trying to illustrate. 222 00:27:03.628 --> 00:27:08.548 So, this example, you'll see that we. 223 00:27:08.548 --> 00:27:14.398 Can we have a an example of an additional statement is unabridged. 224 00:27:14.398 --> 00:27:18.838 We also created that have an example of. 225 00:27:18.838 --> 00:27:22.288 Words that are introductory words that. 226 00:27:22.288 --> 00:27:28.888 Are possesses so they're linked to that title on the appear Percy Jackson. 227 00:27:28.888 --> 00:27:36.509 Appears in the title proper, and then the variant title is given for just the title without Percy Jackson. 228 00:27:36.509 --> 00:27:50.459 And then we have our full array of 2, 3, X and 3, 4 field something I mentioned in the basic session. Some of these standard. 229 00:27:50.459 --> 00:27:54.298 Value for particular. 230 00:27:54.298 --> 00:28:00.989 Media, like the size of the CD and the speed don't necessarily have to be recorded separately. 231 00:28:00.989 --> 00:28:07.769 But, you know, if you're putting together a text string or a macro is you need to plug those in. 232 00:28:07.769 --> 00:28:17.308 We have a duration given. I believe it's also yes in the 300 fields. 233 00:28:17.308 --> 00:28:21.239 We have information about who is reading. 234 00:28:21.239 --> 00:28:24.689 The book here we have. 235 00:28:24.689 --> 00:28:30.058 520 summary notes that was taken from the back of the container. 236 00:28:30.058 --> 00:28:36.598 It's rather lengthy, maybe you want to do your own that that would be perfectly acceptable. 237 00:28:36.598 --> 00:28:40.979 We have an audience suggested. 238 00:28:40.979 --> 00:28:44.219 And then we have. 239 00:28:44.219 --> 00:28:48.659 The subject headings and we have the forms on return. 240 00:28:48.659 --> 00:28:53.729 And again, we have a access points for our narrator. 241 00:28:53.729 --> 00:29:00.419 Spoken word. 242 00:29:00.419 --> 00:29:08.249 Now, the next section, we will focus on recording of some. 243 00:29:08.249 --> 00:29:15.989 Sounds include sound effects mechanical sounds bird call. 244 00:29:15.989 --> 00:29:24.808 Found anything that's kind of a catch all that stuff. It's been anywhere else. It's probably a zone. 245 00:29:24.808 --> 00:29:32.068 So this is a type, I musical constant media carrier. 246 00:29:32.068 --> 00:29:41.159 We have a content term down, and then the audio and audio disc, the audio will remain the same, but. 247 00:29:41.159 --> 00:29:46.648 338 may vary, depending on what the resources you're cataloging. 248 00:29:46.648 --> 00:29:50.548 We have another relationship designator. 249 00:29:50.548 --> 00:29:54.719 With pertain to like a field recording. 250 00:29:54.719 --> 00:29:58.588 Of sound that's recorded. 251 00:29:58.588 --> 00:30:09.778 But now that this is the definition is an agent contributing to an expression of a work, using a recording device to capture sound and our video. 252 00:30:09.778 --> 00:30:15.898 During a recording session, including field recordings of natural style folklore, events, music, et cetera. 253 00:30:15.898 --> 00:30:20.818 So, it's not a work level license just designator. 254 00:30:20.818 --> 00:30:28.288 And then looking at an example. 255 00:30:28.288 --> 00:30:33.148 Record here we have. 256 00:30:33.148 --> 00:30:37.499 The issue number, which is the 1st. Oh, 2008. 257 00:30:37.499 --> 00:30:43.348 Which is the, the number that's assigned by a record company or label. 258 00:30:43.348 --> 00:30:53.219 For the recordings, so, like a catalog think of it as a catalog number we also have 2 matrix numbers and then these numbers we'll talk more about. 259 00:30:53.219 --> 00:30:56.788 Later when we talked about analog. 260 00:30:56.788 --> 00:31:05.368 But these are numbers that we'll signify information about the recording, take. 261 00:31:05.368 --> 00:31:15.179 In our 245 we have no statement of responsibility. There's none on the label. 262 00:31:15.179 --> 00:31:20.308 This is a 45 rpm. 263 00:31:20.308 --> 00:31:23.398 And there's just a paper. 264 00:31:23.398 --> 00:31:29.068 Just sleep forth, so there is no information so we don't record and. 265 00:31:29.068 --> 00:31:38.999 Likewise, there is no duration so that's not captured in the 300 pay. 266 00:31:38.999 --> 00:31:46.888 A slightly smaller list of 3, 3, X and 3 to 4 X. 267 00:31:46.888 --> 00:31:55.979 Contents of sound, it's an audio just we have a 340 for the base material, which is vinyl. 268 00:31:55.979 --> 00:31:59.219 344 the. 269 00:31:59.219 --> 00:32:02.249 Dimensions which is a 7 inch record. 270 00:32:02.249 --> 00:32:07.798 Analog and the claims to be this 45 rpm. 271 00:32:07.798 --> 00:32:11.338 We'll talk more about that when we talk about this. 272 00:32:11.338 --> 00:32:18.689 Analyze it, we've noted that our title comes from the, we have a. 273 00:32:18.689 --> 00:32:22.648 Systems requirement or equipment notes. 274 00:32:22.648 --> 00:32:30.719 Quoted from the disk label that says especially recommended for you to the particular record player. 275 00:32:30.719 --> 00:32:34.739 We have a content we have. 276 00:32:34.739 --> 00:32:40.259 Income subject having and. 277 00:32:40.259 --> 00:32:43.318 A form johnner, term of field recordings. 278 00:32:46.528 --> 00:32:55.979 To the next section, we will turn towards a format based approach. 279 00:32:55.979 --> 00:33:00.449 So, now we're going to look at some digital format so. 280 00:33:00.449 --> 00:33:08.878 Kind of in not it really in any order of priority, but. 281 00:33:08.878 --> 00:33:18.179 That will be in other sections, but a whole bunch of fun here. 282 00:33:18.179 --> 00:33:27.269 So 1st off, sometimes you have problems or it's not really clear. What kind of just is. 283 00:33:27.269 --> 00:33:31.288 Some of these resources are more useful than others, but. 284 00:33:31.288 --> 00:33:40.019 You know, if you have trouble determining what kind of just you have in hand 1 of the sources might give you some. 285 00:33:44.038 --> 00:33:50.398 So, I was. 286 00:33:50.398 --> 00:33:54.959 Start with the which is a Super audio. 287 00:33:54.959 --> 00:34:02.788 This became available in 1999 in an attempt to get a higher fidelity sound and a regular. 288 00:34:02.788 --> 00:34:08.759 So generally a pure has 5 or more channels of sound. 289 00:34:08.759 --> 00:34:13.409 They require a specific type of player for for this. 290 00:34:13.409 --> 00:34:25.498 So, safety are also more commonly issued as hybrids because the market was not good enough. So they decided to. 291 00:34:25.498 --> 00:34:33.389 Issue hybrids, which also include a a stereo layer that can be played on regular CD players. 292 00:34:33.389 --> 00:34:40.289 So, just a typical look at a container. 293 00:34:40.289 --> 00:34:43.469 This is kind of an earlier 1 and. 294 00:34:43.469 --> 00:34:49.108 So there are lots of clues says Super audio CD. You have a logo. 295 00:34:49.108 --> 00:34:52.559 Um, you know, multiple. 296 00:34:52.559 --> 00:35:03.509 Clue as to what this is and this 1 does clearly say this desk is designed for you sensitive for audio studio player only so we probably want to make a note about that. 297 00:35:03.509 --> 00:35:11.039 A typical this presentation. 298 00:35:11.039 --> 00:35:14.398 And we'll have information about the sound hopefully. 299 00:35:14.398 --> 00:35:23.548 And usually it will have the official logo of the format. So, here we have the. 300 00:35:23.548 --> 00:35:30.208 We have a CV logo. We also have the direct 3. 301 00:35:30.208 --> 00:35:38.159 Um, which is super important. That's a proprietary. 302 00:35:38.159 --> 00:35:43.349 Recording system that's generally ignored for cataloguing purposes. 303 00:35:43.349 --> 00:35:47.369 But if you wanted to record that, you certainly could make a note of all of it. 304 00:35:50.699 --> 00:35:56.068 So, I'm looking at cataloging. 305 00:35:56.068 --> 00:36:01.378 Elements to include for an SAP. 306 00:36:01.378 --> 00:36:04.708 We would include most. 307 00:36:04.708 --> 00:36:13.498 Often, it's going to be a hybrid just so you will need 2, 0, 0, 7 fields because there will be differences in the. 308 00:36:13.498 --> 00:36:17.789 Configuration of the playback channel, so the CDs. 309 00:36:17.789 --> 00:36:22.648 Layer will be stereo. The other layer will be around. 310 00:36:22.648 --> 00:36:35.188 Then there's 3, 3 X fields are basically the same as any other CD or any other audio. 311 00:36:35.188 --> 00:36:40.949 And this, likewise for the 300 field, the 340 for field. 312 00:36:40.949 --> 00:36:48.809 Also, similar, except for you will have multiple in the 3 and 44 to. 313 00:36:48.809 --> 00:36:52.889 You describe the 2 different um. 314 00:36:52.889 --> 00:37:06.539 Configuration playback your audio files and again, the 347 so he'll be in coding format. There is no vocabulary for that. So no, so feel too. 315 00:37:06.539 --> 00:37:12.088 I generally when I catalog, you make a note. 316 00:37:12.088 --> 00:37:18.088 About the nature of it, then it's the hybrid it will play on all standard. 317 00:37:18.088 --> 00:37:22.139 Do you need players? I have kind of a, you know. 318 00:37:22.139 --> 00:37:31.259 Today I always you, sometimes though you can know if you find it easier to quote it right from the container that's probably the way to go. 319 00:37:31.259 --> 00:37:37.498 So, an example of some of the. 320 00:37:37.498 --> 00:37:42.179 In action in this case. 321 00:37:46.199 --> 00:37:55.108 This is the 1st screen is pretty straightforward is done the way you would do it for any other boundaries, or any other audio recording. 322 00:37:55.108 --> 00:38:01.708 Differences will come in your technical requirements. 323 00:38:01.708 --> 00:38:08.518 In this case I kept in the 382 medium of performance statements. 324 00:38:12.960 --> 00:38:20.130 And in this case, I've added the 538 note that colon from the container there's also. 325 00:38:20.130 --> 00:38:27.840 You haven't gotten this message before? Yes. Yes. A CD encoded layer requires special equipment. 326 00:38:27.840 --> 00:38:36.480 The rest of the record is pretty straightforward. They really do any others or audio recording. 327 00:38:36.480 --> 00:38:45.179 There was obviously need more. 328 00:38:45.179 --> 00:38:51.510 The title entries for the other work on the piece I was just trying to conserve a little. 329 00:38:51.510 --> 00:39:06.000 So the audio is similar to. 330 00:39:09.059 --> 00:39:14.849 This is just a look at a typical container. This 1 is a fairly. 331 00:39:14.849 --> 00:39:24.599 Fairly new, the audio, so later ones don't have quite so much branding on them. 332 00:39:24.599 --> 00:39:29.909 Um. 333 00:39:29.909 --> 00:39:35.280 So, they became available in 2000, kind of as a market arrival to the. 334 00:39:35.280 --> 00:39:41.309 He's always had multiple configurations of audio channel. 335 00:39:41.309 --> 00:39:47.489 It can range from 1 channel money model to buy quite 1 or greater surround. 336 00:39:47.489 --> 00:39:59.519 The desks have higher capacity, even a CD so there might be other types of material on the disk. There's also a hybrid a. 337 00:39:59.519 --> 00:40:05.190 So, I have never encountered 1 of those in your life. 338 00:40:05.190 --> 00:40:13.320 And then these are the differences that we would have for audio. 339 00:40:13.320 --> 00:40:21.809 Which basically boils down to, we would have a different 347, sub field fee for the encoding formats. 340 00:40:21.809 --> 00:40:28.230 And then we would have a system note that requires the DVD audio compatible player. 341 00:40:28.230 --> 00:40:36.539 A quick look at a DVD audio record. 342 00:40:36.539 --> 00:40:48.599 Here we have multiple issue numbers, so we would note all of those, and then use the sub field 2 and the o2008 fields to indicate where those numbers. 343 00:40:48.599 --> 00:40:59.369 Uh, live the rest of the record on this slide straightforward audio cataloging. 344 00:40:59.369 --> 00:41:10.289 And on this slide as well, we would have the multiple sound channels. So, stereo and surround. 345 00:41:10.289 --> 00:41:14.460 And the coding format, DVD, audio. 346 00:41:14.460 --> 00:41:23.219 And then here, we have several 530 fields. 347 00:41:23.219 --> 00:41:27.539 This happened to be a double sided this. 348 00:41:27.539 --> 00:41:31.170 So, this is just way too complicated to put it in a single note. 349 00:41:31.170 --> 00:41:37.409 So, hold it up between Jeff general characteristics and then just. 350 00:41:37.409 --> 00:41:40.650 No specifics for side. 351 00:41:40.650 --> 00:41:46.349 This. 352 00:41:46.349 --> 00:41:52.829 So, I also includes in the 2nd, 700 field. 353 00:41:52.829 --> 00:41:56.400 1 of the work is inspired by. 354 00:41:56.400 --> 00:42:03.389 I'll work by, so that has a relationship designator of. 355 00:42:03.389 --> 00:42:06.900 Inspired by this work. 356 00:42:06.900 --> 00:42:10.619 That's folders to say about. 357 00:42:10.619 --> 00:42:13.829 This particular record. 358 00:42:15.719 --> 00:42:18.719 We re, audio. 359 00:42:18.719 --> 00:42:21.960 Is yet another competitor. 360 00:42:21.960 --> 00:42:29.190 The image here in the upper left corner compares the. 361 00:42:29.190 --> 00:42:36.030 The blue Ray audio container with the CD container so you can see the size difference. 362 00:42:36.030 --> 00:42:39.420 Most of these. 363 00:42:39.420 --> 00:42:46.980 Digital format have lots of information about the audio, because it is all about the audio. 364 00:42:46.980 --> 00:42:50.610 So, look for that. 365 00:42:50.610 --> 00:43:03.269 The blue Ray audio is the newcomer it's available in 2008. it had a relaunch as high fidelity, pure audio in 2015. 366 00:43:03.269 --> 00:43:06.960 It's an extension of liberate video standard. 367 00:43:06.960 --> 00:43:17.190 Requires a Blu Ray player, but it's also play playable on a, for example, some game console, PlayStation tree and later. 368 00:43:17.190 --> 00:43:24.719 The capacity is about 7 hours of material compared to CDs, which hold approximately 78 minutes. 369 00:43:24.719 --> 00:43:29.880 Some just have an optional empty download option. 370 00:43:33.179 --> 00:43:37.860 So these are the elements we would. 371 00:43:37.860 --> 00:43:45.389 Can record for blue Ray audio note in the 0. 0 7. so feel D. 372 00:43:45.389 --> 00:43:58.949 Noted and that this is playing speed known as the for other, because I wasn't really able to find any information that definitively said what the playing speed of a blue Ray audio. 373 00:43:58.949 --> 00:44:06.630 And again, there are also differences in the stuff you're E, and the configuration of playback. 374 00:44:06.630 --> 00:44:10.679 So, we have the stereo and we have the around. 375 00:44:10.679 --> 00:44:19.440 Um, so the rest of it pretty straightforward except a coding format, and then the. 376 00:44:19.440 --> 00:44:24.780 The system equipment now, it requires a re, audio player. 377 00:44:24.780 --> 00:44:34.170 You'll find that these are also now being issued in multi carrier combination combinations. 378 00:44:34.170 --> 00:44:41.820 So, you might find an essay CD bundled with a blue Ray, a CD, Ray and DVD audio. 379 00:44:41.820 --> 00:44:51.570 With a CD, a lot of these, I think are marketing tools to help boost sales. They include a feeding with it then everyone can use it. 380 00:44:51.570 --> 00:44:58.860 So, basically record your primary and secondary characteristics. 381 00:44:58.860 --> 00:45:04.619 With a 0, 0 0, 7 and then. 382 00:45:04.619 --> 00:45:08.940 3, 3, 3, X3, 4 X and your variables. 383 00:45:08.940 --> 00:45:14.309 So Here's an example, this is the blue Ray audio and the combo. 384 00:45:14.309 --> 00:45:20.519 So, it will require 2, 0, 0, 7 fields for the differences. 385 00:45:20.519 --> 00:45:23.940 To the meeting. 386 00:45:27.210 --> 00:45:36.599 It's up to you, how you want to work your 300 field? You can either describe them both as audio just because they are audio this. 387 00:45:37.045 --> 00:45:49.614 Or, if you want to separate those out into, if you, especially if you're using something, you'll be in your 300 fields, you may wish to have multiple, 300 fields because you could specify the type of just be. 388 00:45:51.809 --> 00:45:58.050 Otherwise people have to look further into the record to see what it. 389 00:45:58.050 --> 00:46:04.889 So here is a 3, 4 x line up. 390 00:46:04.889 --> 00:46:09.300 If you use the stuff, feel free to refer to. 391 00:46:09.300 --> 00:46:14.730 Characteristics that are on the CD and characteristics that are on the blue. Ray does. 392 00:46:14.730 --> 00:46:22.530 So feel free, you can go either at the end of the field, or at the beginning of the fields. There isn't a standard. 393 00:46:27.030 --> 00:46:33.449 I have omitted the 382 fields just to save a little. 394 00:46:33.449 --> 00:46:37.980 Based on the slide so I would. 395 00:46:37.980 --> 00:46:41.579 Always start with a 500 note that says. 396 00:46:41.579 --> 00:46:48.510 Um, package contains your container continues whatever. However you want to word that. 397 00:46:48.510 --> 00:46:53.940 Just to get out the idea that you have a blue racist, and you have a standard audio to be. 398 00:46:53.940 --> 00:47:02.130 The 538 field that includes information about. 399 00:47:02.130 --> 00:47:05.880 The sound quality of the very good. 400 00:47:05.880 --> 00:47:16.469 Remember in our DNA no, it can be in any order. So if you felt this note was highly important, you could always move that up in the stack. 401 00:47:16.469 --> 00:47:24.780 And again, the rest of the record, pretty much straight forward. 402 00:47:24.780 --> 00:47:27.840 Audio catalog in. 403 00:47:34.949 --> 00:47:39.420 So, this words around a whole. 404 00:47:39.420 --> 00:47:43.469 For a great amount of time they. 405 00:47:43.469 --> 00:47:52.980 Became available in 2004, developed by a group of companies in an attempt to stave off piracy by offering bonus materials. 406 00:47:52.980 --> 00:47:58.019 And how they did that was adding a thin CD layer. 407 00:47:58.019 --> 00:48:05.820 Um, to to a DVD, so the CV layer does not use the red book CD specifications. 408 00:48:05.820 --> 00:48:12.449 So, you will, you should not find the, the official CD logo on any of these kinds of. 409 00:48:12.449 --> 00:48:19.860 The layer, however, standard and that means all specifications. So it might have a DVD. 410 00:48:19.860 --> 00:48:24.269 Logo and it might include the, the audio. 411 00:48:28.019 --> 00:48:34.289 So, this gets a little more involved with elements that you want to record. 412 00:48:34.289 --> 00:48:42.210 1st off, you'll have to determine whether you're just if you consider the audio or the video. 413 00:48:42.210 --> 00:48:47.849 If it has both of those formats, um, which is predominant, um, and then and. 414 00:48:47.849 --> 00:48:54.900 You know, 6 for the secondary format, you'll have to have multiple 0, 7 fields. 415 00:48:54.900 --> 00:49:00.000 In 336 will vary, depending on what kind of content you have. 416 00:49:00.000 --> 00:49:08.099 And he would be multiple 337 and 338, because you have different kinds of. 417 00:49:08.099 --> 00:49:11.849 Is Claire. 418 00:49:11.849 --> 00:49:22.860 No, so your 347 field could potentially also include the audio if you had video and audio. 419 00:49:22.860 --> 00:49:27.599 It will depend on what your resource. 420 00:49:27.599 --> 00:49:36.869 Because of the 6, suddenly they don't always play well in standard or even the players. So. 421 00:49:36.869 --> 00:49:40.199 A heads up note wouldn't hurt. 422 00:49:40.199 --> 00:49:48.119 And here's the example here. I decided that for this 1, the. 423 00:49:48.119 --> 00:49:55.289 The musical portion was the primary content, so I've added the 0 0, 6 fields. 424 00:49:55.289 --> 00:50:01.530 For the video content multiple 0 0, 7 for the. 425 00:50:01.530 --> 00:50:04.800 But for the audio recording and the video recording. 426 00:50:04.800 --> 00:50:12.570 And then a whole host of. 427 00:50:12.570 --> 00:50:19.829 So this particular 1, there was the audio and just be the video. 428 00:50:24.539 --> 00:50:28.380 Double sided may not play play well, with other. 429 00:50:28.380 --> 00:50:32.519 Okay, so. 430 00:50:32.519 --> 00:50:41.070 In this kind of nodes divided it between the CD side and the side just to make it a little more readable. 431 00:50:41.070 --> 00:50:45.690 And the. 432 00:50:45.690 --> 00:50:48.690 Access point for the finger. 433 00:50:52.260 --> 00:51:06.420 Enhanced these are our real mixed bag. Lots of times I found that there's lots of splash about enhanced and then when you put it in the in the player, and you'd see. 434 00:51:06.420 --> 00:51:10.469 Oh, there's just a link to a website or they're just. 435 00:51:10.469 --> 00:51:14.760 A few photographs, so you would have to be side. 436 00:51:14.760 --> 00:51:20.130 How much do you want to reflect in your record? 437 00:51:20.130 --> 00:51:27.630 So, there's a couple of ways to identify the. 438 00:51:27.630 --> 00:51:31.380 Which are really a combination CD and C. D ROM. 439 00:51:31.380 --> 00:51:36.659 The only way to the compact is logo or you'll see an enhanced and the logo. 440 00:51:36.659 --> 00:51:45.840 And be sure to look for a list of system requirement, usually that presence, at least. 441 00:51:45.840 --> 00:51:52.440 And sometimes it's only, you know, pop this disk into your player to see, you know, or features or whatever. 442 00:51:52.440 --> 00:51:57.420 So, here's where our list of. 443 00:51:57.420 --> 00:52:02.099 Requirements actually grows quite a bit. 444 00:52:02.099 --> 00:52:07.289 Again, so you will have to tailor this to your resource and hand. 445 00:52:07.289 --> 00:52:12.659 But in general. 446 00:52:12.659 --> 00:52:21.869 You're cataloging the either the non music or the music of audio recording, and then you'll be adding a 0T to the computer. 447 00:52:21.869 --> 00:52:29.429 Your files or electronic resources you forgot to correct that again. 448 00:52:29.429 --> 00:52:38.820 And then your content 3, 3, 6 will depend on what you have and what you consider important to. 449 00:52:38.820 --> 00:52:46.710 147 if you need to cover any coding format, or. 450 00:52:46.710 --> 00:52:52.199 Your video, depending to text as well. 451 00:52:52.199 --> 00:52:55.710 On the desk. 452 00:52:57.929 --> 00:53:02.010 So, just looking at this quickly. 453 00:53:02.010 --> 00:53:07.530 Enhanced there's 0. 0 6 0T there are 7. 454 00:53:07.530 --> 00:53:10.949 This 1. 455 00:53:11.485 --> 00:53:25.255 I left in the 300 deals, and some people E, we have another, we have someone coming material called this, a booklet or something in the past but rba if you're using an extent. 456 00:53:26.280 --> 00:53:40.409 From from, you're limited to that list that has given so that would be the volume or sheet. So you have to invoke the alternative to the determine common. 457 00:53:40.409 --> 00:53:52.469 Usage to say booklet or insert here I've included 3, 3, 6 for spoken word and still image and performed in music because all of those contents. 458 00:53:52.469 --> 00:53:59.820 Desk, and just for this purpose felt all of those were important. 459 00:53:59.820 --> 00:54:11.219 So, here, we have the requirements for the bullets features. We need a computer CD ROM drive and Internet access. 460 00:54:11.219 --> 00:54:17.579 This is also originally issued as analog this so I think the data information. 461 00:54:18.809 --> 00:54:26.460 Provided a summary note and then a content's note of what's actually on there. 462 00:54:26.460 --> 00:54:31.710 So some of the bonus materials included a digital image gallery. 463 00:54:31.710 --> 00:54:38.460 And the rest would be standard cataloging, printing, the audio recording. 464 00:54:38.460 --> 00:54:48.449 Final digital format here. 465 00:54:48.449 --> 00:54:57.329 Mp 3, which became available in 90, 93 this was developed by the. 466 00:54:57.329 --> 00:55:01.619 Moving pictures, expert group. 467 00:55:01.619 --> 00:55:05.550 The digital audio format that you lost the data. 468 00:55:05.550 --> 00:55:13.860 Compression to reduce the file side. So the fidelity of the sound is a little less because you're compressing. 469 00:55:13.860 --> 00:55:22.829 That most MP 3 files contain tag an example of, which is ID. 470 00:55:22.829 --> 00:55:31.500 3 family of tanks that contains metadata as part of the internal file structure. 471 00:55:31.500 --> 00:55:37.800 So, that might be included with the title artist album track number. 472 00:55:37.800 --> 00:55:41.940 Or any other information. 473 00:55:41.940 --> 00:55:50.039 So, for an MP 3, we would want to add. 474 00:55:50.039 --> 00:55:54.630 Here or there are 6 for the electronic resources side of things. 475 00:55:54.630 --> 00:55:59.579 You would add multiple or 7. 476 00:55:59.579 --> 00:56:05.699 We still call this, I think an audio just. 477 00:56:05.699 --> 00:56:09.780 And then we have. 478 00:56:09.780 --> 00:56:13.380 Are multiple before I feel. 479 00:56:13.380 --> 00:56:19.110 And then 347, our encoding format would be MP 3. 480 00:56:19.110 --> 00:56:22.889 So 1 thing in a 538 and it's system requirements. 481 00:56:22.889 --> 00:56:26.550 You need. 482 00:56:26.550 --> 00:56:32.730 This example is an audio book MP 3 audio book. 483 00:56:32.730 --> 00:56:41.820 So, it would be another type that should be leader all 6 non music, sound recordings. 484 00:56:44.849 --> 00:56:49.139 We have our multiple 0 0, 7 fields. 485 00:56:49.139 --> 00:56:53.309 You have an on this particular resource. 486 00:56:53.309 --> 00:56:57.900 In addition to an issue number. 487 00:56:57.900 --> 00:57:01.619 We have an addition statement on the bridge. 488 00:57:06.210 --> 00:57:11.699 We have our spoken word content is the 36. 489 00:57:11.699 --> 00:57:16.650 Mp 3 and the encoding. 490 00:57:16.650 --> 00:57:20.489 Format and then 347 to be. 491 00:57:20.489 --> 00:57:29.250 We have an indication that a stereo so moving up 1 we have a 344 sub build g to to reflect that. 492 00:57:29.250 --> 00:57:40.559 And then we have just some basic information about the file that there is an index by chapter. That's useful. 493 00:57:40.559 --> 00:57:44.010 To know. 494 00:57:44.010 --> 00:57:49.679 So systems requirement now, here is. 495 00:57:49.679 --> 00:57:54.929 It's very, very useful because most of these can't play in a regular. 496 00:57:54.929 --> 00:57:58.199 Drive so you'll need. 497 00:57:58.199 --> 00:58:05.099 Mp 3 player, or you'll need a PC that has empty, capable software. 498 00:58:05.099 --> 00:58:15.269 In this case, there was a note added about the size of the container and those size of a regular case. Instead of a dual case. 499 00:58:15.269 --> 00:58:20.579 And the rest of the record. 500 00:58:20.579 --> 00:58:24.179 Is pretty straightforward. 501 00:58:27.570 --> 00:58:34.530 Okay, that brings us amazingly to the break time. I had in mind. 502 00:58:34.530 --> 00:58:38.670 So, we could take some questions now, if there is question. 503 00:58:38.670 --> 00:58:43.679 Yeah, we have quite a few questions, Mary, so stay comfortable. 504 00:58:43.679 --> 00:58:51.625 Some of them are multi part and I want to apologize in advance. If I see your name I will do the best. I can bear with me. 505 00:58:52.105 --> 00:58:53.605 The 1st question is from Emily, 506 00:58:54.804 --> 00:58:56.934 who asks what a spoken word recording, 507 00:58:56.934 --> 00:59:08.635 such as an NPR program on the catalog any differently than the spoken word recording such as the professors recorded lecture and she goes on to ask is an audio book considered spoken word. 508 00:59:08.724 --> 00:59:12.144 And is that recorded any differently than the examples given about. 509 00:59:12.449 --> 00:59:17.309 We'll talk a little more about the contest later on, but. 510 00:59:17.309 --> 00:59:20.880 In general, the content is spoken word that would be. 511 00:59:20.880 --> 00:59:24.239 Consistent across format, so. 512 00:59:24.239 --> 00:59:29.010 The only elements that would vary would have to do with the. 513 00:59:29.010 --> 00:59:35.610 Carrier if I'm understanding the correct question correctly. 514 00:59:35.610 --> 00:59:48.179 So, I, I think she was trying to find out the matter what sort of content it was versus a lecture versus a. 515 00:59:48.179 --> 00:59:51.179 A different kind of scripted presentation. 516 00:59:51.179 --> 00:59:57.000 In which case? It wouldn't matter. Am I? Right right that would all be considered spoken word. 517 00:59:57.355 --> 01:00:03.954 Okay, thanks. Here's another 2 partner this one's from Ethan Dover, who asks for an audio book. 518 01:00:03.985 --> 01:00:15.414 If the 245 sub field a, is different from the preferred title for the work, would the preferred title be included in a 240 and is this is commonly done with audio books as it is your musical work. 519 01:00:17.280 --> 01:00:22.530 Yes, I think that would apply that if the title is different. 520 01:00:22.530 --> 01:00:27.719 From a preferred title that you would include a 2 bully. 521 01:00:27.719 --> 01:00:35.099 Some people are moving away from using the 140 combo in favor of a 700. 522 01:00:35.099 --> 01:00:43.739 So feel a so feel tea that can be controlled either by DLC. If you're working in all CLC. 523 01:00:43.739 --> 01:00:47.190 Or it could be controlled in your local system. 524 01:00:47.190 --> 01:00:53.639 The most system can't validate a 140 combo so. 525 01:00:53.639 --> 01:00:59.730 If you're looking at audiobook records, say of connection. 526 01:00:59.730 --> 01:01:03.510 You know, you might not see a lot of 10240 combos. 527 01:01:03.510 --> 01:01:08.940 But that's a valid that's a valid point. You could do that. 528 01:01:10.434 --> 01:01:23.005 Which may lead into the next question. This is from my end who asks about slide 30 could you repeat why you would not put a relationship designator in front of the entry? What. 529 01:01:24.809 --> 01:01:29.070 Find slide 30 in my notes pages here. 530 01:01:29.070 --> 01:01:38.190 You had a series of 7 hundreds as I recall, and the last 1 was an author title. 701 2. 531 01:01:38.190 --> 01:01:48.030 With no relationship designator. So my point here was there would be no relationship. designator of author. 532 01:01:48.030 --> 01:01:51.900 After Thomas, Charlotte. 533 01:01:51.900 --> 01:01:57.150 Because that would break up the continuity of the name title. 534 01:01:58.525 --> 01:02:12.385 Would you put in the field? I relationship designator saying at the beginning container of something oh, yes, yes you could do that. You could certainly do that. And in fact, the PCP training manual does instruct you to do that. 535 01:02:12.780 --> 01:02:22.230 Thank you Dennis bunker asked is there a guidance on a lack documentation about video CDs or. 536 01:02:23.065 --> 01:02:30.565 Oh, I've catalog those in my day to I consider those to be more video related. 537 01:02:30.565 --> 01:02:43.164 So hopefully Jay will talk about health convenience. Alrighty, Pamela Thomas asked on slide 44. 538 01:02:43.164 --> 01:02:49.644 would you create 2 344 fields for the sub field? G. since you have 2 sub field g. 539 01:02:52.380 --> 01:02:57.599 Okay, so I can explain a little bit how I approach this. 540 01:02:57.599 --> 01:03:03.989 And there is a, there is debate, whether you should only have 1 value in a field. 541 01:03:03.989 --> 01:03:07.710 Or if you could combine values. 542 01:03:07.710 --> 01:03:13.139 For me, I combined these in a single 344 because. 543 01:03:13.139 --> 01:03:17.250 Um, either on the same. 544 01:03:17.250 --> 01:03:21.690 Yeah, it's all a single disc. 545 01:03:21.690 --> 01:03:26.489 And they come the terms both come from the same vocabulary. 546 01:03:26.489 --> 01:03:34.500 But it would be perfectly acceptable to have 244 some with the Southfield G1 for stereo on 1 for surround. 547 01:03:36.204 --> 01:03:50.905 Okay, 3 more questions Emily colored, she asks a different question. Can you run a macro on the O7 fields when a cataloging digital partner formats as you can run a macro on the O7 salesman cataloging. 548 01:03:54.869 --> 01:04:02.400 I'm not sure if that's the wholesale macro or a 3rd party macro. 549 01:04:02.400 --> 01:04:16.530 It's not something I've done, so I, I can't speak to it. Yeah, I can't really either. I use a lot of text strings and I use some of the macros. 550 01:04:16.530 --> 01:04:29.670 Um, but, you know, I can't answer that. I would say, I know if you run a macro on 1 set of all 7 fields, I would assume you could. 551 01:04:29.670 --> 01:04:33.179 Run it on just a different format, but. 552 01:04:33.179 --> 01:04:40.769 With different values, of course, and if it's not something that CLC provides itself, it might be available from. 553 01:04:40.769 --> 01:04:45.090 A, 3rd party to using connection, like Joel or. 554 01:04:45.090 --> 01:04:57.659 Some of the other folks who do those fabulous macros for us. Right? But where I'm going to step in, just for a minute, there's also a. 555 01:04:57.659 --> 01:05:06.570 Macros that data quality folks did we kind of mentioned some of the macros that are possible how to create them. 556 01:05:06.570 --> 01:05:10.050 As well, as some of the other librarians that have built macros. 557 01:05:10.050 --> 01:05:15.750 I'll plug that into the chat in case that might be helpful for those that are interested. 558 01:05:15.750 --> 01:05:26.849 Thanks. Hey, that was the excellent all righty. Yeah. Hard asked why audio disk instead of streaming media. 559 01:05:28.050 --> 01:05:33.510 I'm not exactly sure which example that refers to. 560 01:05:33.510 --> 01:05:44.670 Perhaps the MP 3. great. Thank you. Dan, right because in this case, the MP 3 format is on a physical carrier. 561 01:05:44.670 --> 01:05:50.730 If it was a streaming media, it would not we would not say audio just. 562 01:05:50.730 --> 01:05:55.170 Because it wouldn't be residing on a of physical carrier. 563 01:05:55.170 --> 01:06:00.269 And Kelly will be talking about streaming. 564 01:06:00.269 --> 01:06:03.510 Media, and I think session tomorrow. 565 01:06:04.735 --> 01:06:16.945 Yes, and that's the 2nd workshop session tomorrow. Okay. The last questions from Charlie stone who asks corrected slides to be available later. Yes hopefully. 566 01:06:16.945 --> 01:06:27.025 And I, I'm trying to know what all my little things that I've missed the 1st couple times around, but I will give them another once over. And then, because of the logo. 567 01:06:29.605 --> 01:06:40.525 Yeah, just to I, I did put that on Chad, but yes, we will give opportunities to all speakers if there needs to be some edits to their side and when can be posted in a conference website. 568 01:06:40.554 --> 01:06:44.605 So, no issue on that front those corrected sites later. 569 01:06:46.704 --> 01:07:00.264 Thanks Haley I think that catches up on all the current question. So why don't we take a break on the East coast as far as 7? So we'll start back at 417. does that sound good Mary? Yes. That's just fine. 570 01:07:01.260 --> 01:07:06.750 Great. Do you all shortly. 571 01:07:06.750 --> 01:07:10.710 Hello. 572 01:16:10.920 --> 01:16:13.920 We'll be resuming in about 1 minute. 573 01:16:40.739 --> 01:16:44.069 Mary, you're ready to continue. 574 01:16:44.069 --> 01:16:47.279 Certainly excellent. 575 01:16:47.279 --> 01:16:51.149 Okay. 576 01:16:51.149 --> 01:16:56.670 Here we go now, we're getting into probably less common. 577 01:16:56.670 --> 01:17:01.739 Format that you might encounter or every day work. 578 01:17:01.739 --> 01:17:11.399 We're going to talk about analog format, basically take cartridges and Flexi this. All right. 579 01:17:11.399 --> 01:17:18.270 So, analog this come in a variety of formats. 580 01:17:18.270 --> 01:17:25.979 Planning Steve, we'll talk a little bit generally about them and then we'll look at some individual differences. 581 01:17:25.979 --> 01:17:31.680 So this table summarizes. 582 01:17:31.680 --> 01:17:39.630 Some availability capacity and material size and group types for the various. 583 01:17:39.630 --> 01:17:48.029 This and these are the most common values only please know that other values may apply. 584 01:17:51.750 --> 01:17:58.500 We'll take a quick timeout right away for some really fun thing. Shapes and colors. 585 01:17:58.500 --> 01:18:05.819 So, you can record information about the color or the picture or dimensions in the. 586 01:18:05.819 --> 01:18:09.420 In a regular note. 587 01:18:09.420 --> 01:18:14.399 And also add a known as the, this can't be played in a certain type of a player. 588 01:18:14.399 --> 01:18:18.149 Dimensions for shaped. 589 01:18:18.149 --> 01:18:29.819 Most of these will have a playing surface that circular. So you can record that as you would for any other just filled up the BART Simpson disc. 590 01:18:29.819 --> 01:18:37.590 I'd probably put in a sample note, this is a shaped color picture disc with a playing surface of 5 inches. 591 01:18:37.590 --> 01:18:44.430 And we'll just take another time on it right away because we can. 592 01:18:44.430 --> 01:18:54.840 Sometimes, if you're working with catalog, copy for recordings, you'll be very cryptic phrase manual sequence. 593 01:18:54.840 --> 01:18:58.739 Or automatic sequence and what does that mean. 594 01:18:58.739 --> 01:19:03.630 So, this all regards the. 595 01:19:03.630 --> 01:19:11.760 How the multi set is put together to use an automatic record changer or not. 596 01:19:11.760 --> 01:19:16.470 So, a manual sequence simply means that. 597 01:19:16.470 --> 01:19:28.800 You have to get up and manually change the records. So size 1 and 2 will be back to back in 3 and 4 and afford to that or horse side that will be back to back. 598 01:19:28.800 --> 01:19:38.609 Automatic sequence has the side set up to use an automatic record changer? Like the 1 that. 599 01:19:38.609 --> 01:19:46.710 In the image, so size 1 and 4, we'll be back to back and then size 2 and 3 we'll be back to back. 600 01:19:46.710 --> 01:19:52.739 Use of automatic record changes is kind of declined in the 19 seventies so. 601 01:19:52.739 --> 01:20:02.250 Um, that can also sort of help you if you have questions about the date. Is this an automatic sequence? You might have a. 602 01:20:02.250 --> 01:20:06.720 Slightly smaller time range to work with. 603 01:20:06.720 --> 01:20:14.010 So, speaking of belky, this long plane, just. 604 01:20:14.010 --> 01:20:23.939 These are the suggested elements and values for vinyl. 605 01:20:23.939 --> 01:20:31.439 Mainly here we get more into the 344. 606 01:20:31.439 --> 01:20:38.789 Characteristics these are analog recordings. 1st, the 340. that is the vinyl record. 607 01:20:38.789 --> 01:20:43.979 Oh, neglected to update those already April. 608 01:20:43.979 --> 01:20:47.609 Okay, so. 609 01:20:47.609 --> 01:20:53.850 Analog, it's an analog disk or micro group. 610 01:20:53.850 --> 01:21:01.800 Your 344 subfield g will depend on whatever the sound channels are on your disc. 611 01:21:01.800 --> 01:21:06.840 And then 304 playing fade this 1 really does not have. 612 01:21:06.840 --> 01:21:11.640 Uh, some field too, because there is no standard vocabulary for playing speed. 613 01:21:11.640 --> 01:21:22.050 Is this example, we have our 7 for the LP. 614 01:21:22.050 --> 01:21:28.109 We have 2 issue number 28. 615 01:21:28.109 --> 01:21:33.539 We could have added some field to to tell where these things came from. 616 01:21:33.539 --> 01:21:42.239 Oh, in this case Beach boys are considered to be the composer because they composed all the. 617 01:21:42.239 --> 01:21:50.579 The pieces on the disk, but they're also a performer. So the composer relationship designator comes 1st. 618 01:21:50.579 --> 01:22:00.569 In this 300 some field, or something will be in the 300 field that gives the clue analog. 619 01:22:00.569 --> 01:22:04.470 33, a 3rd rpm and stereo. 620 01:22:04.470 --> 01:22:11.819 And the size, this is a standard, 12 inch LP although other sizes are possible. 621 01:22:11.819 --> 01:22:24.090 And again, this example, thankfully with the proper sub field to source codes. 622 01:22:24.090 --> 01:22:30.630 This 1 was also a re release so there's information about that. 623 01:22:30.630 --> 01:22:38.399 This 1 has an enhanced at 5 5. so you have some fielding for the titles. 624 01:22:38.399 --> 01:22:51.329 We have a 5 await notes for the producer, which is, can be more important maybe for pop music and art music, but. 625 01:22:51.329 --> 01:22:54.390 You know, it's up to you to you, whether you. 626 01:22:54.390 --> 01:22:58.350 Include this information or not. 627 01:23:00.149 --> 01:23:05.279 So, here, we haven't not really part of this workshop, but. 628 01:23:05.279 --> 01:23:09.090 Um, we have the use of a Parmesan return from another. 629 01:23:09.090 --> 01:23:12.989 Uh, the source, the art and architecture. 630 01:23:17.250 --> 01:23:21.600 So, for 45 rpm. 631 01:23:21.600 --> 01:23:26.430 You have a slightly different 0 0, 7 because the values are different. 632 01:23:26.430 --> 01:23:31.229 So feel evil vary according to what sound channels you have. 633 01:23:31.229 --> 01:23:37.739 And again, size may vary, but most commercial, 45 or 7. 634 01:23:37.739 --> 01:23:49.560 And their course micro group, it'll be either stereo or model. If you have that information readily available on the resource. 635 01:23:49.560 --> 01:23:53.729 And then I will record the playing the. 636 01:23:53.729 --> 01:23:59.460 So, in this example. 637 01:23:59.460 --> 01:24:05.340 There's not a title that covers this as a whole and you'll find that with. 638 01:24:05.340 --> 01:24:08.609 With the 45, you know. 639 01:24:08.609 --> 01:24:13.979 On the sleeves and they come in, there's probably not going to be title that covers both. 640 01:24:13.979 --> 01:24:20.850 Size of the so each side titles are. 641 01:24:20.850 --> 01:24:25.560 Entered separately in the 245. 642 01:24:25.560 --> 01:24:32.579 And this 1, too, there's no date available. So it was estimated that this was. 643 01:24:32.579 --> 01:24:41.189 Published between 1970 and 90 and 79 and this is still unsure. So the question mark is added. 644 01:24:41.189 --> 01:24:45.779 This might be a case. 645 01:24:45.779 --> 01:24:52.649 Don't have jotted down it's just cogs dot. Com is a good place to look for information and. 646 01:24:52.649 --> 01:24:56.399 There's also a couple of 45. 647 01:24:56.399 --> 01:25:07.109 Interest websites, I think that I've included in the handout that might help you in dating some of the. 648 01:25:07.109 --> 01:25:17.189 45 33630, 37, 338 standard and then we have our. 649 01:25:17.189 --> 01:25:21.960 Special characteristics of 45 in the 3 4. 650 01:25:21.960 --> 01:25:26.939 Here the particular. 651 01:25:26.939 --> 01:25:33.960 Composers are listed in the 5 or 5. sometimes you have this information sometimes you don't. 652 01:25:38.520 --> 01:25:45.899 Yeah, and I think that's all to say about that. 1. 653 01:25:45.899 --> 01:25:54.930 You could have added the individual names of the monkeys to the 511 notes, but they would not get in. 654 01:25:54.930 --> 01:25:58.680 At this point, we just have the access point for the group. 655 01:25:58.680 --> 01:26:03.810 Another time out for the. 656 01:26:03.810 --> 01:26:10.380 Promise look at Matrix numbers. What are matrix numbers are commonly found. 657 01:26:10.380 --> 01:26:16.199 78 rpm records, but also on 45 or LP. 658 01:26:16.199 --> 01:26:20.970 The number is edged into the run out area between the label and the. 659 01:26:20.970 --> 01:26:25.350 Matrix number consists of the number of assigned to the piece. 660 01:26:25.350 --> 01:26:33.869 Being recorded, plus a take number the latter information can be especially important when multiple take. 661 01:26:33.869 --> 01:26:37.739 Over recorded not so much, maybe for. 662 01:26:37.739 --> 01:26:46.710 Our purposes, but for collectors, it's very important. That's an alternative. Take is very rare or something. They'll want to know that information. 663 01:26:46.710 --> 01:26:50.909 So the 2 images. 664 01:26:50.909 --> 01:26:56.850 Show that the lower image is the actual matrix number that. 665 01:26:56.850 --> 01:27:03.569 The 2 images are not related, but the, the lower image show. 666 01:27:03.569 --> 01:27:07.140 How it's attached into that run out area. 667 01:27:07.140 --> 01:27:15.300 The upper illustrations showed that lots of times the matrix number the, the main part of the matrix number of minus the take number. 668 01:27:15.300 --> 01:27:20.670 Is also found on the disk label so that's, um. 669 01:27:20.670 --> 01:27:25.979 What that is showing. 670 01:27:25.979 --> 01:27:33.329 So, for 78, there's a lot of things that will vary. 671 01:27:33.329 --> 01:27:41.760 In your records for 78, because you may or may not have a matrix, you probably will have a matrix number may or may not have an issue number. 672 01:27:41.760 --> 01:27:46.590 You will have variance in the size of the record perhaps. 673 01:27:46.590 --> 01:27:52.529 Depending how deeply you want to describe it. 674 01:27:52.529 --> 01:27:57.359 There'll be other differences in the 500 as well. 675 01:27:57.359 --> 01:28:02.489 So, most of the 7 days. 676 01:28:02.489 --> 01:28:08.909 Our shellac, but is very soft. So there were. 677 01:28:08.909 --> 01:28:15.720 Mixed with other substances, some better than others as far as preservation goes. 678 01:28:15.720 --> 01:28:19.949 There is an example later on. 679 01:28:19.949 --> 01:28:27.060 In the full record example to looking at the time, I don't think we're going to get to, but you can look at those. 680 01:28:27.060 --> 01:28:30.479 In the slide where. 681 01:28:30.479 --> 01:28:39.390 Later records violate was added, and some of these can be very brilliantly colored blue or red. 682 01:28:39.390 --> 01:28:43.649 So that's. 683 01:28:43.649 --> 01:28:50.850 Aside, but, you know, something cool. 78 are considered course group. 684 01:28:50.850 --> 01:28:58.199 And they're always going to be models because that's all technology. There was at the time. 685 01:28:58.199 --> 01:29:03.000 In this example. 686 01:29:03.000 --> 01:29:07.260 This is just a typical 78. 687 01:29:07.260 --> 01:29:12.689 You know, you don't always have a lot of information here. We have matrix numbers. 688 01:29:12.689 --> 01:29:19.409 And here, the matrix numbers are given with the take number and without the tape number. 689 01:29:19.409 --> 01:29:23.130 If you want to go to that much detail that that is. 690 01:29:23.130 --> 01:29:26.699 Totally catalog adjustments. 691 01:29:28.260 --> 01:29:35.399 So, on this slide, then we have multiple 330 six's because. 692 01:29:35.399 --> 01:29:39.359 We have both performed the music and sound. 693 01:29:39.359 --> 01:29:43.409 Then. 694 01:29:43.409 --> 01:29:49.529 We have the 340 for our shellac as our base material. 695 01:29:49.529 --> 01:29:52.859 The tenants record analog. 696 01:29:52.859 --> 01:29:56.250 Course model 70. 697 01:29:56.250 --> 01:30:00.930 So, this 1 will be on the next slide here that. 698 01:30:00.930 --> 01:30:04.260 Just an example of what is on this, this. 699 01:30:04.260 --> 01:30:09.600 Each side consists of the sound of defense chimes followed by an organ performance. 700 01:30:09.600 --> 01:30:18.720 So, you have lots of lots of fun subject heading. 701 01:30:18.720 --> 01:30:27.899 Year 2 now, as far as the 500 notice is at the top of the slide, you can either, you know, always. 702 01:30:27.899 --> 01:30:41.909 Make a notes, or you can call those old 30th indicators to to make a knowledge if your system can do that. Sometimes it is clear just to just to just to make a note. 703 01:30:41.909 --> 01:30:47.760 So really. 704 01:30:47.760 --> 01:30:52.050 Nothing different here. 705 01:30:52.050 --> 01:31:01.829 Okay, so moving on to. 706 01:31:01.829 --> 01:31:10.260 1st, we're going to look at the audio cassette this became available in 1962. 707 01:31:10.260 --> 01:31:14.279 But we're eclipsed by CDs in the 1980. 708 01:31:14.279 --> 01:31:18.689 The capacity was 30 to 45 minutes per side. 709 01:31:18.689 --> 01:31:22.649 With 2 pairs of tracks either model or stereo. 710 01:31:22.649 --> 01:31:33.600 So this is an example of of elements that in the past, we didn't provide. 711 01:31:33.600 --> 01:31:36.930 In our records necessarily. 712 01:31:36.930 --> 01:31:48.359 Elements that were standard for a, for a format. So, audio, because that's commercial audio, because that's were always the same size and they always use acreage tape. 713 01:31:48.359 --> 01:31:51.600 So, we didn't necessarily record that. 714 01:31:51.600 --> 01:31:55.618 Um, now, you know. 715 01:31:55.618 --> 01:32:02.038 I would go ahead and record it if something that you could put in a tech string to do. 716 01:32:02.038 --> 01:32:06.988 You can also you will also put those in your 3, 4 x fields. 717 01:32:10.319 --> 01:32:14.099 Some of these values. 718 01:32:14.099 --> 01:32:23.609 Especially in the old 7, and then in the 344 sub field g will vary, depending on what resources you have in hand. 719 01:32:29.429 --> 01:32:35.458 So, in this example, I do have an issue number so I've included that. 720 01:32:35.458 --> 01:32:38.939 Here. 721 01:32:38.939 --> 01:32:43.229 This was taken from a, a record and connection and. 722 01:32:43.229 --> 01:32:51.118 I think maybe I wouldn't have made this 110. I don't see. 723 01:32:51.118 --> 01:32:57.059 I don't see any information that we believe that out of the group. 724 01:32:57.059 --> 01:33:04.618 Was the actual composer, so I probably move that to a 7 to 10. 725 01:33:06.088 --> 01:33:20.309 But here, 300 field, I've given them the full treatment. My stuff to be was analyzed stereo and then you'll see with the measurements, the dimensions of both. 726 01:33:20.309 --> 01:33:24.149 The concept and the tape. 727 01:33:24.149 --> 01:33:31.769 336 337 and 338 our standard the care. 728 01:33:31.769 --> 01:33:37.439 Carrier is the audio the analog. 729 01:33:37.439 --> 01:33:43.378 It's magnetic does the recording medium for track? 730 01:33:43.378 --> 01:33:48.118 I dunno this particular 1 um. 731 01:33:48.118 --> 01:33:51.929 And then the rest is just straight forward. 732 01:33:58.708 --> 01:34:04.048 So this is the audio tape. 733 01:34:04.048 --> 01:34:07.349 An attempt to make. 734 01:34:07.349 --> 01:34:11.849 A better replacement for the, for the analog. 735 01:34:11.849 --> 01:34:15.179 This became available in 1987. 736 01:34:15.179 --> 01:34:19.559 Developed by Sony as the next greatest thing. 737 01:34:19.559 --> 01:34:27.779 It was mostly used though, in professional recordings, as it didn't really catch on in the consumer market because of the cost. 738 01:34:27.779 --> 01:34:35.309 What's the recording industry lobbied hard against it because of the ability to make high quality copy? 739 01:34:35.309 --> 01:34:43.048 So, I had a greater capacity obviously than a regular analog audio, because that. 740 01:34:43.048 --> 01:34:51.118 So, recorders for these were discontinued manufacturers discontinued in 2005. 741 01:34:51.118 --> 01:34:57.719 So probably not the preservation medium that people were hoping for. 742 01:34:57.719 --> 01:35:04.918 So here are the suggested. 743 01:35:04.918 --> 01:35:10.378 Feel for the digital audio tape differences. 744 01:35:10.378 --> 01:35:13.859 Is the size of the concept. 745 01:35:13.859 --> 01:35:18.328 Your content type will vary, depending on your resource and hand. 746 01:35:18.328 --> 01:35:22.979 Audio, because that remain the carrier type. 747 01:35:22.979 --> 01:35:28.469 And these are generally to track. 748 01:35:28.469 --> 01:35:32.698 There may be a difference in the playing need. 749 01:35:37.618 --> 01:35:47.788 So, in this example, in the old 7 value, I usually, this is a represents a commercially. 750 01:35:47.788 --> 01:35:57.448 Recorded things, but this was an instantaneous recording, which means it was just recorded on the spot. 751 01:35:57.448 --> 01:36:06.868 So, here the dimensions of the concept we're given, but not the width of the. 752 01:36:13.378 --> 01:36:18.479 You know, a little note, telling us that all the information came from the, that cover. 753 01:36:18.479 --> 01:36:28.168 And the rest of the record is fairly straightforward. 754 01:36:35.429 --> 01:36:38.908 So reel to reel tapes. 755 01:36:38.908 --> 01:36:45.748 There will be differences here, too, with the size of the reel. Who's come in various sizes. 756 01:36:45.748 --> 01:36:50.309 I think the quarter is tape is pretty standard. 757 01:36:50.309 --> 01:36:55.319 Hello. 758 01:36:55.319 --> 01:37:04.529 So, basically, you match the resource you have in hand with these are there are 2 speeds for commercial. 759 01:37:07.529 --> 01:37:19.319 So your field g, also, if you don't have an indication of your configuration of playback, then you would omit the field. 760 01:37:19.319 --> 01:37:24.899 Hello. 761 01:37:24.899 --> 01:37:30.149 Example, we have a work by low start. 762 01:37:30.149 --> 01:37:36.809 We have this is a production statement, those unpublished resource. 763 01:37:36.809 --> 01:37:46.679 Remember only the, only the date here is core for a production statement, but the best practices. 764 01:37:46.679 --> 01:37:51.088 To give information about the place and the. 765 01:37:51.088 --> 01:37:56.189 Publisher producer, if you have that available. 766 01:37:56.189 --> 01:38:08.399 In the 300 field, we have both the audio tape reel statement of extent. We have the information about the tape. 767 01:38:08.399 --> 01:38:11.819 And then the stereo. 768 01:38:11.819 --> 01:38:17.668 The size of the real, the quarter inch tape and then we also have. 769 01:38:17.668 --> 01:38:21.298 Another extent statement of 1 sheet. 770 01:38:21.298 --> 01:38:24.868 This could also have been done as a separate 300 fields. 771 01:38:24.868 --> 01:38:32.158 So, in this case, there is the real of tape and then there's a program that accompanies it. 772 01:38:32.158 --> 01:38:37.019 So, in this case, it was considered and important to. 773 01:38:37.019 --> 01:38:41.038 Provide a content. 774 01:38:41.038 --> 01:38:44.219 Time for that. 775 01:38:44.219 --> 01:38:48.628 So, along with that, you also have to provide both, um. 776 01:38:48.628 --> 01:38:52.649 Media types and carrier types. 777 01:38:53.849 --> 01:39:00.689 Within our information that we had in the 300, so we'll be is. 778 01:39:00.689 --> 01:39:03.868 Also, Parse down in the 344, some fields. 779 01:39:03.868 --> 01:39:11.488 And it tells us our title came from the academy program. 780 01:39:11.488 --> 01:39:21.149 And the rest of it is fairly straight forward. 781 01:39:31.378 --> 01:39:38.099 Looking at the clock, we have about 20 minutes left. I'm going to. 782 01:39:38.099 --> 01:39:46.649 Briefly look at cartridges, we want to spend a lot of time going through the records on these, because I do want to get to our final. 783 01:39:46.649 --> 01:39:50.038 Factions media devices. 784 01:39:50.038 --> 01:39:53.548 So cartridges. 785 01:39:53.548 --> 01:39:59.338 8 tracks are cartridges became available in 1964. 786 01:39:59.338 --> 01:40:05.998 Developed by by several companies, and this was. 787 01:40:05.998 --> 01:40:10.889 Mainly a way to get music into a car. 788 01:40:10.889 --> 01:40:16.288 So, it's an analog magnetic take enclosed in a plastic cartridge. 789 01:40:16.288 --> 01:40:19.378 As the Cutaway version here shows up. 790 01:40:19.378 --> 01:40:25.498 There was an 80 minute capacity on that loop and there were 4 stereo channels. 791 01:40:25.498 --> 01:40:28.859 So, of course, the audio content. 792 01:40:28.859 --> 01:40:36.779 Put this in the 19 seventies, and the tracks were pretty much gone by 92. 793 01:40:36.779 --> 01:40:43.918 So here are the thing to note the things you would record. 794 01:40:43.918 --> 01:40:47.158 Renee track it's an audio cartridge. 795 01:40:47.158 --> 01:40:51.418 And then here, again, dimensions, and with the tape. 796 01:40:51.418 --> 01:41:00.448 But the standard pretty much for a track, so you can record it or not, but definitely put it in your 344. 797 01:41:00.448 --> 01:41:04.828 Group. 798 01:41:04.828 --> 01:41:10.679 It's a magnetic recording medium. 799 01:41:10.679 --> 01:41:13.948 You know, obviously a track. 800 01:41:17.429 --> 01:41:22.198 So, I'll let you look at this record at your leisure. 801 01:41:22.198 --> 01:41:25.948 Pretty straight forward. 802 01:41:25.948 --> 01:41:30.179 Just 1. 803 01:41:30.179 --> 01:41:34.738 Became available in 9999 2. 804 01:41:34.738 --> 01:41:42.479 Developed by Sony as a competitor for the digital compact cassette, which I left out of the. 805 01:41:42.479 --> 01:41:47.788 Tape segment just because their. 806 01:41:47.788 --> 01:41:51.029 They're very, very hard to find. 807 01:41:51.029 --> 01:41:58.679 But this is slightly different because it's amino optical media type. So it's a disk enclosed in a cartridge. 808 01:41:58.679 --> 01:42:08.759 The capacity is similar to a CD part that was eclipse by compact MP 3 players and file based systems like the. 809 01:42:08.759 --> 01:42:14.788 So, if you ever have the opportunity to catalog 1, here are the. 810 01:42:14.788 --> 01:42:18.929 Elements and the values you would include. 811 01:42:18.929 --> 01:42:23.698 So it is also an audio cartridge and it has. 812 01:42:23.698 --> 01:42:28.168 And their dimensions, maybe optical. 813 01:42:28.168 --> 01:42:31.319 And there is a proprietary. 814 01:42:31.319 --> 01:42:34.439 Coding format. 815 01:42:34.439 --> 01:42:39.418 Most we need to be. 816 01:42:39.418 --> 01:42:44.788 But that adaptive transform acoustic coding. 817 01:42:44.788 --> 01:42:49.798 Proprietary to Sony issue. Most of the. 818 01:42:49.798 --> 01:42:55.738 Get an example to look at. 819 01:42:55.738 --> 01:43:01.588 That's like, see this. 820 01:43:01.588 --> 01:43:05.279 Is a really fun thing. 821 01:43:05.279 --> 01:43:16.469 This became available in the 19 sixties, commonly issue to cereal boxes, or as magazine insert your primary purpose was advertising. 822 01:43:16.469 --> 01:43:21.118 They're also known as photo sheets or sound sheet, which is a. 823 01:43:21.118 --> 01:43:25.048 To brandname flexing the. 824 01:43:25.048 --> 01:43:32.248 He's kind of waned of popularity in the nineties, but they've been revived again of the 2000. 825 01:43:32.248 --> 01:43:43.529 Many values will vary here, depending on what you have, but it's important to include in all 7 field. 826 01:43:43.529 --> 01:43:49.139 And also the 340 based material. 827 01:43:49.139 --> 01:43:53.429 You also have the 340. 828 01:43:53.429 --> 01:44:00.269 Something you'll see which is applied material, because no matter what the basis it always has the final. 829 01:44:00.269 --> 01:44:03.658 Layer that have the actual recording on it. 830 01:44:03.658 --> 01:44:12.298 These will micro group the playing speed will vary. They can be 33 and a 3rd. They could be 45. 831 01:44:12.298 --> 01:44:19.918 I would also include information about, you know, if there's special color the surface or the material. 832 01:44:19.918 --> 01:44:23.429 Or what it was issued on, perhaps. 833 01:44:23.429 --> 01:44:28.948 And just another example. 834 01:44:28.948 --> 01:44:32.399 That you can look at later. 835 01:44:37.259 --> 01:44:41.548 Then finally we'll look at media devices. 836 01:44:45.389 --> 01:44:48.689 Perhaps. 837 01:44:48.689 --> 01:44:56.458 Okay, so if you were at the cap ca meeting yesterday, you heard a little bit about this. 838 01:44:56.458 --> 01:45:06.029 Uh, there is a new joint olack, Emily task force to dissolve rba, best practices for media devices. 839 01:45:06.029 --> 01:45:11.639 Generally, these are portable devices with some sort of Pre, loaded content. 840 01:45:11.639 --> 01:45:16.798 You kind of start themselves in the 2 categories. 841 01:45:16.798 --> 01:45:25.259 The 1st category are more digital media storage devices that require some kind of additional equipment to access the content. 842 01:45:25.259 --> 01:45:30.418 So example, the examples of this would be the USB micro se. 843 01:45:30.418 --> 01:45:34.198 Um, an example now flop music. 844 01:45:34.198 --> 01:45:44.609 Floppy disks or CDROM, portable media devices require no additional equipment. The content and the carrier all in 1. 845 01:45:44.609 --> 01:45:50.878 So this would refer to things like the play on a product line box books and so on. 846 01:45:50.878 --> 01:45:57.868 Audio has been available to 2005. 847 01:45:57.868 --> 01:46:01.469 Or sometimes referred to as the original play away. 848 01:46:01.469 --> 01:46:08.668 This was mostly spoken word, some music, uh, some foreign language, or sell materials. 849 01:46:08.668 --> 01:46:15.389 Some of these are also reissues of CD or audio or audio cassette recording. 850 01:46:15.389 --> 01:46:21.418 Do require and a set of earbuds and a battery to operates. 851 01:46:21.418 --> 01:46:34.649 So, what's the include in your record? These will be either non music or music, depending on what the content is. 852 01:46:34.649 --> 01:46:41.998 Generally include, oh, 6, the electronic aspect of it. 853 01:46:41.998 --> 01:46:49.229 We're cataloging these as founders or the audio recordings we need to account for the electronic. 854 01:46:49.229 --> 01:46:55.019 Aspect, so you don't have oh, 7 for the audio and electronic resources. 855 01:46:55.019 --> 01:47:06.628 Again, similar to audio books. Many of these are audio book. Yes. Additional statement is very important because if you have that on your resource. 856 01:47:06.628 --> 01:47:19.918 Then the 300 fields is a little more interesting and I will say for the slides in this section, this is my take on these formats that. 857 01:47:19.918 --> 01:47:29.908 This may, or may not end up in the in the best practices. So, just to keep that disclaimer in mind. 858 01:47:29.908 --> 01:47:34.588 The 300 field pretty much in the old. 859 01:47:34.588 --> 01:47:41.128 Playing away ACR, 2 handbook these were called sound media player. 860 01:47:45.029 --> 01:47:49.109 So, I'm kind of upgraded that to audio media player. 861 01:47:49.109 --> 01:47:54.359 For our include a total duration if you have that. 862 01:47:54.359 --> 01:48:08.189 And then these are pretty much the standard size you can also invoke the determine com and common usage and just call it. 1 play away. That's an agency decision. You can decide what works best for you. 863 01:48:08.189 --> 01:48:14.219 Include a 306 for the content we're need 37 for audio and. 864 01:48:14.219 --> 01:48:22.559 And this is kind of also up for discussion. This is an audio other or is this really an object. 865 01:48:22.559 --> 01:48:26.729 So, stay tuned for the best practices. 866 01:48:26.729 --> 01:48:31.109 Here. 867 01:48:31.109 --> 01:48:41.248 Play away often provides records to connection and so I've used some of these to inform these slides. 868 01:48:41.248 --> 01:48:48.868 They refer to to the recording medium as non flash memory. 869 01:48:48.868 --> 01:48:53.998 So that's not an already a term so there is no source code. 870 01:48:53.998 --> 01:49:02.759 Some of these the later 1 feature audio, so you can add that if it's applicable. 871 01:49:02.759 --> 01:49:08.219 The has a proprietary encoding format. 872 01:49:08.219 --> 01:49:13.349 And added to, as all encoding format does not have. 873 01:49:13.349 --> 01:49:16.738 Of course. 874 01:49:16.738 --> 01:49:24.868 The quick look at. 875 01:49:24.868 --> 01:49:27.868 It's a play record here. 876 01:49:27.868 --> 01:49:31.559 I model this after. 877 01:49:31.559 --> 01:49:34.679 In the spirit of the farmer. 878 01:49:34.679 --> 01:49:38.248 If you are to play a way guide. 879 01:49:38.248 --> 01:49:46.259 So, there, the instruction was to consider play away publisher and then find a way world, which is the name of the larger company. 880 01:49:46.259 --> 01:49:50.698 And the just distributor. 881 01:49:52.559 --> 01:49:58.168 And here, this is pretty straightforward. 882 01:49:58.168 --> 01:50:03.868 This 1 is the audio, so I added that to 347. 883 01:50:03.868 --> 01:50:08.009 Actually, this should be. 884 01:50:08.009 --> 01:50:12.269 That should actually be in some field, which. 885 01:50:12.269 --> 01:50:17.189 Okay, definitely submitting updated sites. 886 01:50:17.189 --> 01:50:20.609 Okay, and just a. 887 01:50:20.609 --> 01:50:25.529 Equipment note that requires a set of your phones and 1. 888 01:50:25.529 --> 01:50:29.849 Uh, triple a battery, you. 889 01:50:31.019 --> 01:50:36.838 And then this 1 is a release, so we would include information about that. 890 01:50:36.838 --> 01:50:43.078 And the rest is pretty straight forward. 891 01:50:48.054 --> 01:51:00.743 Plot music, I'm included here because just because it's an old legacy product, we had a guide that to cataloging slot music when it looked like it would be the next new and great thing. 892 01:51:01.439 --> 01:51:07.168 Sadly, you know, that did that really take off, but I'm including it here just because. 893 01:51:07.168 --> 01:51:14.219 Available in 2008, it's a micro flash memory card. 894 01:51:14.219 --> 01:51:18.958 Featured preloaded, audio files and MP 3 formats. 895 01:51:18.958 --> 01:51:24.059 It also had enough capacity that a user could. 896 01:51:24.059 --> 01:51:27.988 Add more tracks or remove tracks and. 897 01:51:27.988 --> 01:51:32.548 You know, the publisher could add video or text images. 898 01:51:32.548 --> 01:51:37.078 And whatever, and and all of these were free. 899 01:51:37.078 --> 01:51:40.408 The old guide was published in 2010. 900 01:51:40.408 --> 01:51:48.809 This is based on that guide. What? I think that. 901 01:51:48.809 --> 01:51:52.828 Would be our values. 902 01:51:52.828 --> 01:52:01.048 In connection, if you look per slot music, you'll find that the only record that exists is the 1 that was done for the guide itself. So that. 903 01:52:01.048 --> 01:52:04.649 I've taken that record and upgraded it to. 904 01:52:04.649 --> 01:52:07.679 So, what I think would be the values. 905 01:52:07.679 --> 01:52:11.819 So, you can look at that at your leisure. 906 01:52:11.819 --> 01:52:19.109 And pilot finally, and this is the. 907 01:52:22.373 --> 01:52:33.684 This is available starting in 2000 data storage device that includes flash memory was an integrated with the interface. So there's a small printed circuit board and then the connector. 908 01:52:35.189 --> 01:52:40.048 Usually inside some sort of case, plastic metal or rubber. 909 01:52:40.048 --> 01:52:51.479 It's separate that from from the drive, it's really supposed to be more doable than a. 910 01:52:51.479 --> 01:53:01.259 And these are the elements you would include if you were catalog in. So here to. 911 01:53:01.259 --> 01:53:08.399 The 1, USP flash drives. This is an example that is in rba under the. 912 01:53:08.399 --> 01:53:14.908 What to do when the terms in the list don't society? This is used as an example. 913 01:53:14.908 --> 01:53:20.788 This would be considered a computer chip Partridge. 914 01:53:20.788 --> 01:53:27.719 And then again, some of the rest of the values would determine be determined by what you have in hand. 915 01:53:27.719 --> 01:53:33.328 Sometimes like for the middle set, you can go to the. 916 01:53:33.328 --> 01:53:38.878 Website, and it will give you more information about the file types and what is on. 917 01:53:38.878 --> 01:53:42.958 The flash drive. 918 01:53:46.168 --> 01:53:51.719 And then here is the record for. 919 01:53:51.719 --> 01:53:56.219 You don't. 920 01:53:59.609 --> 01:54:03.298 So, here in this record. 921 01:54:03.298 --> 01:54:08.759 Is the container dimensions are given, but really the. 922 01:54:08.759 --> 01:54:12.658 Instructions in already tell you to. 923 01:54:12.658 --> 01:54:18.208 Record the length of the sign in cartridge that is inserted into the machine. 924 01:54:18.208 --> 01:54:21.748 So the 1 1 difference. 925 01:54:21.748 --> 01:54:28.708 Um, I don't really know which is more useful. 926 01:54:28.708 --> 01:54:33.448 So, I'm. 927 01:54:33.448 --> 01:54:41.128 Fee drive, because there are MP 3 files, and there are files in black. 928 01:54:41.128 --> 01:54:45.479 Which is another encoding format. 929 01:54:45.479 --> 01:54:56.668 You can also code the 340 for base material dimensions and color content. I didn't do that. 930 01:54:56.668 --> 01:54:59.908 For the slide. 931 01:54:59.908 --> 01:55:04.349 Then the rest of the record year, would, you know. 932 01:55:04.349 --> 01:55:11.939 Containing your content, the entries or access points for the composers performers produces and so on. 933 01:55:15.389 --> 01:55:18.538 And again. 934 01:55:18.538 --> 01:55:24.479 Invoke this phrase, not probably as the arc guide intended, but. 935 01:55:24.479 --> 01:55:34.019 Just to let, you know, perfect is the enemy of that you fall. I mean, you can really agonize over a lot of these things, but, you know, Jay tells us not to. 936 01:55:34.019 --> 01:55:37.889 But, you know, just do your best. 937 01:55:37.889 --> 01:55:46.948 And the preview of coming attractions, the beta tool kit becomes official, our new text on December 15th. 938 01:55:46.948 --> 01:55:50.368 But that's not and implementation date. 939 01:55:50.368 --> 01:56:00.088 Has a new model, so that will provide some opportunities, especially for audio recording and cataloging. 940 01:56:00.088 --> 01:56:04.048 With relationships being equal. 941 01:56:04.048 --> 01:56:10.019 There may be there will be no more hopefully. 942 01:56:10.019 --> 01:56:15.479 Needing to make a creator be only a songwriter. 943 01:56:15.479 --> 01:56:26.309 Got a new organizational structure and lots of nice features. So if you have a chance to poke around in beta tool. 944 01:56:26.309 --> 01:56:33.328 The full record examples we will leave for another time. I will. 945 01:56:33.328 --> 01:56:36.929 Put my annotated version of those on the. 946 01:56:36.929 --> 01:56:42.359 Conference page, so I will skip right to the. 947 01:56:42.359 --> 01:56:45.809 It's very on. 948 01:56:48.149 --> 01:56:52.588 And let me know questions it can do that through the. 949 01:56:52.588 --> 01:56:59.969 So workshop, 1 page, and I can answer any last questions. 950 01:56:59.969 --> 01:57:04.498 We just have a couple of questions come in Mary. 951 01:57:04.498 --> 01:57:18.533 The 1st is from Pamela Thomas, who asks on slide 92 shouldn't it be stepping? Apostrophe? Not stepping without an apostrophe. That would be true. Very good. Catch them on the next. Go around the. 952 01:57:19.948 --> 01:57:31.889 The other question, it's an easy 1 from who asks do you have a preference for enhanced or enhanced 5 or 5 fields which is the 1 on slide 94. 953 01:57:31.889 --> 01:57:39.538 That's totally up to you as a catalog or whatever. Like I'm in a consortium that. 954 01:57:39.538 --> 01:57:44.069 Prefers an enhanced vital 5. 955 01:57:44.069 --> 01:57:48.509 But, you know, whatever is more useful for your. 956 01:57:48.509 --> 01:57:54.538 Situation, so I don't think there really is an express preference other than I think Elsie. 957 01:57:54.538 --> 01:57:58.229 And the policy statement says that they, they don't do enhance. 958 01:57:58.229 --> 01:58:02.578 But, you know, that's a decision that's up to up to your library. 959 01:58:05.639 --> 01:58:19.073 Well, thank you very much Mary. Oh, Shelly says she prefers the enhanced to me. I'm sure the lazy so I tend not to do the enhanced, but that's just me anyway. Thank you very much. 960 01:58:19.073 --> 01:58:27.444 This has been very informative session. I appreciate everybody coming and we hope to see you at more of the sessions over the next couple of days. 961 01:58:29.158 --> 01:58:32.519 Take care of everybody and thank you Mary.