Theatre production is a collaborative creative activity. Recent theory and research into group creativity recognizes the relationships between individuals, groups, and the contexts in which creativity emerges. It also suggests that between the interactive creative processes of the collaborators and their work, the work itself becomes a kind of creative entity. In this essay, I explain how all creativity is now seen as collaboration, outline this process, and illustrate the differences between seeing theatre as an aggregate, collective activity and the more integrated view, in which the process is synergistically collaborative. An understanding of the cognitive and behavioral processes of group creativity can enhance and facilitate any creative work, making it valuable to the field of theatre, not only for the director, who is primarily responsible for the process, but to anyone working on a production. It

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Creative Commons Attribution-Noncommercial 4.0 License
This work is licensed under a Creative Commons Attribution-Noncommercial 4.0 License



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