Abstract
Goffman's (1959) dramaturgical theory of identity provides a framework for making sense of complicated, mundane identity performances. Through in-depth interviews and focus groups conducted with intercollegiate forensic co-culture members, the current research builds on Goffman's dramaturgical theory of identity. Crystallization-based analysis showed identity performances are situated within one another like Russian matroyshka (nesting) dolls. Co-cultural expectations produce multi-level professionalism expectations, and overlapping co-cultures mean individuals manage conflicting conventions. Implications are offered for the forensics community, other co-cultures, and identity scholars.
Advisor
Daniel Cronn-Mills
Committee Member
Anne Kerber
Committee Member
Heather Hamilton
Date of Degree
2016
Language
english
Document Type
Thesis
Degree
Master of Fine Arts (MFA)
College
Arts and Humanities
Recommended Citation
Walker, J. L. G. (2016). Every(day) Identities in Forensics: Performing Identities Within the Constraints of Intercollegiate Forensics [Master’s thesis, Minnesota State University, Mankato]. Cornerstone: A Collection of Scholarly and Creative Works for Minnesota State University, Mankato. https://cornerstone.lib.mnsu.edu/etds/643/
Creative Commons License
This work is licensed under a Creative Commons Attribution-NonCommercial-No Derivative Works 4.0 International License.
Included in
Interpersonal and Small Group Communication Commons, Other Communication Commons, Speech and Rhetorical Studies Commons