Documents From 2018
The Directing of Melanie Marnich's These Shining Lives, Kristin Fox
Technical Direction of Little Women, The Musical, Matt Gilbertson
The Direction of Why Torture is Wrong, and the People Who Love Them, Donald Hart
The Costume Design of Little Women the Musical, Emily Kimball
Documents From 2017
Creating the Role of Georgie Bukatinsky in "The Full Monty", Erin Horst
Technical Direction of Frankenstein 1930, Isaac Sawle
Documents From 2016
A Dramaturgical Analysis of The Miracle Worker, Abby Butzer
Directing Time Stands Still, Michael Bradley Sheeks
The Sound Design of Antigone, Luke Jacob Walchuk
Creating the Role of Frederick Barrett in Titanic: The Musical, Adam Val Yankowy
Documents From 2015
Sound Design for Our Town, Anna Warda Alex
Directing A Piece of My Heart, Matthew L. Caron
Documents From 2014
The Scene Design For Kiss of the Spider Woman, Noah Jon Michael Files
Recreating Paris in Les Miserables, Joel Schiebout
Documents From 2013
How To Improve Theatre Arts Education In Chinese Higher Educational Institutes, Ji Ding
The Lighting Design for A Chorus Line, Jordan William Green
Creating the Role of Nicia in The Mandrake, Robert T. Krueger
Technical Direction for Abe Burrows' Cactus Flower, Lawrence A. Lopez
An Actor on the Line: Becoming Judy Turner in A Chorus Line, Morgan Mallory
Play Selection Process of Minnesota Catholic High Schools, Amanda Pyfferoen
A Director's Approach to I Love You Because, Adam Karal Sahli
A Costume Designer's Approach to Agatha Christie's And Then There Were None, Angela Kristie Sahli
Technical Direction of Chicago, Joseph Jerome Skala
Scene Design of A Chorus Line, Naoko Ishizuka Skala
The Process of Directing Edward Albee's The Goat, or Who is Sylvia, Shelley Whitehead
