Abstract

This thesis studies sexual and gender identity and gender performance in The Well of Loneliness by utilizing postmodern theory. The protagonist in the novel, Stephen Gordon, is not only one example of the many identities of lesbianism, but she is also an example of a multiplicitous identity. This thesis also questions whether we can find the exact moment or reason why an identity is formed. An exploration of not only The Well of Loneliness but also of a character study of Stephen Gordon is important to this dialogue because both studies validate the contradictory and complimentary relationship between sex and gender.

Advisor

Donna Casella

Committee Member

Anne O'Meara

Committee Member

Cathryn Bailey

Date of Degree

2000

Language

english

Document Type

Thesis

Degree

Master of Arts (MA)

Department

English

College

Arts and Humanities

Creative Commons License

Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License
This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License.

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