Abstract

As family life continues to enter and unfold on YouTube, the boundaries between intimacy, entertainment, and monetization have become strikingly blurred. This thesis examines how YouTube family vloggers construct and monetize their families through curated portrayals of authenticity, care, and morality. Using a qualitative content analysis of 100 videos from ten of the most popular YouTuber family channels of 2023, this study investigates how families and children are presented, how performances of authenticity are constructed and perceived, and how advertisements and sponsorships shape the narratives that these families produce. The analysis considers how parents act as both narrators and producers of family content, creating an image of domestic warmth and moral virtue while navigating the online commercial demands. Altogether, this research highlights how YouTube families merge faith, care, and consumerism into a cohesive brand identity that blurs the boundary between private life and public performance. By situating family vlogging into the broader discussions of digital labor, authenticity, and commercialization, this study reveals how online family content reflects and reshapes our current understanding of childhood, intimacy, and family life in the digital age.

Advisor

Emily Boyd

Committee Member

Dennis Waskul

Committee Member

Anne Kerber

Date of Degree

2025

Language

english

Document Type

Thesis

Degree

Master of Arts (MA)

Program of Study

Sociology

Department

Sociology and Leadership Studies

College

Humanities and Social Sciences

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Rights Statement

In Copyright