Reflections on Canvas: Caravaggio and the Development of Optical Style

Location

CSU 203

Start Date

23-4-2007 8:15 AM

End Date

23-4-2007 9:45 AM

Student's Major

Art

Student's College

Arts and Humanities

Mentor's Name

Curt Germundson

Mentor's Department

Art

Mentor's College

Arts and Humanities

Description

At the height of his career. Baroque painter Michaelangelo de Mersi Caravaggio was revered for his ability to foster a heightened sense of realism never before seen upon the canvas. However, as recent scholarship and a renewed interest in the history of artistic methodology reveal, the artist may have utilized optical devices such as a single lens to project reflections of his subjects upon the canvas. Due to the limitations of such devices, spacial discontinuity and unnatural proportion are just two of the discrepancies which have affected the realism and overall unity of his artwork. Caravaggio worked with naturalism in mind and therefore would have used the optical device as an aid in heightening the realism of his work. While certain aspects of his paintings such as facial expression and light remained raw and naturalistic the overall unity of the works were compromised, consequentially creating fragmented spaces with subjects who were emotionally and physically disengaged from each other. These aspects can be attributed to the use of the lens, which was only capable of reflecting one figure at a time. Permeating Caravaggio's canvases these discrepancies also influenced his followers, the Caravaggisti. With noticeable visual elements recalling the effects,of Caravaggio's optical device, his followers have adopted these discrepancies as stylistic traits within their paintings. This paper will examine Caravaggio's alleged use of optical devices and the subsequent effects which have impacted his followers.

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Apr 23rd, 8:15 AM Apr 23rd, 9:45 AM

Reflections on Canvas: Caravaggio and the Development of Optical Style

CSU 203

At the height of his career. Baroque painter Michaelangelo de Mersi Caravaggio was revered for his ability to foster a heightened sense of realism never before seen upon the canvas. However, as recent scholarship and a renewed interest in the history of artistic methodology reveal, the artist may have utilized optical devices such as a single lens to project reflections of his subjects upon the canvas. Due to the limitations of such devices, spacial discontinuity and unnatural proportion are just two of the discrepancies which have affected the realism and overall unity of his artwork. Caravaggio worked with naturalism in mind and therefore would have used the optical device as an aid in heightening the realism of his work. While certain aspects of his paintings such as facial expression and light remained raw and naturalistic the overall unity of the works were compromised, consequentially creating fragmented spaces with subjects who were emotionally and physically disengaged from each other. These aspects can be attributed to the use of the lens, which was only capable of reflecting one figure at a time. Permeating Caravaggio's canvases these discrepancies also influenced his followers, the Caravaggisti. With noticeable visual elements recalling the effects,of Caravaggio's optical device, his followers have adopted these discrepancies as stylistic traits within their paintings. This paper will examine Caravaggio's alleged use of optical devices and the subsequent effects which have impacted his followers.

Recommended Citation

Harper, Eleanor Rae. "Reflections on Canvas: Caravaggio and the Development of Optical Style." Undergraduate Research Symposium, Mankato, MN, April 23, 2007.
https://cornerstone.lib.mnsu.edu/urs/2007/oral-session-02/4