Event Title
The Promotion of Body Positivity in Ballet
Location
CSU 201
Start Date
11-4-2017 10:00 AM
End Date
11-4-2017 11:00 AM
Student's Major
Theatre and Dance
Student's College
Arts and Humanities
Mentor's Name
Julie Kerr-Berry
Mentor's Department
Theatre and Dance
Mentor's College
Arts and Humanities
Description
The ideal female Western ballet body is an image that persists as the norm of what a ballerina should look like. This ideal includes a slender woman with long legs and arms, a small head, little to no bust line, and a short torso. It is an image that continues to be synonymous with success and beauty as a ballet dancer. Social and historical research indicated that this long held belief and damaging ideal pervades the way past, and present ballet dancers view themselves, their bodies, as well as their performance in other dance forms such as modern and jazz dance. This paper will focus on Western ballet relative to the impact the ideal ballet body has on its participants and on dance in general. This ideal is still very much a part of today's ballet and concert dance culture in the west. In addition, this paper will also offer that positive influences do exist that challenge the persistent falsities spread by this ideal and argue that more education needs to be presented to teachers and students alike to stop the dangerous implications of this ideal. As a result, such education could support much needed body positivity in the realm of ballet and in the overall Western concert dance world.
The Promotion of Body Positivity in Ballet
CSU 201
The ideal female Western ballet body is an image that persists as the norm of what a ballerina should look like. This ideal includes a slender woman with long legs and arms, a small head, little to no bust line, and a short torso. It is an image that continues to be synonymous with success and beauty as a ballet dancer. Social and historical research indicated that this long held belief and damaging ideal pervades the way past, and present ballet dancers view themselves, their bodies, as well as their performance in other dance forms such as modern and jazz dance. This paper will focus on Western ballet relative to the impact the ideal ballet body has on its participants and on dance in general. This ideal is still very much a part of today's ballet and concert dance culture in the west. In addition, this paper will also offer that positive influences do exist that challenge the persistent falsities spread by this ideal and argue that more education needs to be presented to teachers and students alike to stop the dangerous implications of this ideal. As a result, such education could support much needed body positivity in the realm of ballet and in the overall Western concert dance world.
Recommended Citation
Achen, Claire. "The Promotion of Body Positivity in Ballet." Undergraduate Research Symposium, Mankato, MN, April 11, 2017.
https://cornerstone.lib.mnsu.edu/urs/2017/oral-session-01/1
