Printing Three-Dimensionally: Merging Printmaking and Sculpture
Location
CSU 201
Start Date
21-4-2008 8:00 AM
End Date
21-4-2008 9:45 AM
Student's Major
Art
Student's College
Arts and Humanities
Mentor's Name
Erik Waterkotte
Mentor's Department
Art
Mentor's College
Arts and Humanities
Description
The central idea of this project was to investigate the possibilities of two-dimensional compositions and discover how those elements reacted when introduced with the elements of three-dimensional sculpture. In my process, I attempted to fuse the separate aspects of screen-printing and sculpture in a successful merger that would be atheistically interesting and challenging to the viewer. Through my research, I incorporated the technical skills and knowledge that I received through my experience as a sculptor and combined them with my recently acquired abilities in the methods of printmaking. The significance of this project was to research and create art that demonstrates a creative activity similar to the interests and innovations of today's exhibiting artists. With this project, I look forward to sharing my research and exhibiting the works I've made through the incorporation of printmaking methods. The integration of printmaking has allowed more versatility in my sculptural content while enhancing the complexity of the work's visual perception. By developing this process of combining printmaking and sculpture, I have utilized a technique that has provided a stimulating venture into the innovations of my work as an artist, while fueling my aspirations of receiving a Master of Fine Arts degree and ultimately becoming a Professor of Art at the collegiate level.
Printing Three-Dimensionally: Merging Printmaking and Sculpture
CSU 201
The central idea of this project was to investigate the possibilities of two-dimensional compositions and discover how those elements reacted when introduced with the elements of three-dimensional sculpture. In my process, I attempted to fuse the separate aspects of screen-printing and sculpture in a successful merger that would be atheistically interesting and challenging to the viewer. Through my research, I incorporated the technical skills and knowledge that I received through my experience as a sculptor and combined them with my recently acquired abilities in the methods of printmaking. The significance of this project was to research and create art that demonstrates a creative activity similar to the interests and innovations of today's exhibiting artists. With this project, I look forward to sharing my research and exhibiting the works I've made through the incorporation of printmaking methods. The integration of printmaking has allowed more versatility in my sculptural content while enhancing the complexity of the work's visual perception. By developing this process of combining printmaking and sculpture, I have utilized a technique that has provided a stimulating venture into the innovations of my work as an artist, while fueling my aspirations of receiving a Master of Fine Arts degree and ultimately becoming a Professor of Art at the collegiate level.
Recommended Citation
Olson, Matthew J.. "Printing Three-Dimensionally: Merging Printmaking and Sculpture." Undergraduate Research Symposium, Mankato, MN, April 21, 2008.
https://cornerstone.lib.mnsu.edu/urs/2008/oral-session-01/2